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A work made of pages from a color woodblock-printed volume.

The Poetess Michitsuna no Haha, from the series "The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)", Edo period (1615–1868), 1801

Chôbunsai Eishi

A work made of page from a color woodblock-printed volume.

The Poetess Ukon, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Edo period (1615–1868), 1801

Chôbunsai Eishi

A work made of color woodblock print; hosoban.

Ono no Komachi at Seki Temple (Seki), from the series The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi), Edo period (1615–1868), 1751/64

Suzuki Harunobu

A work made of color woodblock print; hosoban.

Parrot Komachi (Omu Komachi), from the series The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi), Edo period (1615–1868), 1751/64

Suzuki Harunobu

A work made of color woodblock print; oban.

Ono no Komachi Praying for Rain, Edo period (1615–1868), 1770

Suzuki Harunobu

A work made of color woodblock print; hosoban.

Ono no Komachi by the Waterfall (Shimizu), from the series The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi), Edo period (1615–1868), 1751/64

Suzuki Harunobu

A work made of color woodblock print; chuban.

Ono no Komachi Washing the Book, Edo period (1615–1868), 1765/66

Suzuki Harunobu

A work made of color woodblock print; chuban.

Praying for Rain Komachi (Amagoi Komachi), Edo period (1615–1868), 1770

Shiba Kokan

A work made of color woodblock print (benizuri-e); hashira-e.

Praying for Rain Komachi (Amagoi Komachi), Edo period (1615–1868), about 1755

Ishikawa Toyonobu

A work made of color woodblock print; hosoban, mizu-e.

Ono no Komachi Washing the Copybook, Edo period (1615–1868), 1764

Torii Kiyomitsu I

A work made of color woodblock print; chuban.

Ono no Komachi, from the series A Collection of Fashionable Beauties of Japan (Wakoku bijin ryaku shu), Edo period (1615–1868), n.d.

Torii Kiyonaga

A work made of hand-colored woodblock print; hosoban.

Ono no Komachi Washing the Copybook (Soshiarai Komachi), Edo period (1615–1868), 1735/40

Torii Kiyomasu II

A work made of color woodblock print; oban.

Ono no Komachi Visiting Kiyomizu Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Edo period (1615–1868), about 1788

Chôbunsai Eishi

A work made of color woodblock print; oban.

Ono no Komachi at Seki Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Edo period (1615–1868), about 1788

Chôbunsai Eishi

A work made of color woodblock print; oban.

Ono no Komachi Washing the Copybook, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Edo period (1615–1868), about 1788

Chôbunsai Eishi

Abstract painting featuring wide horizontal bands of pinkish red at top and bottom with a band of white and band of black in the middle. Each color section has a subtle white gradient, and hints of all of these colors are present in each of the bands.

Taos, 1982

Ed Clark

D-Yard Attica

D-Yard Attica, 1971

Roger Brown

A work made of color inkjet print on white wove paper.

2016 in Museums, Money, and Politics, 2018

Andrea Fraser

A work made of acrylic on canvas.

Carnival, 1974

Kimber Smith

A work made of color woodblock print; oban.

Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Edo period (1615–1868), about 1788

Chôbunsai Eishi

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