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A work made of gelatin silver print.

Sophiatown Removals, 1960

Jürgen Schadeberg

A work made of gelatin silver print.

Shantytown, 1951, printed 1955

Jürgen Schadeberg

A work made of gelatin silver print.

Drum Cover, 1958, printed 1960

Jürgen Schadeberg

A work made of gelatin silver print.

Todd Matshikiza posing with Drum Model, 1953, printed 1960

Jürgen Schadeberg

A work made of gelatin silver print.

Orlando, Private Golf Lessons, 1952, printed 1961

Jürgen Schadeberg

A work made of gelatin silver print.

Beauty Competition, 1959, printed 1965

Jürgen Schadeberg

A work made of gelatin silver print.

Cigar Bar, Johannesburg, 2002, printed 2005

Jürgen Schadeberg

A work made of gelatin silver print.

Windhoek Carnival, 1962

Jürgen Schadeberg

A work made of gelatin silver print.

Kiss My Money for Luck, 1956, printed 1958

Jürgen Schadeberg

A work made of gelatin silver print.

Windhoek, Southwest Africa, 1963, printed 1943

Jürgen Schadeberg

A work made of gelatin silver print.

Kudamm, Berlin, 1943, printed by 1945

Jürgen Schadeberg

A work made of gilt copper.

Tantric Buddhist Priest’s (Vajracharya) Crown, About 1550

A work made of gold inlaid with glass.

Peacock Pendant, Malla period (1200–1768), about 17th century

A work made of gold inlaid with glass and pearls.

Pair of Earrings with Face of Glory (Kirtimukha), Malla period (1200–1768), about 17th century

A work made of gold inlaid with turquoises, rubies, white sapphires, jade, and crystal.

Earring Depicting Vishnu Riding on Garuda, Late 18th–early 19th century

A work made of kingfisher feathers on gold and gilt bronze, agate, and lapis lazuli.

Tiara (清朝 点翠头饰), Qing dynasty (1644–1912), 19th century

A work made of silk-covered lattice, kingfisher feathers, gilt bronze, jadeite, coral, amethyst, rose quartz, and carnelian.

Headdress (清朝 点翠头饰), Qing dynasty (1644–1912), 19th century

A work made of kingfisher feathers, gilt bronze, pearls, garnets, rose quartz, jadeite, and glass, applied to a silk- wrapped wickerwork trellis.

Headdress (清朝 点翠头饰), Qing dynasty (1644–1912), 19th century

A work made of full vellum binding, wine-colored morocco label with gold lettering on spine; vellum end leaves; original paper covers bound in.

La machine infernale: pièce en 4 actes, Published 1934; rebound 1934-1950

Mary Reynolds

A work made of brush and opaque black and red watercolors and pastel on pink wove paper.

Houses, 1963

Rasheed Araeen

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