Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of graphite and brush and colored inks with watercolor and traces of glitter glue on wove graph paper.

Blues Legacies and Black Feminism, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of graphite and brush and colored inks on wove graph paper.

25 Kites that Fly, from Human_3.0 Reading List, 2016

Cauleen Smith

A work made of silk and rayon, plain weave with supplementary patterning wefts and self-patterning ground weft floats; interlinging: cotton, plain weave.

Nagoya Obi (Formal Belt), late Taishô period (1912–1926), c. 1925

A group of light-skinned people accompanied by a horse and rider carry a palanquin, or box on two poles used to transport a person. A silhouetted backdrop of huts and trees in black and gray contrasts with the colored figures.

Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A work made of lithograph in red and black on ivory wove paper.

Tales of the Meep, 1962

François Arnal

A work made of graphite and watercolor with traces of glitter glue on wove graph paper.

Women, Race & Class, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of oak, metal, enamel, glass, and copper alloy (probably brass).

Clock, c. 1895

Charles Francis Annesley Voysey

A work made of pen and brown ink, brush and brown wash, and graphite on paper.

Title Page for the "Odes and Sonnets of John Keats", n.d.

Will Hicock Low

A work made of rayon, plain weave self-patterned by rows of gauze crossings (yoko ro); resist dyed, stenciled and dye extracted through use of chemical discharge dyeing (bassen) (yûzen-zome: utsushinori and hitta shibori); embroidered with cotton, rayon and gold and silver-leaf-over-lacquered-paper-strip wrapped silk in satin stitches and underside couching; lined with silk and cotton, stripes of warp-float faced 4:1 satin weave and stripes of 3:1 (plain interlacing in alternate alignment) plain weave derived float weave (cannelé alternatif); printed.

Nagoya Obi (Formal Belt), 1920/26, late Taishô period (1912–1926)

A work made of color woodblock print; oban.

Goldfish, from the series "Elegant Comparison of Little Treasures (Furyu kodakara awase)", c. 1802

Kitagawa Utamaro

A work made of silk, 4:1 satin damask weave (donsu); tie-dyed (hitta shibori); and embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk and wrapped rayon in stem stitches; couching.

Nagoya Obi (Formal Belt), 1920/26, late Taishô period (1912–1926)

Three adult figures walk on a boardwalk over reed-filled water, one carrying a baby, wearing clothes in red, blue, and gray tones, with shadowy trees and a tent structure in the background. Japanese characters in red and black ink appear at upper left and bottom right.

No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38

Utagawa Hiroshige

Dialogic: Silver (Chair)

Dialogic: Silver (Chair), 1991

Michele Oka Doner

Black-and-white photograph of a dark-skinned man in a black cap and long black coat walking alongside a concrete wall with a bricked-in doorway. His eyes are downcast, and he smokes a cigarette.-

Leaving the Killing Floor (Stockyards), 1972, printed 1972/78

Ozier Muhammad

A work made of graphite with brush and colored inks on wove graph paper.

Black Marxism, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of color woodblock print; oban.

No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38

Utagawa Hiroshige

A work made of color woodblock print; oban.

Lake Chuzenji, Nikko (Nikko Chuzenjiko), 1930

Kawase Hasui

A work made of color woodblock print.

Sumida Park, 1930

Oda Kazuma

A work made of graphite and black colored pencil with brush and orange and yellow inks and watercolor and touches of opaque watercolor on wove graph paper.

African Fractals, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of graphite and watercolor on wove graph paper.

The Gift, from Human_3.0 Reading List, 2015

Cauleen Smith

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