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A blackish square with the words "It's only vanishing cream" written in a capitalized, blocky font in a gray-black color just a few shades lighter than its background.

It's Only Vanishing Cream, 1973

Ed Ruscha

A work made of pen and brown ink with brush and brown wash, heightened with lead white, partially oxidized, over black chalk, on tan laid paper, laid down on cream laid card.

Baptism of Christ, c. 1560

Unknown Bolognese

A work made of linen, plain weave; stenciled and painted; embroidered with cotton in stem stitches.

Partially Worked Panel Intended as a Pillow Cover, 1910/15

Nonoluck Silk Company

A work made of pen and brown ink with brush and brown wash, over black chalk, on ivory laid paper, pieced and partially laid down on cream laid paper.

Design for a Ceiling Decoration, 1590/1614

Lazzaro Tavarone

A work made of brush and brown ink and brown wash, heightened with lead white (partially oxidized), on blue laid paper pieced in center, edge mounted to cream laid paper with ornamental border in brush and gold paint.

Frieze with Satyr, Nymph, and Putti, 1503/39

Circle of Giovanni Antonio da Pordenone

A work made of pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), on cream laid paper prepared with pink wash, laid down on cream wove paper.

Holy Family in Joseph's Carpentry Shop, n.d.

Circle of Jacopo Chimenti, called Jacopo da Empoli

A work made of pen and brown ink over traces of graphite, heightened with lead white (partially oxidized), on tan laid paper, laid down on blue laid paper.

Two Figures Ascending, 1560/70

Follower of Luca Cambiaso

A work made of black chalk and brush and gray wash, on pale green laid paper (pieced together, partially discolored) tipped on gray wove paper with pink and blue fibers.

Fantasy Landscape with Ruins and Figures, n.d.

Pierre Antoine Mongin

A work made of pen and black and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), on laid paper prepared with orange wash, laid down on tan laid paper.

Study for Venice, Crowned by Victory, Receiving Her Subject Peoples, n.d.

Jacopo Palma Il Giovane

A work made of gelatin silver print.

Circus Performers’ Rehearsal (Artistenprobe), 1929/30

Umbo (Otto Umbehr)

A work made of pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized) over traces of black chalk, on tan laid paper, laid down on cream wove card.

Study for the Adoration of the Magi, 1612

Jacopo Palma Il Giovane

A work made of gelatin silver print.

Bauhaus-Band Seen from Above (Bauhaus Kapelle von oben), c. 1928

Umbo (Otto Umbehr)

A work made of aquatint with etching in black on off-white wove paper, partially discolored to cream.

Rio Grande, 1971

Doel Reed

A work made of pen and brown ink, with brush and brown wash and traces of graphite, heightened with lead white (partially oxidized), on tan laid paper, laid down on cream laid card prepared with gold paint.

Study for Saint Jerome, after 1598

Lodovico Carracci

A work made of gelatin silver print.

Mannequin by André Masson, International Surrealist Exhibition, Paris, 1938

Denise Bellon

A work made of gelatin silver print.

The Three Codonas in the Berlin Wintergarten (Die 3 Codonas im Berliner Wintergarten), 1931/32

Umbo (Otto Umbehr)

A work made of lithograph in black on white wove paper.

“- May the devil get the inventor of all these New Year's presents!” Reflection of a sensitive, generous but tormented Parisian father, plate 476 from Actualités, 1858

Honoré-Victorin Daumier

A work made of gelatin silver print.

Oskar Schlemmer and Members of the "Junge Gruppe" of the Bauhaus Theatre Dessau, 1928/29

Umbo (Otto Umbehr)

History of Darkness (239,072,788 ly), 39/∞

History of Darkness (239,072,788 ly), 39/∞, 2010

Katie Paterson

A work made of cotton ground, silk threads.

Peony, Design 1885–90, made 1905–17

John Henry Dearle

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