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A work made of black ink with black ink wash on cream wove paper.

Dancers Resting, 1954

Kenneth Armitage

A work made of linen, plain weave; edged with linen, plain weave; embroidered with silk floss in antique hem, back and double running stitches; edged with silk, countered weft twining with extended ground weft cut fringe.

Cover, 17th century

A work.

Cover, 17th century

A work made of pastel and graphite, with touches of brown printing ink, on cream wove paper.

Self-Portrait, 1953

Larry Rivers

A work made of linen, plain weave; embroidered in silk.

Cover, 17th century

A work.

Cover, 17th century

A work made of gouache with brush and gray wash, traces of white gouache, over traces of graphite, on white watercolor paper.

Study, 1964

Jan Menses

A work made of pen and brush and black ink on white wove paper.

Study, 1965

Jan Menses

A work made of collage of brush and black ink and brush and gray wash, over touches of graphite, and cut-and-pasted ivory wove paper, on ivory wove paper.

Haulers, 1965

Red Grooms

A work.

Cover, 18th century

A work made of woodcut on japanese paper.

Daasdorf, 1918

Lyonel Feininger

A work.

Altar Cover, 18th century

A work made of woodcut on japanese kozo paper.

Cathedral, 1919–23

Lyonel Feininger

A work.

Cover, 18th century

A work made of gouache with brush and gray wash, over traces of charcoal and graphite, on white watercolor paper.

Study, 1964

Jan Menses

A work made of woodcut on japanese laid kozo paper.

High Houses in Paris, 1919

Lyonel Feininger

A work made of woodcut on cream wove paper.

Gelmerode Church, 1918

Lyonel Feininger

A work made of woodcut on japanese yellow-gold carbon-copy tissue.

Gelmeroda with the Fir Tree, 1918

Lyonel Feininger

A work made of woodcut on china paper.

Gables in Luneburg, 1924

Lyonel Feininger

A work.

Altar Cover, 18th century

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