Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Photograph of a group of black children, mostly boys, who laugh outside a stone house, one with his arms wrapped around another's shoulders. A formally dressed black women stands in front of them in profile. Behind them, a black man stands in the doorway, and children perch in the windows.

Untitled, c. 1960

Jim Stricklin

A work made of graphite and watercolor, with brush and colored inks and traces of glitter glue, on wove graph paper.

The Fire Next Time, from Human_3.0 Reading List, 2015

Cauleen Smith

A drawing on graph paper of a book cover featuring a dark-skinned woman in profile, the back of her head composed of portions of many African animals, including a bird and a cheetah. The illustration reads, "Octavia E. Butler" and "Wild Seed" in red capital letters against a yellow background.

Wild Seed, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of brush and black, blue, and red inks and watercolor and graphite with traces of acrylic paint and glitter glue on wove graph paper.

Things Fall Apart, from Human_3.0 Reading List, 2016

Cauleen Smith

A work made of oak, ash, and original rush seat.

Side Chair, c. 1903

Charles Francis Annesley Voysey

A work made of lithograph in black with white heightening over a fawn tint on buff wove chine laid down on ivory wove paper.

Expedition to Rome, 1849: Your reception is neither polite nor politic, from Souvenirs d’Italie: Expédition de Rome, 1851

Denis Auguste Marie Raffet

A work made of color lithograph.

Tokyo Theater, 1930

Oda Kazuma

A work made of lithograph on ivory wove paper.

Still Life for a Catholic Vinter, 1962

Wesley Chamberlin

A work made of lithograph in black on warm ivory wove chine laid down on off-white wove paper.

Assault of bastion no.8, from Souvenirs d’Italie: Expédition de Rome, published December, 1860

François Hippolyte Lalaisse

A work.

Fragment (From Obi), Meiji period (1868–1912), 1875/1900

A work made of silk and rayon, plain weave with supplementary patterning wefts and self-patterning ground weft floats; interlinging: cotton, plain weave.

Nagoya Obi (Formal Belt), late Taishô period (1912–1926), c. 1925

A work made of graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper.

Starfish, Sea Urchin, and their Kin, from Human_3.0 Reading List, 2016

Cauleen Smith

A work made of etching in black on ivory wove paper.

Brockenhurst, New Forest, 1878

G. R. Smith

A work made of graphite and brush and colored inks, with touches of opaque watercolor and acrylic paint, on wove graph paper.

The Intimacy of Four Continents, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of rayon, plain weave self-patterned by rows of gauze crossings (yoko ro); resist dyed, stenciled and dye extracted through use of chemical discharge dyeing (bassen) (yûzen-zome: utsushinori and hitta shibori); embroidered with cotton, rayon and gold and silver-leaf-over-lacquered-paper-strip wrapped silk in satin stitches and underside couching; lined with silk and cotton, stripes of warp-float faced 4:1 satin weave and stripes of 3:1 (plain interlacing in alternate alignment) plain weave derived float weave (cannelé alternatif); printed.

Nagoya Obi (Formal Belt), 1920/26, late Taishô period (1912–1926)

A work made of lithograph on buff chine collé, laid down on off-white wove paper.

Ruin of an Amphitheatre at Pouzzoles (Kingdom of Naples), plate 9 from Oeuvres de A. Calame, 1851

Alexandre Calame

A work made of lithograph in black on buff wove chine laid down on ivory wove paper.

April 30, 1849, from Souvenirs d’Italie: Expédition de Rome, 1850

Denis Auguste Marie Raffet

A work made of lithograph in black on buff wove paper.

Devotion of the Catholic clergy in Rome, April 30, 1849, from Souvenirs d’Italie: Expédition de Rome, 1858

Denis Auguste Marie Raffet

A work made of graphite and brush and green ink on wove graph paper.

Sylvia Wynter, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of silk, 4:1 satin damask weave (donsu); tie-dyed (hitta shibori); and embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk and wrapped rayon in stem stitches; couching.

Nagoya Obi (Formal Belt), 1920/26, late Taishô period (1912–1926)

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