Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gray and black semi gloss paint on red wove paper, on board, stitched with red thread.

Untitled (Key to Happiness), c. 1955

Ray Johnson

A work made of collage of cut printed papers on brown wove paper.

Untitled (Marianne Moore), 1963

Ray Johnson

A work made of collage of cut printed and painted papers, with opaque gray watercolor, on board.

Untitled (33-44 S&W Special), c. 1961

Ray Johnson

A work made of semi-gloss opaque gray and black paints, over collage of cut printed and colored papers, on cardboard.

Untitled (Gray Figure—Large), c. 1955

Ray Johnson

A work made of collage of cut printed and painted papers, with pen and black ink and traces of graphite, on board.

Untitled (P Town), c. 1962

Ray Johnson

A work made of collage of cut printed and painted papers, with scraping and opaque watercolor, on boards.

Untitled (Ha Ha), 1965/66

Ray Johnson

A work made of collage of newsprint and white wove papers, with opaque white watercolor and graphite, on board.

Untitled (Tusk/Love to Bill Wilson), c. 1955/1984

Ray Johnson

A work made of matte brown paint and opaque white watercolor, with red porous-point pen, stamp in black ink, and touches of graphite, on board.

Untitled (Buddha Urinating), 1967

Ray Johnson

A work made of collage of cut printed paper, black wove paper, and a gelatin silver photograph, with string and stamp in black ink, on board.

Untitled (Black Cap), c. 1968

Ray Johnson

A work made of collage of cut printed paper and white wove paper, with black porous-point pen, on board.

Untitled (Pinking), c. 1968-70

Ray Johnson

A work made of collage of cut printed wove papers and white and black opaque watercolor on laminated boards, with scraping.

Untitled (Portrait of Bill Wilson), c. 1968

Ray Johnson

A work made of collage of cut printed paper, brush and black ink, and opaque white paint, with pen and black ink, metallic silver ink, and translucent red watercolor, on board.

Untitled (Triptych Willenbecher) (top), 1968

John Willenbecher

A work made of collage of cut printed and white wove papers, with graphite, pen and black ink, stamp in black ink, and red porous-point pen, on board.

Untitled (Marianne Moore—EAT), c. 1969

Ray Johnson

A work made of collage of cut and torn printed paper, with red porous-point pen and cellophane tape, on board.

Untitled (Action Jackson), 1973

Ray Johnson

A work made of collage of cut printed papers, with matte white paint, pen and black ink, and graphite, on board.

Untitled (Jugs), 1974

Ray Johnson

A work made of offset lithograph, with purple watercolor, red and black porous-point pens, and stamp in black ink, on cream wove paper.

Untitled (Marianne Moore's Hat), 1974

Ray Johnson

A work made of pen and black ink, with red and black porous-point pens and stamps in black ink, on white wove paper, on board.

Untitled (Supf Fups), 1976

Ray Johnson

A work made of brush and black and purple washes, over red, blue, and brown porous-point pens and collage of cut painted papers, on board, with touches of charcoal, on white wove paper.

Untitled (John Hancock Lynda Benglis), 1976

Ray Johnson

A work made of collage of cut and torn printed papers, pen and black ink, brush and red ink, translucent black watercolor, and red porous-point pen, with stamps in black ink and scratching out, on board.

Untitled (To Joseph Cornell), c. 1980

Ray Johnson

A work made of brush and black wash, with touches of incising, opaque watercolor, and graphite, and collage of various cut and pasted papers on board.

Untitled (Double Silhouette), 1993

Ray Johnson

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