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A work made of cotton, rayon, and metal foil laminated between synthetic film, plain weave.

Panel (UP 27B #1), 1950

Robert D. Sailors

A work made of linen, plain weave; screen printed.

Fragment (Furnishing Fabric), 1950s

Benjamin J. Baldwin

A work made of cotton and wool, warp-faced plain weave with supplementary patterning wefts tied by supplementary binding warps.

Panel, c. 1886

Arthur Heygate Mackmurdo

A work made of silk and silk chenille, satin weave with supplementary brocading wefts and self-patterned by reversing of faces.

Panel, 1752/55

A work made of wood and pigment.

Dance Staff (Oshe Sango), Early 20th century

Yoruba

A work made of silk and cotton, warp-faced weft-ribbed plain weave self-patterned by areas of main warp and ground weft floats; "watered" (moiré).

Panel (Furnishing Fabric), c. 1900 (produced 1901/25)

Edward Colonna

A work made of lithograph on white wove paper.

Cross My Heart and Hope to Die, 1997

Sue Coe

A work made of wood.

Esu Dance Staff (Ogo Elegbara), Mid–late 19th century

Yoruba

A work made of wood, beads, and traces of pigment.

Female Figure with Bowl, Late 19th century

Abogunde of Ede

A work made of linen, wool, cotton, and rayon, plain weave with supplementary brocading wefts.

The Hills Are Covered with Gladness, 1972

Jane Redman

A work made of color lithograph on paper.

Katy and the Mobile, 1950

Eleanor Coen

A work made of silk and metal foil wrapped around cotton fiber core, warp-float faced satin weave with supplementary patterning wefts.

Panel, 1920s

A work made of color lithograph on white wove paper.

Messages, 1973

Edward Colker

A work made of wood with oil.

Half Figure (Nlo Byeri), Late 19th-early 20th century

Fang

A work made of cotton, 3:1 broken twill weave with plain interlacings of secondary binding warps and supplementary patterning wefts.

Table Cover, 1901/25

Darmstadt Künstler-Kolonie

A work made of color woodblock print; oban.

Kajikazawa in Kai Province (Koshu Kajikazawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

Print showing a string of travelers with horses walking along a narrow hillside path beneath an enormous craggy beige mountain at left and an equally massive and craggy deep-blue mountain at right. A brown snow-covered peak appears between these mountains. A mass of cream-colored clouds and a river with rounded ripples fill the middle plane of the composition.

The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), 1830-33

Katsushika Hokusai

A work made of color woodblock print with metallic pigments; surimono shikishiban.

Woman About to Write a Poem, c. 1824

Yashima Gakutei

A work made of linen, satin damask weave self-patterned by ground weft floats.

Cirkuladetri, 1977

Dora Jung

A work made of color woodblock print; oban.

Newly Published Perspective Picture of Mount Fuji in Spring from Tagonoura (Shinpan uki-e Tagonoura haru no Fuji), c. 1772/89

Utagawa Toyoharu

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