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A work made of color woodblock print; oban.

Komagata Embankment (Komagatagashi), from the series "Twelve Scenes of Tokyo (Tokyo junidai)", 1919

Watanabe Shozaburo

A work made of color woodblock print; oban.

A Selection of Six Flowers - A Parody Rokkasen (Yatsushi rokkasen): Bishop Henjo, c. 1798

Chôbunsai Eishi

A work made of color woodblock print; oban.

The Waitress Ohisa of the Takashimaya, c. 1792/93

Katsukawa Shunchô

A work made of color woodblock print; oban triptych.

A Picture of Prosperity: America (Amerika shin no zu), 1861

Utagawa Hiroshige II (Shigenobu)

A work made of color woodblock print; oban.

Okitsu: Kiyomigaseki and Seiken Temple (Kiyomigaseki, Seikenji)—No. 18, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of lithograph in black over a fawn tint on buff wove chine laid down on ivory wove paper.

Entering the Villa Santucci, from Souvenirs d’Italie: Expédition de Rome, 1850

Denis Auguste Marie Raffet

A work made of lithograph in black over a fawn tint on buff wove chine laid down on ivory wove paper.

Capture of the Villa Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1852

Denis Auguste Marie Raffet

A work made of lithograph in black on gray wove chine laid down on ivory wove paper.

Combat in Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black on gray wove chine laid down on ivory wove paper.

Sappers going to the trenches, from Souvenirs d’Italie: Expédition de Rome, 1854

Denis Auguste Marie Raffet

A work made of lithograph in black on ivory wove chine laid down on ivory wove paper.

Trench guard, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black over a gray-tan tint on ivory wove chine laid down on ivory wove paper.

Opening the First Parallel, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black on ivory chine laid down on off-white wove paper.

Battery No.1 opens fire, from Souvenirs d’Italie: Expédition de Rome, 1854

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

House of Six Green Shutters, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Light infantry ambush, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Sortie of the Roman garrison..., from Souvenirs d’Italie: Expédition de Rome, 1854

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Sapping in full swing, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Assault and capture of bastion no. 6, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Workers Crowning the Breach of Bastion 7, from Souvenirs d’Italie: Expédition de Rome, 1859

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Departure of the third column, called the support, from Souvenirs d’Italie: Expédition de Rome, 1859

Denis Auguste Marie Raffet

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Rememberance of good comrades, from Souvenirs d’Italie: Expédition de Rome, published December, 1860

Émile Bry

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