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A work made of 1/2 length & open, in compound satin, silk & golt paper wound on silk core..

Obi (Belt), 1901/1925, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of color woodblock print; oban.

Mirror, from the series “Eight Views of Tea-stalls in Celebrated Places" ("Meisho koshikake hakkei"), c. 1795/96

Kitagawa Utamaro

A work made of color woodblock print; oban.

Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)", c. 1792/93

Kitagawa Utamaro

A work made of silk and gold-leaf-over-lacquered-paper strips, and silver- and gold-leaf-over-lacquered-paper-strip-wrapped rayon, warp-float faced 2:1 'z' twill weave with supplementary patterning wefts bound by main warps and supplementary brocading wefts.

Obi (Belt), 1901/25, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of anthracite.

Jar Tops, 2005–2008

Jorre van Ast

A work made of color woodblock print; oban.

Mihogaseki Beach in Izumo Province (Izumo Mihogaseki), from the series "Souvenirs of Travel, Third Series (Tabi miyage dai sanshu)", 1924

Kawase Hasui

A work made of color woodblock print; oban.

A Lady with Three Servants, from the series "A Brocade of Eastern Manners (Fuzoku Azuma no nishiki)", c. 1783/84

Torii Kiyonaga

A color woodblock print of figures crossing bridge over a blue river with green hills and grasses in the back and mid grounds

Ariwara no Narihirafrom the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), 1835–36

Katsushika Hokusai

A work made of color woodblock print; oban.

The actors Ichikawa Tomiemon (R) as Kanisaka Toma and Sanogawa Ichimatsu III (L) as the Gion Prostitute Onayo, 1794

Tōshūsai Sharaku

A work made of color woodblock print; oban.

Futakawa: Sarugababa—No. 34, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of woodblock print; oban, sumizuri-e.

The Courier Kantan dreaming of Himself as a Daimyo (Hikyaku Kantan: yume no daimyo), no. 8 from a series of 12 prints depicting parodies of plays, c. 1716/35

Okumura Masanobu

A work made of color woodblock print; oban.

Autumn Moon over Ishiyama Temple (Ishiyama shugetsu), from the series "Eight Views of Omi (Omi hakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print, oban.

Reflective Love, from the series "Anthology of Poems: The Love Section (Kasen koi no bu) (Mono-omou koi)", c. 1793/94

Kitagawa Utamaro

A work made of silk, gold-leaf-over-lacquered-paper-strip-wrapped silk and silver-leaf-over-lacquered-paper-strip-wrapped cotton, silt and single dovetailed tapestry weave.

Fragment (Katagawa Obi), 1912/26, Taishô period (1912–1926)

A color woodblock print of a white and blue waterfall cascading down from green rocky terrain with a figure standing below in the foreground

Yoro Waterfall in Mino Province (Mino no kuni Yoro no taki), from the series Tour of the Waterfalls in Various Provinces (Shokoku Takimeguri), c. 1833

Katsushika Hokusai

A work made of color woodblock print; oban.

Ishibe: Megawa Village (Ishibe, Megawa no sato), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A color woodblock print of a landscape scene, blue-green grasses, a winding road with a few travellers, papers blowing in the wind, Mt. Fuji in the background

Ejiri in Suruga Province (Sunshu Ejiri), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock prints; oban triptych.

Artist, Block Carver, Applying Sizing (Eshi, hangashi, dosa-biki), from the series The Cultivation of Brocade Prints, a Famous Product of Edo (Edo meibutsu nishiki-e kosaku), About 1803

Kitagawa Utamaro

A work made of color woodblock print; oban.

Woman Holding a Tortoise-shell Hair-comb, c. 1795/96

Kitagawa Utamaro

A color woodblock print of blue and white showing a man on the edge of a rock casting lines into a river with Mt. Fuji in the distant background

Kajikazawa in Kai Province (Koshu Kajikazawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

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