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A work made of pen and black ink, with brush and blue and gray wash, over black chalk, on tan laid paper, partially laid down on ivory wove paper.

Design for Monument with Britannia and Neptune, n.d.

John Bacon, the elder

A work made of graphite on vellum.

Park City, Denver, Colorado, Phase One Partial Elevation and Section, Working Drawing, S1963

Bertrand Goldberg

A work made of pen and brown ink with brush and gray wash, heightened with touches of white gouache, on tan laid paper, partially laid down on ivory laid paper.

Warrior Chasing Woman Away from Palace, n.d.

Style of Gerard de Lairesse

A work made of brush and brown washes and pen and brown ink, heightened with lead-white gouache (partially discolored), on cream laid paper.

Suffer the Little Children to Come unto Me, n.d.

Giovanni Battista Tinti

Prickly Ring

Prickly Ring, 1981

Mary Stoppert

A work made of black chalk, with stumping and erasing, and touches of brush and black watercolor, heightened with gum arabic and lead-white gouache (partially discolored), on off-white wove paper.

Portrait of the Artist Joseph Chinard, 1799/1802

Jean-Baptiste Isabey

A work made of gelatin silver print.

Aerial Photograph of Bombardment, World War I, France, 1918/19

United States. Army. American Expeditionary Forces

A work made of gelatin silver print.

New York, Brooklyn Bridge, 1931

Dr. Fritz Block

A work made of gelatin silver print.

Installation View of the XXe Salon des Artistes Décorateurs, Paris, 1930

André Kertész

A work made of gelatin silver print.

Untitled (View from Radio-Tower in Berlin), c. 1930

Alice Hausdorff

A work made of black and colored chalk heightened with white lead (partially oxidized), on blue laid paper, laid down in album.

Head of a Monastic, n.d.

Unknown Florentine

A work made of woodcut fragment from a partially printed block on tan wove paper with separate matting and original backing with inscription in dark brown ink on white wove lined card.

Sketches, Fragment: Head of a Woman Wearing a Kerchief, after 1863

Jean François Millet

A work made of gelatin silver print.

Persian Cat ("The Beautiful Mimi"), 1927

Umbo (Otto Umbehr)

A work made of gelatin silver print.

Full Moon in Cureglia, Switzerland, 1934

Ilse Bing

A work made of pen and red brown ink with brush and brown wash and gouache, heightened with lead white (partly discolored), over black chalk, squared in black chalk, on ivory laid paper, partially laid down.

Vision of a Pope, n.d.

Francesco Campora

A work made of black chalk, with touches of graphite, on ivory laid paper, partially laid down.

Swooning Woman at the Door of a Nunnery, Supported by Nun and Young Man, n.d.

Benedetto Pastorini

A work made of one-half snake skin with sides and end leaves covered with dark blue paper with jean crotti's name and silver paper panel; partial tinfoil lining of inside front cover; original paper covers bound in.

Jean Crotti, Published 1930; rebound 1930-1950

Mary Reynolds

A work made of woodcut fragment from a partially inked block on tan wove china paper, and a fragment of another woodcut, verso, in dark brown.

Sketches, Fragment: Peasant Seated at the Foot of a Tree, after 1863

Jean François Millet

A work made of silk and gold-leaf-over-lacquered-paper strips, satin weave with patterning wefts; wrapped over cardboard and partially backed with paper; applied label of silk, plain weave; with inscribed title painted and/or printed with ink.

Sutra Cover, Ming dynasty (1368–1644), c. 1590s

A work made of silk and gold-leaf-over-lacquered-paper strips, plain weave with patterning wefts; wrapped over cardboard and partially backed with paper; applied label of silk, plain weave; with inscribed title painted and/or printed with ink.

Sutra Cover, Ming dynasty (1368–1644), c. 1590's

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