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A work made of lithograph in black over a fawn tint on buff wove chine laid down on ivory wove paper.

Capture of the Villa Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1852

Denis Auguste Marie Raffet

A work made of lithograph in black on gray wove chine laid down on ivory wove paper.

Combat in Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black on gray wove chine laid down on ivory wove paper.

Sappers going to the trenches, from Souvenirs d’Italie: Expédition de Rome, 1854

Denis Auguste Marie Raffet

A work made of lithograph in black on ivory wove chine laid down on ivory wove paper.

Trench guard, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black over a gray-tan tint on ivory wove chine laid down on ivory wove paper.

Opening the First Parallel, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black on ivory chine laid down on off-white wove paper.

Battery No.1 opens fire, from Souvenirs d’Italie: Expédition de Rome, 1854

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

House of Six Green Shutters, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Light infantry ambush, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Sortie of the Roman garrison..., from Souvenirs d’Italie: Expédition de Rome, 1854

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Sapping in full swing, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Assault and capture of bastion no. 6, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Workers Crowning the Breach of Bastion 7, from Souvenirs d’Italie: Expédition de Rome, 1859

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Departure of the third column, called the support, from Souvenirs d’Italie: Expédition de Rome, 1859

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Rememberance of good comrades, from Souvenirs d’Italie: Expédition de Rome, published December, 1860

Émile Bry

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Battery no.9, from Souvenirs d’Italie: Expédition de Rome, 1859

Denis Auguste Marie Raffet

Untitled (Cruikshank letter with sketches of figures)

Untitled (Cruikshank letter with sketches of figures), 1812/78

George Cruikshank

Belief Strategy XIII

Belief Strategy XIII, 2014–16

Martine Syms

A work made of oil on canvas.

God of War, 1940

George Grosz

A work made of color woodblock print; chuban.

Maisaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of gold.

Bracelet, 1st-2nd century

Ancient Roman

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