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A work made of color woodblock print; oban.

Komagata Embankment (Komagatagashi), from the series "Twelve Scenes of Tokyo (Tokyo junidai)", 1919

Watanabe Shozaburo

A work made of color woodblock print; oban.

A Selection of Six Flowers - A Parody Rokkasen (Yatsushi rokkasen): Bishop Henjo, c. 1798

Chôbunsai Eishi

A work made of color woodblock print; oban.

The Waitress Ohisa of the Takashimaya, c. 1792/93

Katsukawa Shunchô

A work made of color woodblock print; oban triptych.

A Picture of Prosperity: America (Amerika shin no zu), 1861

Utagawa Hiroshige II (Shigenobu)

A work made of color woodblock print; oban.

Okitsu: Kiyomigaseki and Seiken Temple (Kiyomigaseki, Seikenji)—No. 18, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

Earthenware plate decorated with colorful flower and grape border on the rim and central figurative scene depicting a fashionably dressed couple in the front with a barber serving a man at the back. The scene has an inscription "LE BARBIER DE SEVILLE" with five more lines at the bottom.

Commodore Perry, c. 1853/54

A color woodblock print of a blue river with Mt. Fuji in the distant background, a figure in a boat in the river as well as a fgure with a horse on the shoreline

Tama River in Musashi Province (Bushu Tamagawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of graphite with brush and gray wash on ivory laid paper.

Ship with Sailors, n.d.

Willem van de Velde, II

A work made of color woodblock print; chuban.

Maisaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of gold.

Bracelet, 1st-2nd century

Ancient Roman

A work made of graphite with pen and brown ink, pen and black ink, red stamps and watercolor on cream wove paper.

Untitled (Cruikshank letter with sketches of horse head), 1812/78

George Cruikshank

View of the Interior of the Ancient Baths at Nîmes, and the Reunion of Various Fragments Taken From There

View of the Interior of the Ancient Baths at Nîmes, and the Reunion of Various Fragments Taken From There, Date unknown

François Denis Née

A work made of lithograph in black over a fawn tint on buff wove chine laid down on ivory wove paper.

Entering the Villa Santucci, from Souvenirs d’Italie: Expédition de Rome, 1850

Denis Auguste Marie Raffet

A work made of lithograph in black over a fawn tint on buff wove chine laid down on ivory wove paper.

Capture of the Villa Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1852

Denis Auguste Marie Raffet

A work made of lithograph in black on gray wove chine laid down on ivory wove paper.

Combat in Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black on gray wove chine laid down on ivory wove paper.

Sappers going to the trenches, from Souvenirs d’Italie: Expédition de Rome, 1854

Denis Auguste Marie Raffet

A work made of lithograph in black on ivory wove chine laid down on ivory wove paper.

Trench guard, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black over a gray-tan tint on ivory wove chine laid down on ivory wove paper.

Opening the First Parallel, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black on ivory chine laid down on off-white wove paper.

Battery No.1 opens fire, from Souvenirs d’Italie: Expédition de Rome, 1854

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

House of Six Green Shutters, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

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