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  • Art Institute Chicago
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A work made of partially painted maple.

Stand, 1800–15

Samuel Dunlap

A work made of gelatin silver print.

Mannequin by [Kurt] Seligmann, 1938

Rodolphe Raoul Ubac

A work made of gelatin silver print.

Merry-go-round, Collioure, 1928/29

Florence Henri

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of etching and engraving on ivory laid paper.

Royal Feast, 1782

Jean Michel Moreau

A work made of pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, partially laid down on gray wove paper.

View of Town Beside River, n.d.

Marco Ricci

A work made of pen and black ink, with brush and gray and brown wash, over red chalk, partially squared in graphite and red chalk (recto), and red chalk (verso), on ivory laid paper.

Design for a Ceiling: Apotheosis of Callisto or Diana (recto), and Sketch of Figures (verso), 1731

Jacob de Wit

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink with traces of black ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of black chalk heightened, with white chalk, on tan laid paper, partially laid down on gray laid paper.

Head of a Woman, n.d.

Antonio Balestra

A work made of pen and brown ink over red chalk, on buff laid paper, partially laid down on buff laid paper.

Landscape: House on Wooded Hill, n.d.

Unknown

Free to Imagine / Like My Child

Free to Imagine / Like My Child, 1985

Joan Snyder

A work made of pen and brown ink, with brush and brown wash, heightened with lead white (partially discolored), on tan laid paper.

Three Men, Woman and Luteplayer in Boat, n.d.

Unknown Italian

A work made of pen and black ink and watercolor on ivory wove paper, with traces of crop lines in graphite, partially erased.

Untitled (Men in Masks), 1971

William Steig

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in ocher ink on grayish-ivory wove paper (recto); wood-block print in black ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Change of Residence, from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of pen and brown ink, with brush and brown wash, heightened with white gouache, over black chalk on cream laid paper, partially laid down on ivory laid paper.

David and Bathsheba, n.d.

Giuseppe Passeri

A work made of gelatin silver prints, chromogenic print, and wooden shelf.

Section 1 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints (2), chromogenic prints (2).

The Blind [2], 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic print.

The Blind [3], 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic print.

The Blind [4], 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic prints (2).

The Blind [5], 1986/89

Sophie Calle

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