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A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of slides (2218) in wooden tray with lid.

History of Darkness, 2010

Katie Paterson

A work made of woodcut fragment from a partially inked block and drawing in charcoal on tan wove china paper and fragment of woodcut in dark brown ink on verso.

Sketches, Fragment: Peasant Seated at the Foot of a Tree, after 1863

Jean François Millet

A work made of pen and brown ink with brush and blue wash, corrected with touches of lead white (partially oxidized), over black chalk, on cream laid paper, laid down on ivory wove card.

Marriage of the Virgin, c. 1575

Follower of Parmigianino

A work made of pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), squared in red chalk, on tan laid paper, laid down on buff wove card.

Study for the Annunciation, n.d.

Lazzaro Baldi

A work made of black chalk, heightened with touches of white chalk, on tan laid paper, partially laid down on buff laid paper.

Seated Youth and Sketch of Legs, n.d.

Circle of Domenichino

A work made of pen and brown and gray ink, with brush and brown wash and red chalk wash, with traces of lead white (partially discolored), on tan laid paper, laid down on cream laid card.

Study for a Painted Frieze, 1625/27

Flaminio Allegrini

A work made of pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), on cream laid paper, laid down on ivory laid paper.

Procession of Figures and Oxen, n.d.

Biagio Pupini

A work made of gelatin silver print.

"Rainy taxi" of Salvador Dali, International Surrealist Exhibition, Paris, 1938

Denise Bellon

A work made of pen and brown ink and brush and brown wash heightened with lead white (partially oxidixed) (recto), and black chalk (verso), on tan laid paper, squared in red chalk.

Virgin and Child with Saints (recto); Study of Arm (verso), 1560/80

Bartolomeo Ramenghi, the elder

A work made of black chalk with pen and brown ink, heightened with lead white (partially discolored) (recto), and black chalk (verso), on cream laid paper, recto squared in black chalk.

Circumcision of the Christ Child (recto); Marriage of the Virgin (verso), c. 1577

Follower of Paolo Veronese

History of Darkness (175,798,407 ly), 33/∞

History of Darkness (175,798,407 ly), 33/∞, 2010

Katie Paterson

A work made of pen and brown and gray ink, with brush and brown wash and red chalk wash, heightened with lead white (partially oxidized), on tan laid paper, laid down on cream laid card.

Virgin and Child Appearing to Saint Cajetan of Thiene, 1681/82

Domenico Maria Canuti

A work made of etching on ivory laid paper.

The Leader of the Parisian Blood Red Republic, published June 23, 1871

George Cruikshank

A work made of blue fountain pen, black ballpoint pen, graphite pencil, and colored pencil on paper.

Jehol Mtn in Kuntsing Mtn Range Near Tsingkin Proviance China Asia, stamped 1965

Joseph Yoakum

A work made of pen and brown ink with brush and brown wash, heightened with lead white, partially oxidized, over black chalk, on tan laid paper, laid down on cream laid card.

Baptism of Christ, c. 1560

Unknown Bolognese

A work made of pen and brown ink with brush and brown wash, over black chalk, on ivory laid paper, pieced and partially laid down on cream laid paper.

Design for a Ceiling Decoration, 1590/1614

Lazzaro Tavarone

A work made of brush and brown ink and brown wash, heightened with lead white (partially oxidized), on blue laid paper pieced in center, edge mounted to cream laid paper with ornamental border in brush and gold paint.

Frieze with Satyr, Nymph, and Putti, 1503/39

Circle of Giovanni Antonio da Pordenone

A work made of pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), on cream laid paper prepared with pink wash, laid down on cream wove paper.

Holy Family in Joseph's Carpentry Shop, n.d.

Circle of Jacopo Chimenti, called Jacopo da Empoli

A work made of pen and brown ink over traces of graphite, heightened with lead white (partially oxidized), on tan laid paper, laid down on blue laid paper.

Two Figures Ascending, 1560/70

Follower of Luca Cambiaso

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