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A work made of color woodblock print; oban.

Snow at Zojoji Temple (Yuki no Zojoji), 1929

Kawase Hasui

A work made of color woodblock print; oban.

Cloudy Day at Matsue in Izumo Province (Izumo Matsue [kumoribi]), from the series "Souvenirs of Travel, Third Series (Tabi miyage dai sanshu)", 1924

Kawase Hasui

A color woodblock print of a white cat with it’s back to us, stares out a window, looking over rooftops, green fields, toward Mt Fuji in the distance. A blue and white bowl and towel sit on the windowsill , on the floor are decorative hair pins.

Asakusa Rice Fields and Torinomachi Festival (Asakusa tanbo Torinomachi mode), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of 1/2 length & open, in plain compound twill, silk & gilt paper wound on silk core..

Obi (Belt), 1901/25, Meiji period (1868–1912)/ Taishô period (1912–1925)

A work made of color woodblock print; oban.

The actors Ichikawa Omezo I (R) as Tomita Hyotaro and Otani Oniji III (L) as Kawashima Jibugoro, 1794

Tōshūsai Sharaku

A work made of color woodblock print; oban.

Hodogaya: Katabira River and Katabira Brige (Hodogaya, Katabiragawa Katabirabashi)—No. 5, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of color woodblock print; oban.

Misty Moonlight at Matsue in Izumo Province (Izumo Matsue [oborozuki]), from the series "Souvenirs of Travel, Third Series (Tabi miyage dai sanshu)", 1924

Kawase Hasui

A work made of color woodblock print; oban.

No. 56: Mieji, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38

Utagawa Hiroshige

A work made of oil on canvas.

Contrail Crucifix, 1975

Roger Brown

Quartier St-Jean, Marseille

Quartier St-Jean, Marseille, 1909

Herman Armour Webster

Untitled (Cruikshank letter with sketches of figures)

Untitled (Cruikshank letter with sketches of figures), 1812/78

George Cruikshank

A work made of lithograph in black over a fawn tint on buff wove chine laid down on ivory wove paper.

Entering the Villa Santucci, from Souvenirs d’Italie: Expédition de Rome, 1850

Denis Auguste Marie Raffet

A work made of lithograph in black over a fawn tint on buff wove chine laid down on ivory wove paper.

Capture of the Villa Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1852

Denis Auguste Marie Raffet

A work made of lithograph in black on gray wove chine laid down on ivory wove paper.

Combat in Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black on gray wove chine laid down on ivory wove paper.

Sappers going to the trenches, from Souvenirs d’Italie: Expédition de Rome, 1854

Denis Auguste Marie Raffet

A work made of lithograph in black on ivory wove chine laid down on ivory wove paper.

Trench guard, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black over a gray-tan tint on ivory wove chine laid down on ivory wove paper.

Opening the First Parallel, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black on ivory chine laid down on off-white wove paper.

Battery No.1 opens fire, from Souvenirs d’Italie: Expédition de Rome, 1854

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

House of Six Green Shutters, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Light infantry ambush, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

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