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A work made of album of gelatin silver prints (327).

Nonny Gardner Album, 1937/42

Irving Penn

A work made of brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on ivory laid paper.

Last Supper, n.d.

Tintoretto

A work made of lithograph in dark gray, red, salmon and yellow, partially from transfer paper transferred to stone, on cream wove paper.

At the Theatre, from Some Aspects of Paris Life, 1897–1898

Pierre Bonnard

A work made of red chalk, with stumping on ivory wove paper, partially discolored to tan.

Seated Female Nude, Leaning on Right Elbow, n.d.

Charles Despiau

A work made of woodcut printed through rubbing in black, partially inked in red and blue on the same block, on white wove paper.

Mother Müller, 1918

Ernst Ludwig Kirchner

A work made of pen and brown ink, with traces of black chalk, heightened with lead white (partially oxidized), on tan laid paper.

Ceiling Design with Mars Driving His Chariot, 1565/69

Lattanzio Gambara

A work made of black grease crayon on tan laid paper, partially under a sheet of clear plastic.

Untitled, n.d.

Juan Muñoz

A work made of black grease crayon on orange laid paper, partially under a sheet of clear plastic.

Untitled, 1984

Juan Muñoz

A work made of gelatin silver print.

Dunes, Oceano, 1936

Edward Weston

A work made of brush and white gouache on cream laid paper prepared with a black wash, laid down onto a partial ivory laid paper mount.

A Nightmare, after 1573

Melchior Bocksberger

A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on white japanese paper.

Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of lithograph in light green, bottle green, dark gray, sanguine, and red, partially from transfer paper transferred to stone, with scraping on stone, on ivory china paper.

Arc de Triomphe, from Some Aspects of Paris Life, 1899

Pierre Bonnard

A work made of pen and brown ink, heightened with lead white (partially oxidized), on cream laid paper, squared in black chalk, laid down on ivory wove paper.

Crucified Christ or Marsyas, 1585/95

Follower of Michelangelo Buonarroti

A work made of oil on pressboard.

Étude No. 1, 1917

Georges Vantongerloo

A work made of charcoal and pastel, with touches of brush and brown ink, on ivory laid paper (discolored to tan), partially outlined in graphite and squared in black fabricated chalk, with yellow paint residue on verso.

Breton Bather, 1886/87

Paul Gauguin

Lambert H. Ennis House, Evanston, Illinois: Partial First Floor Plan

Lambert H. Ennis House, Evanston, Illinois: Partial First Floor Plan, February 2, 1942

William Ferguson Deknatel

Henry Corwith Dangler and Abram Poole Houses: Partial East Elevation

Henry Corwith Dangler and Abram Poole Houses: Partial East Elevation, 1915/16

Henry Corwith Dangler

A work made of woodcut from four blocks in two shades of blue and two shades of red, with two blocks partially inked in yellow and green, on gray wove paper.

Winter Night in Moonlight, 1918

Ernst Ludwig Kirchner

A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on thin white japanese paper.

Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of woodcut in black ink on cream, laid paper, partially discolored to tan.

Sic Transit Gloria Mundi, 1939

Todros Geller

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