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Explore artworks from a growing collection of artworks and objects from different museums around the world.

A work made of quarter morocco binding with brown paper; reptile skin inlays; author and title stamped in gold on spine; original paper covers bound in.

Secrets de la jungle, Published 1931; rebound 1931-1950

Mary Reynolds

A work made of brown leather valise with handle containing sixty-nine miniature replicas and printed reproductions and one original, sonate,1938, hand-colored collotype.

De ou par Marcel Duchamp ou Rrose Sélavy, 1941

Marcel Duchamp

A work made of full ostrich binding; decorated endpapers; author and title stamped in gold on spine label; original paper covers bound in.

Les yeux fertiles, Published 1936; rebound 1936-1950

Mary Reynolds

A work made of silver.

Tablespoon, 1790–1804

Saunders Pitman

A work made of silver and ivory.

Serving Knife, 1788–1817

John Vernon

A work made of full gray morocco binding; leather covered raised panel with glass thermometer inset on spine; author and title stamped in gold on spine; doublures with onlays; top edge gilt; original paper covers bound in.

Un rude hiver: Roman, Published 1939; rebound 1939-1950

Mary Reynolds

A work made of one-quarter vellum binding with cream paper sides repeatedly stamped with an upper case m in red and black; author and title stamped in gold on spine; original paper covers bound in.

La machine à écrire: pièce en trois actes, Published 1941; rebound 1941-1950

Mary Reynolds

A work made of full green morocco binding; horizontal onlay across covers and spine; china teacup handle attached by onlay to spine; title stamped in gold on front cover; author stamped in gold on back cover; marbled endpapers; original paper covers bound in.

Saint Glinglin: précédé d'une nouvelle version de Gueule de Pierre et des Temps mêlés: Roman, Published 1949; rebound 1949-1950

Mary Reynolds

A work made of full tan morocco binding; boards die cut in the shape of u; onlays on spine in shape of b; black silk endleaves; crown stamped in gold on front endleaf; author stamped in gold on back endleaf; gilt edges; original paper covers bound in; binding designed by marcel duchamp.

Ubu roi: Drame en cinq actes, Published 1921; rebound 1934-1935

Mary Reynolds

A work made of full leather binding with leather and board onlays; author and title stamped on front and back covers; decorated endpapers; black ink drawings on pastedowns; original paper covers bound in.

Rrose Sélavy, Published 1939; rebound 1939-1950

Mary Reynolds

A work made of photogravure and lithograph, 47 issues.

The USSR in Construction (SSSR na stroike), 1930-1935

El Lissitzky

A work made of paperbound book with photographically embossed cover, hand-sewn with silk in japanese style; original typography in letterpress in green with black; twenty photolithographs of paper collages (some in colors).

La septième face du dé: poëmes - découpages, Paris: Éditions Jeanne Bucher, 1936

Marcel Duchamp

A work made of periodicals with photomontage wrappers; complete set of 24 nos. in 10 parts.

Novyi Lef (New Lef), 1927–1928

Aleksandr Mikhailovich Rodchenko

A work made of book with slip case; two photogravures.

Walt Whitman in Camden, 1938

Christopher Morley

A work made of letterpress.

We Live [Žijeme], 1931–33

Ladislav Sutnar

A work made of lithographs periodicals; nos. 1-14, (1924-may 1925) all published as issued.

Pásmo [Zone or Reel], 1924–26

Karel Teige

A work made of periodicals; complete set of 7 issues.

Lef (Left Front of the Arts), 1923–24

Aleksandr Mikhailovich Rodchenko

A work made of book with original photomontages tipped in.

Emilie prichází ke mne ve snu (Emilie Comes To Me In A Dream), 1933

Jindrich Styrsky

A work made of periodicals; 23 issues. nos. 1-18 (1929); 1-4, 19-20 (1930).

Koruna (Crown), 1929–30

Vojtech Tittelbach

A work made of offset periodicals (bound and loose).

A.I.Z. (Workers' Illustrated Magazine), 1929–1934

John Heartfield

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