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A work made of pen and black ink on ivory wove paper, partially discolored to cream.

Female Nude, n.d.

André Derain

A work made of parian porcelain and glaze with gilding.

Bar Pitcher, c. 1880

Karl L. H. Müller

A work made of chromogenic print mounted to acrylic.

National Museum of Art, Tokyo, 1999

Thomas Struth

A work made of aquatint and etching, with engraving, on ivory wove paper.

Camille Desmoulins, Parisian Deputy to the National Convention, from the series Tableaux historiques de la révolution française, 1798–1804

Levachez, père et fils

A work made of black chalk and brush and pale brown wash, heightened with lead white (partially discolored), on ivory laid paper, tipped onto ivory laid paper.

Holy Family with the Infant Saint John the Baptist, 1580/85

Denys Calvaert

A work made of graphite, heightened with lead white (partially discolored), on blue prepared ground, on laid paper.

Danae and the Shower of Gold, n.d.

Pieter van der Heyden

A work made of lithograph in gray-green, dark brown-black, yellow, and blue, partially from transfer paper transferred to stone, on cream china paper.

Street Corner, from Some Aspects of Paris Life, 1897

Pierre Bonnard

A work made of pen and black ink on ivory wove paper, crop lines in graphite, partially erased.

Untitled (Men at Bar; Line Drawings), 1975

William Steig

A work made of lithograph in ochre-red, beige, yellow, violet-brown, and soft black, partially from transfer paper transferred to stone, on ivory china paper.

Avenue du Bois de Boulogne, from Some Aspects of Paris Life, 1898

Pierre Bonnard

A work made of gouache with pen and black ink, heightened with lead white (partially discolored), on cream wove paper prepared with a brown ink ground.

Sir Lancelot Approaching the Castle of Astolat, n.d.

Gustave Doré

A work made of woodcut from a partially inked block on ivory laid paper.

Peasant Digging, 1863

Jean François Millet

A work made of black chalk on ivory laid paper laid down on blue laid paper partially discolored to tan.

Landscape with a Pond, c. 1879

Jean Jacques Henner

A work made of watercolor, with traces of black crayon and graphite, on tapa, partially laid down on cream wove paper.

Chez les Maories: Sauvageries (At Home with the Maori: Savage Things), 1893

Paul Gauguin

A work made of cotton cloth, glass beads, mother of pearl beads, thread, leather, wool, and metal.

Wedding Ensemble for a Groom (Umyeni), 1950s

Thembu

A work made of monotype matrix in watercolor and gouache, with brush and green ink, over traces of graphite, on cream japanese paper, laid down on tan wove paper (partially removed).

Two Tahitian Women in a Landscape, c. 1892

Paul Gauguin

A work made of brush and brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk.

Fortitude (or Strength) Flanked by Two Satyrs, c. 1550-1600

Veronese (Paolo Caliari)

A work made of gelatin silver print.

Untitled, from the portfolio "Partida" (2012-14), 2005-14

Robert Frank

John Hancock Center, Chicago, Illinois, Partial Elevation

John Hancock Center, Chicago, Illinois, Partial Elevation, 1965

Skidmore, Owings & Merrill

A work made of brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on ivory laid paper.

Last Supper, n.d.

Tintoretto

A work made of lithograph in dark gray, red, salmon and yellow, partially from transfer paper transferred to stone, on cream wove paper.

At the Theatre, from Some Aspects of Paris Life, 1897–1898

Pierre Bonnard

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