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A work made of raffia, plain weaves; pieced; appliquéd with plain weaves; embroidered in pearl stitches; edged with knotted pom poms.

Noblewoman's Skirt, Late 19th-early 20th century

Kuba

A work made of raffia, plain weave; pieced; appliquéd with plain weave in pearl stitches; edged with cut fringe.

Ceremonial Skirt, 1900/25

Kuba

A work made of silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile.

Panel, 1860/80

Mathevon et Bouvard

A work made of cotton and linen, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1920

Francis Jourdain

A work made of monotype in dark gray on ivory wove paper.

The Two Connoisseurs, c. 1880

Hilaire Germain Edgar Degas

A work made of sisal, wool, cotton, copper, and nylon, plain weave with supplementary patterning and brocading wefts.

Mouzieys Eco System, 1980/81

Jolanta Owidzka

A work made of cotton, plain weave with supplementary pile warps forming cut solid velvet; block printed; edged with silk, plain weave with supplementary pile warps forming cut solid velvet; appliqued with cotton and gilt-strip-wrapped cotton, cords and woven tapes.

Curtain Panel, 1890/1914

A work made of etching in black, with watercolor, on ivory laid paper.

The Market at Gisors; Rue Cappeville, c. 1894

Camille Pissarro

A work made of silk, plain weaves; pieced; edges bound in cotton, plain weave.

Tangram 5, 1991

Lucienne Day

A work made of cotton, silk and silvered-metal strip, plain weave with supplementary patterning wefts and pile warps forming cut voided velvet.

Panel, c. 1935

Guido Cadorin

A work made of cotton and silk, plain weave with supplementary pile warps forming cut voided velvet; ikat dyed pile warps.

Sample, 1991

Suzanne Lentz

A work made of cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; stamped.

Utrecht Velvet, Design c. 1871

William Morris

A work made of silk, plain weave with supplementary patterning wefts and pile warps forming cut voided velvet.

Panel, c. 1890

A work made of three panels joined: cotton, plain weave; block-printed-resist-dyed; backed with linen, plain weave; edged with cotton, plain weave tape; block-printed-resist-dyed; quilted with linen.

Bedcover, c. 1790

A work made of silk and cotton, plain weave with supplementary pile warps forming cut voided velvet.

Panel, 1890 (produced 1890/94)

Hubert von Herkomer

A work made of cotton, plain weave; engraved-roller printed; fulled; pieced with cotton, machine stitching; embroidered with cotton in long-armed cross stitches.

Quilt Top, 1900/20

A work made of charcoal and black chalk, with stumping (recto); black chalk (verso) on ivory laid paper.

Putti Carrying the Cross (recto); Studies of a Hand (verso), 1672/75

Gian Lorenzo Bernini

A work made of nylon-wrapped-metallized-polyester film and wool, plain weave; open work.

Red Doors, 1990

Robert D. Sailors

A work made of cotton and silk, plain weave with supplementary pile warps forming cut, solid velvet; stenciled.

Cushion Cover, 1911

Maria Monaci Gallenga

A work made of wool, wedge tapestry weave, bound edges with corner tassels.

Men's Wearing Blanket (Third Phase Chief Style), c. 1870–1880

Diné (Navajo)

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