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A work made of variable.

Figge Art Museum (Davenport Museum of Art), 1999

David Chipperfield

A work made of polyester, plain weave; screenprinted.

Mr. Zebra & Watusi (Furnishing Fabric), 1983

Ben Rose

A work made of graphite and colored pencil on tracing paper.

Potomac Round Point, Washington D.C., Sketches, 1909

D.H. Burnham & Co.

A work made of cotton, twill weave; printed.

Alberelli, 1925/75

Mariano Fortuny y Madrazo

A work made of cotton, twill weave; printed.

Cuzco, 1925/75

Mariano Fortuny y Madrazo

A work made of porcelain with enamel decoration.

Arita-ware Kakiemon Gourd Shaped Ewer, late 17th century

A work made of acrylic and rayon, plain weave; screen printed.

Plane Tree II (Furnishing Fabric), 1975

Ben Rose

A work made of wool, plain weave; double cloth with supplementary patterning wefts (overshot); wrapped main warp fringe.

Patch # 2, c. 1968

Theodore Hallman

A work made of gilt copper.

Guanyin (Avalokiteshvara), Dali kingdom (c. 937–1253), 12th century

A work made of graphite and ink on polyester film.

Mies van der Rohe Architectural Exhibition, Fifth Biennial, Sao Paulo, Brazil, Section, 1959

Ludwig Mies van der Rohe

A work made of wool, 4:1 satin damask weave.

Blanket (Sample), 1992/93

Ben Rose

A work made of porcelain with enamel decoration.

Nabeshima-Ware Bowl, 18th century

A work made of etching and drypoint with foul biting in black ink on ivory laid paper altered to light brown.

Old Battersea Bridge, 1879

James McNeill Whistler

A work made of cotton, twill weave; printed.

Veneziania, 1925–1949

Mariano Fortuny y Madrazo

A work made of cotton, twill weave; printed.

Canova, 1962

Mariano Fortuny y Madrazo

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

Old Battersea Bridge, 1879

James McNeill Whistler

A work made of silver dye-bleach print.

Sons of the Devil, Chicago, 1980

Luis Medina

A work made of gelatin silver print.

Untitled, 1940/60

Unknown Maker

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1876), volume 3.

Ernest Legouvé, 1853/76

Nadar (Gaspard Félix Tournachon)

A work made of etching and drypoint in black ink on cream laid paper.

Old Battersea Bridge, 1879

James McNeill Whistler

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