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  • Art Institute Chicago
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  • My Exhibition
A work made of ink and watercolor on paper.

Eliphalet W. Blatchford House, Chicago, Illinois, LaSalle Street Elevation and Partial Section, 1873/75

Peter Bonnett Wight

A work made of lithograph in black on white wove paper.

Mr. Prudhomme dedicating his son to the new God of the Parisians, plate 366 from Actualités, 1857

Honoré-Victorin Daumier

A work made of gelatin silver print.

Portrait of a Garçonne (Porträt einer Garçonne), c. 1929

Umbo (Otto Umbehr)

A work made of pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on tan wove card.

Study for the Allegory of Birth, n.d.

Giorgio Vasari

A work made of pen and brown ink, heightened with lead white (partially oxidized), on laid paper prepared with brown wash, laid down on ivory laid paper.

Peasant Couple Looking in a Basket, n.d.

Jacopo Bassano

A work made of gelatin silver print.

Blades of Grass in Snow, 1927/28

Albert Renger-Patzsch

Bracket (Chicago)

Bracket (Chicago), 2014

Liz Deschenes

A work made of pen and brown ink, with brush and brown wash, heightened with lead white (partially discolored), over black chalk, on ivory laid paper, laid down on ivory laid paper.

Saint George and the Dragon, n.d.

Carlo Urbino

A work made of black chalk heightened with white chalk, on brown laid paper, partially laid down on brown laid paper (recto and verso).

Man Standing in Prayer (recto); Drapery Study (verso), 1550/70

Domenico Fiasella

A work made of linen, wool, and gilt- and silvered-metal-strip-wrapped silk, slit and dovetailed tapestry weave; embroidered with silk in back and split stitches.

Altar Frontal, c. 1450

A work made of black and red ballpoint pen, over graphite, partially erased, with bluish black and red felt-tipped pen, on tan wove paper.

The Vendor of His Scars, 1977

Paul LaMantia

A work made of pen and brown ink, and brush and brown wash, with pinkish opaque wash, heightened with lead white (partially oxidized), on cream laid paper; verso rubbed with red chalk.

The Judgement of Midas: Apollo and Pan, n.d.

Circle of Jacopo Zanguidi Bertoja

A work made of watercolor with black pastel on ivory wove paper, partially laid down on ivory wove paper.

View in Wales, n.d.

David Cox, the elder

A work made of pen and brown ink with brush and pale brown wash, on buff laid paper, partially laid down on tan laid paper, tipped onto ivory laid paper.

Venus and Cupid, n.d.

Circle of Parmigianino

A work made of pen and brown ink with brush and brown wash, heightened with lead-white gouache (partially oxidized), over touches of black chalk, on cream laid paper, pieced and laid down on ivory card.

Coronation of the Virgin, with the Martyrdom of Saint Lawrence, c. 1570

Federico Zuccaro

A work made of strands of beads and hanging device.

"Untitled" (Golden), 1995

Felix Gonzalez-Torres

A work made of gelatin silver print, from the portfolio "partida" (2012-14).

Untitled, 2005/14

Robert Frank

A work made of black chalk and brush and brown and red wash, heightened with lead white (partially discolored), on tan laid paper.

Madonna and Child, n.d.

Giovanni Antonio Guardi

A work made of linocut in black ink on heavyweight ivory wove paper, cut and partially laid down on linocut printed in black ink on lightweight blue wove paper with attached yellow wove paper element.

Still-Life with Lunch I, 1962

Pablo Picasso

A work made of slides (2218) in wooden tray with lid.

History of Darkness, 2010

Katie Paterson

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