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A work made of lithograph in yellow, beige, light green, and dark green, partially from transfer paper transferred to stone, on ivory china paper.

Street Seen from Above, from Some Aspects of Paris Life, 1897

Pierre Bonnard

A work made of pen and brown ink, with white heightening, on ivory laid paper prepared with rust-brown wash, partially incised for transfer.

The Adoration of the Shepherds, 1611/12

Lodovico Carracci

A drawing of a bustling urban street with foregrounded figures in black walking a dog, reading on a bench, or walking in pairs on a sidewalk. Beyond them, in the street, are horse-drawn carriages, and beyond them, on the opposite side of the street, many more people as well as storefronts.

Boulevard, from Some Aspects of Paris Life, 1896

Pierre Bonnard

A work made of black chalk, with red chalk, heightened with lead white (partially oxidized), on tan laid paper laid down on ivory laid card.

Virgin and Child with Angel, n.d.

Sebastiano del Piombo

A work made of brush and brown wash, heightened with lead white (partially oxidized) and pink gouache, over black chalk, on blue laid paper, laid down on ivory laid paper.

Clorinda Rescues Olindo and Sophronia, 1600s

Unknown artist

A minimalist, elongated sculpture made of reflective and shiny bronze. The sculpture is long and slightly curved, suggesting the shape of a bird, and sits atop a stone base that is balanced on top of a geometric wooden base.

Golden Bird, 1919/20 (base c. 1922)

Constantin Brancusi

A work made of pen and black ink with brush and gray-and-brown wash, heightened with lead white, partially oxidized, on cream laid paper, edge mounted to cream wove card.

Sacrificial Scene, 1489/90

Gian Francesco de Maineri

Lambert H. Ennis House, Evanston, Illinois: Basement: Partial Plan and Details

Lambert H. Ennis House, Evanston, Illinois: Basement: Partial Plan and Details, February 13, 1942

William Ferguson Deknatel

A work made of black chalk, with brush and brown wash, on ivory laid paper, partially laid down on blue wove paper.

Virgin and Child Seated on Clouds, n.d.

Parmigianino

A work made of pen and brown ink, and brush and brown wash, heightened with lead white (partially oxidized), over traces of black chalk, on tan laid paper.

Study for the Resurrection, c. 1574

Santi di Tito

A work made of gelatin silver print.

Portrait of a Garçonne (Porträt einer Garçonne), c. 1929

Umbo (Otto Umbehr)

A work made of lithograph in black on white wove paper.

Ever since Mr. Babinet had announced that the sun might disappear from one moment to the next, the Parisians are taking all necessary precautions, even at mid-day, plate 385 from Actualités, 1857

Honoré-Victorin Daumier

A work made of gelatin silver print.

Blades of Grass in Snow, 1927/28

Albert Renger-Patzsch

A work made of lithograph in yellow, red, violet, and gray-green, partially from transfer paper transferred to stone, with scraping on stone, on off-white china paper.

The Square at Evening, from Some Aspects of Paris Life, 1897

Pierre Bonnard

A work made of silk, weft resist-dyed (kasuri) and stencil-printed warps (hogushi-kasuri) plain weave; partially lined with cotton, plain weave.

Kimono, 1920s, Taishô period (1912–1926)

Bracket (Chicago)

Bracket (Chicago), 2014

Liz Deschenes

A work made of pen and brown ink, heightened with lead white (partially oxidized), on gray laid paper, laid down on ivory laid paper.

Four Standing Draped Female Figures, n.d.

Paolo Farinati

A work made of black and red chalk, with stumping, with touches of white lead (partially discolored) (recto) and black chalk, with touches of red chalk (verso), on cream laid paper prepared with pale brown wash.

A Nude Female Figure Fleeing to the Right with Arms Outstretched, with Sketch of a Bust of Secondary Figure (recto); A Sketch of a Nude, Kneeling Female Figure, Supported by Another Standing (verso), c. 1600 (recto); 1598/99 (verso)

Hendrick Goltzius

A work made of pen and brown ink, with brush and brown and gray wash, heightened with lead white (partially oxidized), on cream laid paper prepared with brown wash, laid down on cream laid paper.

Abduction of Helen, after 1627

Guido Reni

A work made of linen, wool, and gilt- and silvered-metal-strip-wrapped silk, slit and dovetailed tapestry weave; embroidered with silk in back and split stitches.

Altar Frontal, c. 1450

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