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A work made of gelatin silver prints, chromogenic print, and wooden shelf.

Section 10 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints, chromogenic print, and wooden shelf.

Section 11 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints, chromogenic prints, and wooden shelf.

Section 12 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic prints (3).

Section 13 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic print.

Section 14 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic print.

Section 15 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic print.

Section 16 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic print.

Section 17 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic prints (2).

Section 18 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic prints (2).

Section 19 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver print (2), chromogenic print (1).

Section 20 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic prints (3).

Section 21 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver prints (2); chromogenic print.

Section 22 of The Blind, 1986/89

Sophie Calle

A work made of gelatin silver print, chromogenic print.

Section 23 of The Blind, 1986/89

Sophie Calle

The Blind

The Blind, 1986

Sophie Calle

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in ocher ink on grayish-ivory wove paper (recto); wood-block print in black ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Change of Residence, from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of pen and brown ink, with brush and brown wash, heightened with lead white (partially discolored), on tan laid paper.

Three Men, Woman and Luteplayer in Boat, n.d.

Unknown Italian

A work made of pen and black ink and watercolor on ivory wove paper, with traces of crop lines in graphite, partially erased.

Untitled (Men in Masks), 1971

William Steig

A work made of pen and brown ink, with brush and brown wash, heightened with white gouache, over black chalk on cream laid paper, partially laid down on ivory laid paper.

David and Bathsheba, n.d.

Giuseppe Passeri

A work made of 67 gelatin silver prints, 53 inkjet prints, single-channel video, color, with sound, 58 min..

The Last Cruze, 2019

LaToya Ruby Frazier

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