Curator

Art Institute Chicago
Harvard art museum
My Exhibition

Lambert H. Ennis House, Evanston, Illinois: Partial First Floor Plan

Lambert H. Ennis House, Evanston, Illinois: Partial First Floor Plan, February 2, 1942

William Ferguson Deknatel

A work made of pen and brown ink, with white heightening, on ivory laid paper prepared with rust-brown wash, partially incised for transfer.

The Adoration of the Shepherds, 1611/12

Lodovico Carracci

A work made of lithograph in gray-green, charcoal gray, yellow, and orange, partially from transfer paper transferred to stone, with scraping on stone, on ivory china paper.

Boulevard, from Some Aspects of Paris Life, 1896

Pierre Bonnard

A work made of black chalk, with red chalk, heightened with lead white (partially oxidized), on tan laid paper laid down on ivory laid card.

Virgin and Child with Angel, n.d.

Sebastiano del Piombo

A work made of brush and brown wash, heightened with lead white (partially oxidized) and pink gouache, over black chalk, on blue laid paper, laid down on ivory laid paper.

Clorinda Rescues Olindo and Sophronia, 1600s

Unknown artist

A work made of pen and black ink with brush and gray-and-brown wash, heightened with lead white, partially oxidized, on cream laid paper, edge mounted to cream wove card.

Sacrificial Scene, 1489/90

Gian Francesco de Maineri

A work made of oil on pressboard.

Étude No. 1, 1917

Georges Vantongerloo

A work made of black chalk, with brush and brown wash, on ivory laid paper, partially laid down on blue wove paper.

Virgin and Child Seated on Clouds, n.d.

Parmigianino

A work made of pen and brown ink, and brush and brown wash, heightened with lead white (partially oxidized), over traces of black chalk, on tan laid paper.

Study for the Resurrection, c. 1574

Santi di Tito

Lambert H. Ennis House, Evanston, Illinois: Basement: Partial Plan and Details

Lambert H. Ennis House, Evanston, Illinois: Basement: Partial Plan and Details, February 13, 1942

William Ferguson Deknatel

A work made of wood and beads.

Female Figure, Early/mid–20th century

Hehe

A work made of lithograph in yellow, red, violet, and gray-green, partially from transfer paper transferred to stone, with scraping on stone, on off-white china paper.

The Square at Evening, from Some Aspects of Paris Life, 1897

Pierre Bonnard

A work made of silk, weft resist-dyed (kasuri) and stencil-printed warps (hogushi-kasuri) plain weave; partially lined with cotton, plain weave.

Kimono, 1920s, Taishô period (1912–1926)

A work made of lithograph in black on white wove paper.

Ever since Mr. Babinet had announced that the sun might disappear from one moment to the next, the Parisians are taking all necessary precautions, even at mid-day, plate 385 from Actualités, 1857

Honoré-Victorin Daumier

A work made of pen and brown ink, heightened with lead white (partially oxidized), on gray laid paper, laid down on ivory laid paper.

Four Standing Draped Female Figures, n.d.

Paolo Farinati

A work made of black and red chalk, with stumping, with touches of white lead (partially discolored) (recto) and black chalk, with touches of red chalk (verso), on cream laid paper prepared with pale brown wash.

A Nude Female Figure Fleeing to the Right with Arms Outstretched, with Sketch of a Bust of Secondary Figure (recto); A Sketch of a Nude, Kneeling Female Figure, Supported by Another Standing (verso), c. 1600 (recto); 1598/99 (verso)

Hendrick Goltzius

A work made of pen and brown ink, with brush and brown and gray wash, heightened with lead white (partially oxidized), on cream laid paper prepared with brown wash, laid down on cream laid paper.

Abduction of Helen, after 1627

Guido Reni

A work made of silk and rayon, stencill-printed warps (hogushi kasuri) plain weave; partially lined with cotton, plain weave.

Kimono, 1920s/30s, Taishô period (1912–1926)/ Shôwa period (1926–1989)

A minimalist, elongated sculpture made of reflective and shiny bronze. The sculpture is long and slightly curved, suggesting the shape of a bird, and sits atop a stone base that is balanced on top of a geometric wooden base.

Golden Bird, 1919/20 (base c. 1922)

Constantin Brancusi

A work made of pen and black ink, over traces of graphite, on ivory wove paper, partially laid down on ivory wove paper.

Genoveva’s Murderers Take Pity, c. 1830

Josef von Führich