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A work made of soft ground etching from the first of two zinc plates in blue-green on ivory laid paper.

Road Through a Village, 1902

Théophile-Alexandre Pierre Steinlen

A work made of hand-colored gelatin silver print in glassine envelope, from the portfolio "photographs from the school of the art institute of chicago" (1975).

California, March 1975

Jason F. Tannen

A work made of aquatint and drypoint on ivory laid paper.

The Laundress, 1898

Théophile-Alexandre Pierre Steinlen

A work made of gelatin silver print, from the portfolio "photographs from the school of the art institute of chicago" (1975).

Untitled, 1975

Jeffrey Wertheimer

A work made of soft ground etching, aquatint and etching in grayish blue-black (noir bleuté) on ivory laid paper.

Tramp Passing Through a Sleeping Village, 1902

Théophile-Alexandre Pierre Steinlen

A work made of lithograph in black on green wove paper.

Carrying a Firework Judas, 1939

José Chávez Morado

A work made of gelatin silver print, from the portfolio "photographs from the school of the art institute of chicago" (1975).

Untitled, 1974

Dennis Weeks

A work made of soft ground etching, aquatint and etching in warm black on ivory laid paper.

Lovers on a Bench, 1902

Théophile-Alexandre Pierre Steinlen

A work made of relief print on paper.

Man on Beach, 1942

Pablo O'Higgins

A work made of etching from a zinc plate on ivory laid paper.

The Rubbish Cart, 1902

Théophile-Alexandre Pierre Steinlen

A work made of gelatin silver print, from the portfolio "photographs from the school of the art institute of chicago" (1975).

Untitled, c. 1975

W. Wallace Wilson

A work made of etching and drypoint in warm black on ivory laid paper.

Street Singers, 1902

Théophile-Alexandre Pierre Steinlen

A work made of aquatint, soft ground etching and drypoint from two zinc plates printed à la poupée in 7 colors (olive green, brown, black, teal, orange, pink and yellow) on ivory laid japanese paper.

Two Mothers, 1903

Théophile-Alexandre Pierre Steinlen

A work made of lithograph in black on cream wove paper.

Abstraction, 1934

Carlos Mérida

A work made of photo-relief of a lithograph (or chromotypogravure) in black and orange on slick white wove paper laid down on cream wove paper.

Conversation, n.d.

Théophile-Alexandre Pierre Steinlen

A work made of lithograph in black on cream wove paper.

Two Figures, Abstract, 1934

Carlos Mérida

A work made of soft ground etching in sanguine (red-brown) from a zinc plate on ivory wove paper with a pronounced mesh pattern.

Two Nude Models, 1902

Théophile-Alexandre Pierre Steinlen

A work made of lithograph in black on cream wove paper.

Abstraction, 1934

Carlos Mérida

A work made of etching from a zinc plate on cream wove paper.

Two Women of the Street and Their Companions, 1898

Théophile-Alexandre Pierre Steinlen

A work made of lithograph in black on cream wove paper.

Abstraction, 1934

Carlos Mérida

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