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A work made of color woodblock print; oban.

Misayama of the Chojiya, from the series Beauties of the Licensed Quarter (Kakuchu bijin kurabe), c. 1795

Chokosai Eisho

A work made of color woodblock print; oban.

No. 28: Nagakubo, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38

Utagawa Hiroshige

A work made of anthracite.

Jar Tops, 2005–2008

Jorre van Ast

A work made of color woodblock print; oban.

Miyajima in Snow (Yuki no Miyajima), 1929

Kawase Hasui

A work made of color woodblock print; oban.

Takashima Ohisa, c. 1795

Kitagawa Utamaro

Panel of fabric and paper, central circle formed by thin vertical strips; top half colored blue.

Americans Baking Bread (Amerikajin pan wo yaku zu), 1861

Utagawa Yoshikazu

A work made of color woodblock print; oban.

Togetsu Bridge at Arashiyama in Yamashiro Province (Yamashiro Arashiyama no Togetsukyo), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)", c. 1833/34

Katsushika Hokusai

A work made of color woodblock print; oban.

Yamauba with Kintaro Holding a Toy Mask, c. 1801/04

Kitagawa Utamaro

A work made of color woodblock print; oban.

A Low Class Prostitute (Gun [teppo]), from the series “Five Shades of Ink in the Northern Quarter" ("Hokkoku goshiki-zumi"), c. 1794/95

Kitagawa Utamaro

A color woodblock print of an actor, seen from chest up, in a cream, red, black and green garment, a dramatic facial expression and hand gesture

The actor Otani Oniji III as Edobei, 1794

Tōshūsai Sharaku

A work made of color woodblock print; oban.

Hanaogi of the Ogiya, from the series "Beauties of the Pleasure Quarters (Seiro bijin awase)", c. 1793/97

Eishosai Choki

A work made of color woodblock print; oban.

Ejiri—No. 19, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of color woodblock print; ōban.

Okabe: Mount Utsu (Okabe, Utsunoyama)—No. 22, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, 1847–52

Utagawa Hiroshige

A work made of color woodblcok print; oban.

Otsu—No. 54, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of 1/2 length & open, in compound satin, silk & golt paper wound on silk core..

Obi (Belt), 1901/1925, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of silk and gold-leaf on paper; warp-float faced 2:1 satin weave with supplementary weft float patterning.

Fragment (From an Obi), 1901/25, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of oil on canvas.

Contrail Crucifix, 1975

Roger Brown

A work made of lithograph in black over a fawn tint on buff wove chine laid down on ivory wove paper.

Entering the Villa Santucci, from Souvenirs d’Italie: Expédition de Rome, 1850

Denis Auguste Marie Raffet

A work made of lithograph in black over a fawn tint on buff wove chine laid down on ivory wove paper.

Capture of the Villa Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1852

Denis Auguste Marie Raffet

A work made of lithograph in black on gray wove chine laid down on ivory wove paper.

Combat in Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

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