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A work made of graphite, with brush and brown wash, on ivory laid paper, partially laid down on wove paper.

Five Sketches of Lions: Standing Cub, n.d.

Henry Stacy Marks

A work made of pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), over traces of black chalk, on blue laid paper, squared in black chalk, tipped onto ivory laid paper.

Mars (or Alexander?) Distributing the Victor's Wreaths, 1560/65

Andrea Semino

A work made of pen and brown ink over graphite, on ivory laid paper, partially laid down on ivory wove paper.

Dutch Market or Fair, c. 1820

John Coney

A work made of silk, weft resist dyed (kasuri) plain weave; stenciled (kata yûzen-zome); partially lined with cotton, plain weave.

Hitoe, Shôwa period (1926–1989), c. 1930

A work made of lithograph in black on ivory wove paper, with letterpress verso.

The Parisian “- Tell me, good man, what are you doing with all these cows once they have become old and don't give milk any more? The Cowherd “- Silly question... we make oxen out of them!,” plate 13 from Ces Bons Parisiens, 1857

Honoré-Victorin Daumier

A work made of silk and gold-leaf-over-lacquered-paper strips, satin weave with patterning wefts; wrapped over cardboard and partially backed with paper; applied label of silk, plain weave; with inscribed title painted and/or printed with ink.

Sutra Cover, Ming dynasty (1368–1644), c. 1590's

A work made of pen and brown ink with brush and watercolor, over traces of graphite, on cream wove paper, partially laid down.

Stanley St. Leonard Church, Gloucestershire, n.d.

Thomas Rowlandson

A work made of gelatin silver print.

Chimney Sweep, 1932/34

John Fernhout

A work made of gelatin silver print.

Installation View of the XXe Salon des Artistes Décorateurs, Paris, 1930

André Kertész

A work made of gelatin silver print.

Construction Pavilions (Pavillons en Construction), 1947/48

Robert Doisneau

A work made of gelatin silver print.

The Camera Conquers Unknown Photographic Territory (Die Kamera erobert fotografisches Neuland), c. 1927

Heinz Hajek-Halke

A work made of gelatin silver print.

The Camera Conquers Unknown Photographic Territory (Die Kamera erobert fotografisches Neuland), c. 1927

Heinz Hajek-Halke

A work made of gelatin silver print.

The Camera Conquers Unknown Photographic Territory (Die Kamera erobert fotografisches Neuland), c. 1927

Heinz Hajek-Halke

A work made of gelatin silver print.

The Camera Conquers Unknown Photographic Territory (Die Kamera erobert fotografisches Neuland), c. 1927

Heinz Hajek-Halke

A work made of gelatin silver print.

The Camera Conquers Unknown Photographic Territory (Die Kamera erobert fotografisches Neuland), c. 1927

Heinz Hajek-Halke

A work made of gelatin silver print.

The Camera Conquers Unknown Photographic Territory (Die Kamera erobert fotografisches Neuland), c. 1927

Heinz Hajek-Halke

A work made of silk, gilt-and-silvered-metal-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary patterning and supplementary brocading wefts tied by supplementary binding warps in twill interlacings; one full and one partial selvage present.

Panel (Showing 'Lace' Design), 1724/26

A work made of cotton, plain weave; pulled thread work embroidered with linen in double, double hem, hem, interlocking lace, and square openwork stitches; embroidered with linen in overcast and satin stitches; partially backed with cotton, plain weave; cotton batting; quilted with linen threads.

Panel from a Jacket, c. 1730

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