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A work made of woodblock print; oban.

Murasaki Shikibu, from the series Ukiyo-e Genji, Edo period (1615–1868), about 1710

Okumura Masanobu

A work made of color woodblock print, oban.

Portrait of Santo Kyoden, the Master of Kyobashi (Edo hana Kyobashi natori), c. 1795

Rekisentei Eiri

A work made of color woodblock print; chuban.

Maisaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of graphite with pen and brown ink, pen and black ink, red stamps and watercolor on cream wove paper.

Untitled (Cruikshank letter with sketches of horse head), 1812/78

George Cruikshank

View of the Interior of the Ancient Baths at Nîmes, and the Reunion of Various Fragments Taken From There

View of the Interior of the Ancient Baths at Nîmes, and the Reunion of Various Fragments Taken From There, Date unknown

François Denis Née

A work made of lithograph on ivory wove paper.

Household Table with Priest, 1962

Wesley Chamberlin

A work made of lithograph on ivory wove paper.

Hommage to Los Angeles, 1962

Winfred Gaul

A work made of lithograph in blue and brown-green on white nacre paper.

Untitled, 1961

Louis Demott Bunce

A work made of oil on canvas.

Contrail Crucifix, 1975

Roger Brown

A work made of mixed media on paper.

#95F, AB 7.27.04, 7.28.04, 8.3.04m 3.27.06, 4.14.06, 5.1.06, 5.16.06, 5.18.06, 5.20.06, 9.22.06, 9.24.06, 9.26.06 Napkin Mountain, 2004–06

Pope.L

A work made of mixed media on paper.

#709F 3.13.03, 1.28.05, 2.16.05, 3.27.06, 4.14.06, 6.23.06, 9.6.06, 5.9.06, 6.29.06, 9.26.06, 9.25.06, 12.3.06 “Why Are You Sad?”, 2003–06

Pope.L

A work made of gold.

Bracelet, 1st-2nd century

Ancient Roman

Untitled (Cruikshank letter with sketches of figures)

Untitled (Cruikshank letter with sketches of figures), 1812/78

George Cruikshank

A work made of album with 66 drawings and 2 cut-out images, some mounted in ornate relief paper frames.

Queen Adelaide's Album, 1823/37

A work made of lithograph in black over a fawn tint on buff wove chine laid down on ivory wove paper.

Entering the Villa Santucci, from Souvenirs d’Italie: Expédition de Rome, 1850

Denis Auguste Marie Raffet

A work made of lithograph in black over a fawn tint on buff wove chine laid down on ivory wove paper.

Capture of the Villa Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1852

Denis Auguste Marie Raffet

A work made of lithograph in black on gray wove chine laid down on ivory wove paper.

Combat in Pamfili, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black on gray wove chine laid down on ivory wove paper.

Sappers going to the trenches, from Souvenirs d’Italie: Expédition de Rome, 1854

Denis Auguste Marie Raffet

A work made of lithograph in black on ivory wove chine laid down on ivory wove paper.

Trench guard, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

A work made of lithograph in black over a gray-tan tint on ivory wove chine laid down on ivory wove paper.

Opening the First Parallel, from Souvenirs d’Italie: Expédition de Rome, 1853

Denis Auguste Marie Raffet

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