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A work made of engraving in black on cream laid paper.

Melencolia I, 1514

Albrecht Dürer

A work made of pen and black and brown ink, with brush and gray and brown wash, on ivory wove paper.

The Execution, 1956

Edward Giobbi

A work made of silk, warp-float faced satin weave with plain interlacings of secondary binding warps, supplementary brocading wefts and self-patterning ground wefts.

Border, Directoire period, 1790/99

A work made of silk, satin weave self-patterned by areas of twill weave.

Panel, 1925

André Mare

A work made of lithograph on white wove paper.

Upper and Lower Primates, 1997

Sue Coe

A work made of etching on cream wove paper.

Headland, 1959

Gordon Cook

A work made of color lithograph on japanese paper.

A Lavatory, 1909

John Copley

A work made of silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts.

Chair Cover, 1800/25

A work made of silk, plain weave with supplementary patterning wefts; pleated.

Mazurka (Furnishing Fabric), 1983

Gretchen Bellinger

A work made of silk, plain weave with supplementary brocading wefts; self-patterned by main warp and ground weft floats.

Panel, 1725/50

A work made of linen, satin weave self-patterned by reversing of faces: initials embroidered in cotton floss.

Table Napkin Commemorating the Marriage of Louis XIV (1638–1715) and Marie-Therese (1638–1683) in 1660, c. 1660

A work made of etching on white wove paper.

My Father and My Mother, n.d.

Joan H. Cobitz

A work made of color lithograph on ivory wove paper.

Figures and Dark Sea, 1964

Eleanor Coen

A work made of silk, warp-float faced satin weave with plain interlacings of secondary binding warp, supplementary brocading wefts and self-patterning ground wefts.

Border, Directoire period, 1790/99

A work made of wool, single dovetailed tapestry weave; plied and knotted warp fringe.

Blanket, 1920/40

A work made of silk and gilt-metal-strip wrapped silk, warp-float faced satin weave self-patterned by complementary ground wefts.

Panel, 1920s

A work made of silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts.

Chair Cover, 1800/25

A work made of silk, satin weave self-patterned by reversing of faces; applied rhinestones.

Diva (Furnishing Fabric), 1985

Gretchen Bellinger

A work made of wool, warp-float faced twill weave; fulled.

Limousine Cloth (Furnishing Fabric), 1976

Gretchen Bellinger

A work made of silk, warp-float faced satin weave self-patterned by areas of plain weave and ground weft floats.

Panel (Dress Fabric), 1920s

Jean Philippe Worth

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