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A work made of color woodblock print; oban.

Tatekawa River Lumberyard at Honjo (Honjo Tatekawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A color woodblock print of a landscape scene, blue-green grasses, a winding road with a few travellers, papers blowing in the wind, Mt. Fuji in the background

Ejiri in Suruga Province (Sunshu Ejiri), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; oban.

Lake Suwa in Shinano Province (Shinshu Suwako), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; oban.

Enoshima Island in Sagami Province (Soshu Enoshima), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; oban.

Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; oban.

Waterwheel at Onden (Onden no suisha), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of cotton, rayon, wool, and metallic foil encased in polyester film, plain weave; one selvage present.

Fragment (Up 102 D #1), 1944/74

Robert D. Sailors

A work made of cotton, rayon, hemp, wool, and metallic foil encased in polyester film, plain weave; one selvage present.

Fragment (Up 102 E #1), 1944/74

Robert D. Sailors

A work made of cotton, rayon, wool, and metallic foil encased in polyester film, plain weave; one selvage present.

Fragment (Up 102 F #1), 1944/74

Robert D. Sailors

A work made of cotton, rayon, wool, and metallic foil encased in polyester film, plain weave; one selvage present.

Fragment (Up 101 X #1), 1944/74

Robert D. Sailors

A work made of cotton, rayon, wool, and metallic foil encased in polyester film; two selvages present.

Sample (Up 101 W #1), 1941/74

Robert D. Sailors

A work made of linen, satin weave with discontinuous interlocking ground wefts and supplementary brocading wefts.

The Churchmen, 1961

Dora Jung

A work made of cotton and silk, plain weave with supplementary brocading wefts; woven on loom with jacquard attachment.

Panel to be Used as Dress or Gown Inserts, Mid–19th century

A work made of wool and cotton, 11:1 satin damask weave self-patterned by areas of twill weaves.

Panel (Furnishing Fabric), c. 1840

A work made of linen, cotton, and metallic-foil-encased-in-polyester-film-wrapped rayon, complementary weft plain weave with twill interlackings of secondary binding warps and brocading wefts.

Planet Series #10, 1988

Lois Bryant

A work made of silk, plain weave with supplementary discontinuous pile warps forming cut and uncut voided velvet; fringe is extended lengths of pile warps; warp ainted appearance (chine).

Skirt Panel, c. 1840

A work made of silk, warp-float faced satin weave with supplementary brocading wefts and self patterning ground wefts tied by supplementary binding warps in plain interlacing (lampas).

Fragment, 1701/50

A work made of cotton, rayon, wool, and metallic foil encased in polyester film, plain weave; one selvage present.

Fragment (Up 101 V #1), 1944/74

Robert D. Sailors

A work made of cotton and rayon, plain weave.

Sample, 1941/74

Robert D. Sailors

A work made of etching on cream laid paper.

East Side Night, Williamsburg Bridge, 1928

Martin Lewis

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