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A work made of gelatin silver print.

Berlin, Humboldtstraße Seen from Above (Berlin, Humboldtstraße von Oben), c. 1931

Gerull-Kardas, Walter

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, partially laid down on gray wove paper.

View of Town Beside River, n.d.

Marco Ricci

A work made of pen and black ink, with brush and gray and brown wash, over red chalk, partially squared in graphite and red chalk (recto), and red chalk (verso), on ivory laid paper.

Design for a Ceiling: Apotheosis of Callisto or Diana (recto), and Sketch of Figures (verso), 1731

Jacob de Wit

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink with traces of black ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of black chalk heightened, with white chalk, on tan laid paper, partially laid down on gray laid paper.

Head of a Woman, n.d.

Antonio Balestra

A work made of gelatin silver print.

Rue de la Transfusion de Sang with Mannequin of Oscar Domínguez, International Surrealist Exhibition, Paris, 1938

Rodolphe Raoul Ubac

A work made of gelatin silver print.

Mannequin by [Kurt] Seligmann, 1938

Rodolphe Raoul Ubac

A work made of pen and brown ink over red chalk, on buff laid paper, partially laid down on buff laid paper.

Landscape: House on Wooded Hill, n.d.

Unknown

A work made of gelatin silver print.

Merry-go-round, Collioure, 1928/29

Florence Henri

A work made of pen and brown ink, with brush and brown wash, heightened with lead white (partially discolored), on tan laid paper.

Three Men, Woman and Luteplayer in Boat, n.d.

Unknown Italian

A work made of pen and black ink and watercolor on ivory wove paper, with traces of crop lines in graphite, partially erased.

Untitled (Men in Masks), 1971

William Steig

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in ocher ink on grayish-ivory wove paper (recto); wood-block print in black ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Change of Residence, from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of pen and brown ink, with brush and brown wash, heightened with white gouache, over black chalk on cream laid paper, partially laid down on ivory laid paper.

David and Bathsheba, n.d.

Giuseppe Passeri

A work made of red and black chalk, heightened with lead white (partially oxidized), on tan laid paper, laid down on ivory laid paper.

Head Looking Upwards, n.d.

Unknown Sienese

Free to Imagine / Like My Child

Free to Imagine / Like My Child, 1985

Joan Snyder

A work made of woodcut from a partially inked block on cream laid japanese tissue.

Sketches, after 1863

Jean François Millet

A work made of silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile.

Panel, 1860/80

Mathevon et Bouvard

A work made of brush and black ink and gray wash, with gouache corrections, on ivory wove paper, with partially erased crop lines in graphite.

Yackety, yackety, yackety!, 1952

William Steig

A work made of gelatin silver prints, chromogenic print, and wooden shelf.

Section 1 of The Blind, 1986/89

Sophie Calle

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