Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Defiance Campaign Trial, Yusuf Dadoo (right) and John Beaver Marks (left), 1952, printed 1952

Jürgen Schadeberg

A work made of gelatin silver print.

Defiance Campaign Trial (Patrick Duncan, on crutches, defying with Manilal Gandhi), 1952, printed 1952

Jürgen Schadeberg

A work made of gelatin silver print.

Major Spiegler Arresting Treason Trialist, 1956

Jürgen Schadeberg

A work made of gelatin silver print.

Sophiatown Removals, 1960

Jürgen Schadeberg

A work made of gelatin silver print.

Shantytown, 1951, printed 1955

Jürgen Schadeberg

A work made of gelatin silver print.

Drum Cover, 1958, printed 1960

Jürgen Schadeberg

A work made of gelatin silver print.

Todd Matshikiza posing with Drum Model, 1953, printed 1960

Jürgen Schadeberg

A work made of gelatin silver print.

Orlando, Private Golf Lessons, 1952, printed 1961

Jürgen Schadeberg

A work made of gelatin silver print.

Beauty Competition, 1959, printed 1965

Jürgen Schadeberg

A work made of gelatin silver print.

Cigar Bar, Johannesburg, 2002, printed 2005

Jürgen Schadeberg

A work made of gelatin silver print.

Windhoek Carnival, 1962

Jürgen Schadeberg

A work made of gelatin silver print.

Kiss My Money for Luck, 1956, printed 1958

Jürgen Schadeberg

A work made of gelatin silver print.

Windhoek, Southwest Africa, 1963, printed 1943

Jürgen Schadeberg

A work made of gelatin silver print.

Kudamm, Berlin, 1943, printed by 1945

Jürgen Schadeberg

Minor Keith

Minor Keith, 1967

Patricia Johanson

A work made of offset lithograph in black on tan wove paper, with brush and red ink and matte opaque red and blue paint, on board.

Elvis Presley #1 (Oedipus), 1956-58

Ray Johnson

A work made of photogravure in black on tan wove paper and collage of painted and coated papers, with opaque red paint, pen and black ink, and traces of opaque blue paint, on board.

Elvis Presley #2, 1956-58

Ray Johnson

A work made of collage of cut printed papers, with matte opaque white paint, pen and black ink, and traces of red pencil, on brown wove paper.

James Dean (Happy Birthday Bill), c. 1955/1972

Ray Johnson

A work made of collage of cut printed, colored, and coated papers, with matte opaque white paint and graphite, on board.

Untitled (Tilghman/Phyllis Stygliano), c. 1953-57/1984

Ray Johnson

A work made of collage of cut painted and printed papers on board.

Untitled (Be My Valentine), c. 1956

Ray Johnson

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