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A work made of color lithograph on cream wove paper.

Summertime: Pleasures by Underground, March 30, 1925

Edward McKnight Kauffer

A work made of graphite and blue colored pencil on tracing paper.

House with Courtyard, Student Project, Plan, 1940

George Edson Danforth

A work made of cotton, plain weave; copperplate printed.

L'Hommage de l'Amérique á la France (America's Tribute to France) (Furnishing Fabric), c. 1780

Jean Baptiste Huet

A work made of cotton, plain weave; straight pins.

Strates IV, 2017

Simone Pheulpin

A work made of terracotta.

Jar, Early/mid–20th century

Yoruba

A work made of cotton, satin weave self-patterned by areas of twill and plain weaves; woven on loom with jacquard attachment.

Hafis (Dress or Furnishing Fabric), 1899

Koloman (Kolo) Moser

A work made of sandstone.

Buddha Shakyamuni with Attendants, Kushan period, 2nd century

A work made of silk and gilt-metal strips, warp-float faced 7:1 satin weave with supplementary brocading wefts and self-patterned by areas of weft-float faced broken combined twill weave.

Panel, c. 1707/08

A work made of oil on canvas.

Barnacles, 1907

Adam Emory Albright

A work made of silk, warp-float faced satin weave; embroidered with silk and chenille yarns in chain and satin stitches; couching; surface pigment added to embroidered stitches.

L'Hiver (Winter), Early 19th century

Pierre Antoine Mongin

A work made of cotton, plain weave; copperplate printed.

L'Hommage de l'Amérique á la France (America's Tribute to France) (Furnishing Fabric), c. 1780

Jean Baptiste Huet

A folding screen made out of solid yellow metal panels. Also in the photograph is a red floor lamp consisting of a T-shaped metal base and a long metal tube bent at the top, a light bulb at its end.

ABBIATEGRASSO – Metrò, La Due Series, Free-standing Screen, 2017

PIOVENEFABI

A work made of acrylic on papier mâché.

Dog Mask II, 1967

Karl Wirsum

A work made of graphite and colored pencil on white tracing paper.

Century of Progress Exposition, Hall of Science Southeast Pavilion, Multiple Views, 03/02/1931

Paul Philippe Cret

A work made of linen and silk, bands of plain weave open work with discontinuous wefts and supplementary brocading weft, warp-float faced twill weave, and plain weave self-patterned with main warp floats; main warp fringe.

Weft Wandering Astray, 1985

Sheila Hicks

A work made of wool, linen, cotton, and silk, plain weave with discontinuous weft open warp areas; knotted warp fringe; feathers.

Yellows, 1958

Lenore Tawney

A work made of steel, brass, wood, and leather.

Poleax, c.1470—c.1520

A work made of cotton and ramie, warp-float faced satin weave with supplementary patterning warps forming cut fringe and self-patterned by areas of plain weave and by reversing of faces.

Grand Luxe (Furnishing Fabric), 1975

Jack Lenor Larsen

A work made of cotton, twill weave; printed.

Piumette, 1925/75

Mariano Fortuny y Madrazo

A work made of lantern slide.

Ely Cathedral: From Br. West's Chapel into South Choir Aisle, c. 1891

Frederick H. Evans

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