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A work made of pen and brown ink over traces of graphite, heightened with lead white (partially oxidized), on tan laid paper, laid down on blue laid paper.

Two Figures Ascending, 1560/70

Follower of Luca Cambiaso

A work made of black chalk and brush and gray wash, on pale green laid paper (pieced together, partially discolored) tipped on gray wove paper with pink and blue fibers.

Fantasy Landscape with Ruins and Figures, n.d.

Pierre Antoine Mongin

A work made of gelatin silver print.

Composition: The Glory that was Greece, c. 1933

Florence Henri

A work made of pen and black and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), on laid paper prepared with orange wash, laid down on tan laid paper.

Study for Venice, Crowned by Victory, Receiving Her Subject Peoples, n.d.

Jacopo Negretti, called Palma Giovane

A work made of printed papers, typescript papers, holograph papers, correspondence, black and white photographic prints, black and white slides and color transparencies..

Louis Betts Collection, 1918-1994

Louis Betts

A work made of gelatin silver print.

Montmartre Museum, Apache Café, Paris (Musée de Montmartre, Café des Apaches, Paris), 1930

Ilse Bing

A work made of linen, plain weave; stenciled and painted; embroidered with cotton in stem stitches.

Partially Worked Panel Intended as a Pillow Cover, 1910/15

Nonoluck Silk Company

A work made of pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized) over traces of black chalk, on tan laid paper, laid down on cream wove card.

Study for the Adoration of the Magi, 1612

Jacopo Negretti, called Palma Giovane

A work made of aquatint with etching in black on off-white wove paper, partially discolored to cream.

Rio Grande, 1971

Doel Reed

A blackish square with the words "It's only vanishing cream" written in a capitalized, blocky font in a gray-black color just a few shades lighter than its background.

It's Only Vanishing Cream, 1973

Ed Ruscha

A work made of pen and brown ink, with brush and brown wash and traces of graphite, heightened with lead white (partially oxidized), on tan laid paper, laid down on cream laid card prepared with gold paint.

Study for Saint Jerome, after 1598

Lodovico Carracci

A work made of gelatin silver print.

Circus Performers’ Rehearsal (Artistenprobe), 1929/30

Umbo (Otto Umbehr)

A work made of gelatin silver print.

Bauhaus-Band Seen from Above (Bauhaus Kapelle von oben), c. 1928

Umbo (Otto Umbehr)

A work made of cotton ground, silk threads.

Peony, Design 1885–90, made 1905–17

John Henry Dearle

A work made of gelatin silver print.

Mannequin by André Masson, International Surrealist Exhibition, Paris, 1938

Denise Bellon

A work made of lithograph in black on white wove paper.

“- May the devil get the inventor of all these New Year's presents!” Reflection of a sensitive, generous but tormented Parisian father, plate 476 from Actualités, 1858

Honoré-Victorin Daumier

A work made of pen and brown ink with brush and brown wash, over black chalk (recto) and charcoal with traces of white chalk (verso) on gray laid paper, partially laid down on tan laid paper.

Saint Anthony of Padua (recto); Standing Monk (verso), 1540/75

Circle of Stefano dall' Arzere

A work made of pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), on blue-gray laid paper, laid down on brown laid paper.

Saint Bernardino of Siena Preaching from an Open Book, 1570/90

Unknown Sienese

A work made of black chalk, with incising, on cream wove paper, partially discolored to brown and folded.

Untitled (Mother and Child), n.d.

Sylvia Shaw Judson

Stormy Landscape

Stormy Landscape, n.d.

Unknown artist

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