Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of blackline and color hectograph prints on paper.

Victoria Hotel, Chicago Heights, Illinois, Second Floor Plan, 1892

Adler & Sullivan, Architects

A work made of cotton, plain weave; block printed.

Panel, c. 1890s

A work made of ink and colored pencil on paper.

Chicago Lagoon Proposal, Perspective, 1987

Lohan Associates

A work made of embroidered gauze.

Trouser Band, Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 4:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:4 'z' twill interlacings; patches: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2:1 'z' twill weave with weft-float faced 1:2 'z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, plain weave self-patterned by main warp and ground weft floats.

Ôhi (Stole), Edo period (1615–1868), 1775/1825

A work made of chromogenic print, printed in 1977 by by joel meyerowitz, negative #274.

Man Measuring Trees, Queens, N.Y., 1977

Joel Meyerowitz

A work made of wool, combined warp chevron twill weave; two selvages present.

Panel, 1950s

A work made of silver.

Porringer with Cover, 1851–76

Henry Ball, William Black and Company

A work made of 1/2 length & open, in compound satin, silk & golt paper wound on silk core..

Obi (Belt), 1901/1925, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of brocaded plain compound twill, silk & gilt paper.

Obi (Belt), 18th/19th century, Edo period (1615–1868)

A work made of silk compound weave with ground of soft red loosely woven satin..

Ôhi (Stole), late Edo period (1789–1868), 1801/25

A work made of gelatin silver print.

Joseph Schlichter Performing "Man Walking Down the Side of a Building" by Trisha Brown, 80 Wooster St., 1970

Peter Moore

A work made of graphite, ink, watercolor, and tempera on paper.

Rathskeller Neubau, Halle (Saale), Saxony-Anhalt, Germany, Perspective (unfinished), c. 1887

Peter Joseph Weber

A work made of graphite, ink, watercolor, and tempera on paper.

Rathskeller Neubau, Halle (Saale), Saxony-Anhalt, Germany, First Floor Plan, c. 1887

Peter Joseph Weber

A work made of single plain compound cloth, silk & silvered paper; 2 strips to m.m..

Fragment, 18th/19th century, Edo period (1615–1868)/ Meiji period (1868–1912)

A work made of plain compound twill, silk and gilt paper; 2 1/2 strips to m.m..

Fragment, Edo period (1615–1868), 1800/25

A work made of fancy compound satin, silk and gilt paper; 2 1/2 strips to m.m..

Fragment, Edo period (1615–1868), 1700/1750

A work made of color lithograph from one stone and one plate, with embossed seal, on ivory wove paper.

The Museum, 1972

Saul Steinberg

A work made of pen and black ink on ivory wove paper.

Bridge, 1954

Saul Steinberg

A work made of pen and black ink on ivory wove graph paper.

Birds, 1945–54

Saul Steinberg

<<<761762763764 >>>