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A work made of gelatin silver print.

The Camera Conquers Unknown Photographic Territory (Die Kamera erobert fotografisches Neuland), c. 1927

Heinz Hajek-Halke

A work made of cotton, burn-out lace with machine net insets.

Border, 1890s

A work made of red chalk on cream laid paper (recto), partially laid down and tipped onto tan wove card.

Putto Poised on Right Leg (recto); Sketch of a Draped Arm (verso), 1575/1600

Domenico Cresti

A work made of red chalk, heightened with lead white (partially discolored), on brown laid paper, laid down on ivory laid card.

Resurrection, n.d.

Workshop of Raphael

A work made of woodcut fragment from a partially printed block on tan wove paper with separate matting and original backing with inscription in dark brown ink on white wove lined card.

Sketches, Fragment: Head of a Woman Wearing a Kerchief, after 1863

Jean François Millet

A work made of gelatin silver print.

Montmartre Museum, Apache Café, Paris (Musée de Montmartre, Café des Apaches, Paris), 1930

Ilse Bing

A work made of lithograph in black on white wove paper.

Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens, 1855

Honoré-Victorin Daumier

A work made of pen and brown ink with brush and gray wash, over black chalk and graphite, on tan laid paper, partially laid down.

Design for Ceiling Fresco: Apollo and the Muses with Minerva Destroying Ignorance, n.d.

James Thornhill

A work made of oil on canvas.

At the River's Bend (On the River II), 1895

Lilla Cabot Perry

A work made of red chalk, with brush and gray-brown and red chalk wash, with touches of black chalk, heightened with lead white (partially discolored), on tan laid paper with blue fibers, laid down on cream laid paper.

Scene From Roman History, n.d.

Thomas Blanchet

A work made of pen and brown iron-gall ink, with brush and brown wash, over black chalk (recto), and pen and brown iron-gall ink, with brush and brown wash, over touches of black chalk, heightened with lead white gouache (partially oxidized) (verso), on ivory laid paper.

Studies of a Figure Bending Over, Two Putti, and an Arm (recto); Rest on the Flight into Egypt (verso), 1596/97

Cesare Rossetti

History of Darkness (181,343,070 ly), 42/∞

History of Darkness (181,343,070 ly), 42/∞, 2010

Katie Paterson

A work made of black chalk with brush and brown wash, and incising, heightened with touches of white gouache, on ivory laid paper, pieced and partially laid down on ivory laid paper.

Death of a Saint, c. 1580

Unknown Sienese

A work made of gelatin silver print.

Aerial Photograph of Bombardment, World War I, France, 1918/19

United States. Army. American Expeditionary Forces

A work made of gelatin silver print.

Aerial Photograph of Bombardment, World War I, France, 1918/19

United States. Army. American Expeditionary Forces

A work made of gelatin silver print.

Chimney Sweep, 1932/34

John Fernhout

A work made of gelatin silver print.

Election Meeting, 1936

Fritz Goro

A work made of woodcut from a partially inked block in dark brown on buff wove china paper.

Woman Filling Water-Cans, 1854

Pierre Millet

A work made of collaged elements with watercolor on ivory wove paper, laid down on card (partially removed).

Untitled Valentine (Robin on a Branch), n.d.

Unknown artist

A work made of graphite, with brush and brown wash, on ivory laid paper, partially laid down on wove paper.

Five Sketches of Lions: Standing Cub, n.d.

Henry Stacy Marks

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