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A work made of gilt copper.

Tantric Buddhist Priest’s (Vajracharya) Crown, About 1550

A work made of gold inlaid with glass.

Peacock Pendant, Malla period (1200–1768), about 17th century

A work made of gold inlaid with glass and pearls.

Pair of Earrings with Face of Glory (Kirtimukha), Malla period (1200–1768), about 17th century

A work made of gold inlaid with turquoises, rubies, white sapphires, jade, and crystal.

Earring Depicting Vishnu Riding on Garuda, Late 18th–early 19th century

A work made of kingfisher feathers on gold and gilt bronze, agate, and lapis lazuli.

Tiara (清朝 点翠头饰), Qing dynasty (1644–1912), 19th century

A work made of silk-covered lattice, kingfisher feathers, gilt bronze, jadeite, coral, amethyst, rose quartz, and carnelian.

Headdress (清朝 点翠头饰), Qing dynasty (1644–1912), 19th century

A work made of kingfisher feathers, gilt bronze, pearls, garnets, rose quartz, jadeite, and glass, applied to a silk- wrapped wickerwork trellis.

Headdress (清朝 点翠头饰), Qing dynasty (1644–1912), 19th century

A work made of full vellum binding, wine-colored morocco label with gold lettering on spine; vellum end leaves; original paper covers bound in.

La machine infernale: pièce en 4 actes, Published 1934; rebound 1934-1950

Mary Reynolds

A work made of brush and opaque black and red watercolors and pastel on pink wove paper.

Houses, 1963

Rasheed Araeen

A work made of brush and black and red opaque watercolors and pastel on tan wove paper.

Hyderabad, 1962

Rasheed Araeen

A work made of collage of cut printed wove papers and white and black opaque watercolor on laminated boards, with scraping.

Untitled (Portrait of Bill Wilson), c. 1968

Ray Johnson

A work made of collage of cut printed paper, brush and black ink, and opaque white paint, with pen and black ink, metallic silver ink, and translucent red watercolor, on board.

Untitled (Triptych Willenbecher) (top), 1968

John Willenbecher

A work made of collage of cut printed and white wove papers, with graphite, pen and black ink, stamp in black ink, and red porous-point pen, on board.

Untitled (Marianne Moore—EAT), c. 1969

Ray Johnson

A work made of collage of cut and torn printed paper, with red porous-point pen and cellophane tape, on board.

Untitled (Action Jackson), 1973

Ray Johnson

A work made of collage of cut printed papers, with matte white paint, pen and black ink, and graphite, on board.

Untitled (Jugs), 1974

Ray Johnson

A work made of offset lithograph, with purple watercolor, red and black porous-point pens, and stamp in black ink, on cream wove paper.

Untitled (Marianne Moore's Hat), 1974

Ray Johnson

A work made of pen and black ink, with red and black porous-point pens and stamps in black ink, on white wove paper, on board.

Untitled (Supf Fups), 1976

Ray Johnson

A work made of brush and black and purple washes, over red, blue, and brown porous-point pens and collage of cut painted papers, on board, with touches of charcoal, on white wove paper.

Untitled (John Hancock Lynda Benglis), 1976

Ray Johnson

A work made of collage of cut and torn printed papers, pen and black ink, brush and red ink, translucent black watercolor, and red porous-point pen, with stamps in black ink and scratching out, on board.

Untitled (To Joseph Cornell), c. 1980

Ray Johnson

A work made of brush and black wash, with touches of incising, opaque watercolor, and graphite, and collage of various cut and pasted papers on board.

Untitled (Double Silhouette), 1993

Ray Johnson

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