Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of woodcut from a partially inked block on cream laid japanese tissue.

Sketches, after 1863

Jean François Millet

A work made of gelatin silver print.

Chimney Sweep, 1932/34

John Fernhout

A work made of silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile.

Panel, 1860/80

Mathevon et Bouvard

A work made of brush and black ink and gray wash, with gouache corrections, on ivory wove paper, with partially erased crop lines in graphite.

Yackety, yackety, yackety!, 1952

William Steig

A work made of silk warp-float faced broken twill weave with supplementary pile warps forming cut solid velvet; appliquéd with silk and silvered-metal wire, plain weave with twill interlacings of secondary binding warps and supplementary patterning wefts; embroidered with silk and gilt- and silvered-metal-strip-wrapped silk and cotton in satin and split stitches; couching and padded couching; four full panels and two partial panels joined.

Cope, 1500/25

Lambert H. Ennis House, Evanston, Illinois: Partial Second Floor Plan

Lambert H. Ennis House, Evanston, Illinois: Partial Second Floor Plan, January 30, 1942

William Ferguson Deknatel

A work made of pen and black ink with brush and gray wash, over graphite, on ivory wove paper, partially laid down on ivory laid paper.

Religious Festival in Northern France, possibly Normandy, c. 1820

John Coney

A work made of black chalk (recto and verso) on cream laid paper, partially laid down on ivory laid paper.

Woman's Head (recto); Sketch of Arm and Hand (verso), 1590/96

Follower of Paolo Veronese

A work made of gelatin silver print.

Untitled (Tanja Sleeping), 1927/29

Umbo (Otto Umbehr)

A work made of gelatin silver print.

Symphony of Illuminated Advertisements (Symphonie der Lichtreklame), c. 1930

Hans Reuter

A work made of gelatin silver print.

Crab Claw (Pince de Crabe), 1929

Jean Painlevé

A work made of cotton, plain weave; tie dyed (shibori); partial lining of cotton, plain weave.

Summer Kosode, lated Edo period (1789–1868)/ Meiji period (1868–1912)/ Taishô period (1912–1926)/ Shôwa period (1926–1989)/ Heisei period (1989–present), 19th –20th century

A work made of gelatin silver print.

Announcing the Election Results at Times-Square, 1936

Fritz Goro

A work made of gelatin silver print.

Cotton Mill Workers, 1905/10, possibly printed c. 1930

Lewis Wickes Hine

A work made of pen and black ink, with brush and gray wash, with black chalk, on cream laid paper, partially laid down on tan wove paper.

Saint called to Papal Chair, n.d.

Domenico Mondo

A work made of gelatin silver print.

A crowd of yelling sign waving teenagers gather in front of Raney High School to listen to a Bible-waving 15 year-old, Bob Thomas as he asks the crowd not to integrate. Little Rock's four High Schools open 8/12, on a partial integration basis, Little Rock, Arkansas, August 10, 1959

Unknown Maker

A work made of red chalk on tan laid paper, partially laid down on ivory wove paper.

Woman's Head, n.d.

Bernardino Poccetti

A work made of pen and black ink, with black chalk and graphite, on gray laid paper, partially incised for transfer and perimeter mounted on ivory laid paper.

Study for an illustration in Tacitus "Tibère, ou Les Six Premiers Livres des Annales", Book VI, Vol. 3, 1st Study, c. 1768

Hubert François Gravelot

A work made of pen and brown ink, with brush and brown wash, over traces of charcoal, heightened with opaque white watercolor (partially discolored), on buff laid paper.

Without Ceres and Bacchus, Venus Would Freeze, 1590–95

Abraham Bloemaert

A work made of pen and black ink, with brush and blue and gray wash, over black chalk, on tan laid paper, partially laid down on ivory wove paper.

Design for Monument with Britannia and Neptune, n.d.

John Bacon, the elder