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A work made of wool, plain and slit tapestry weaves; weft wrapping; cut warp fringe.

Shirvan Kilim, Last quarter 19th century

A work made of cotton, plain weave with discontinuous supplementary wefts bound in twill interlacings and supplementary pile warps forming cut and voided velvet; woven on a loom with a drawloom attachment fabricated by the artist.

A Change in the Weather, 1984/2008

Ethel Stein

A work made of one of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist.

Circus and Slapstick, 1996

Ethel Stein

A work made of one of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist.

Circus and Slapstick, 1996

Ethel Stein

A work made of linen, plain weave; backed with cotton, plain weave; embroidered with silk and linen and gilt-metal-strip-wrapped silk in stem, satin, long and short, padded satin and variations on buttonhole stitches; french knots; laid work and couching; glass beads.

Wie das Gras (Like the Grass), 1977

Lissy Funk

A work made of one of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist.

Circus and Slapstick, 1996

Ethel Stein

A work made of one of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist.

Circus and Slapstick, 1996

Ethel Stein

A work made of one of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist.

Circus and Slapstick, 1996

Ethel Stein

A work made of one of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist.

Circus and Slapstick, 1996

Ethel Stein

A work made of linen, plain weave; appliqued with linen, plain weaves; embroidered with silk floss in long and short, chain, buttonhole, cretan variation, scroll, ladder, cross, and detached cross stitches; laid work and couching; french knots; lined with linen, plain weave.

Hanging, 1916

Maxwell Ashby Armfield

A work made of linen, plain weave; embroidered with silk in cross, herringbone, stem, satin, and chain stitches; edged with cotton, plain weave.

Sampler, 1765/66

Charlotte Guerin

A work made of two panels: linen, cotton, silk, nylon, polyester, leaf fiber (probably abaca), wool, ramie, synthetic foam, and paper; crochet variations, running stitches and knotting; blocked.

Fields, 2004

Michael Olszewski

A work made of silk and paper, crochet and crochet variations; appliquéd with silk, plain weaves, some printed, dyed, hole-punched, and discharge dyed and appliquéd with silk, ribbon; embroidered with silk; metal wire wrapped with silk; blocked.

The Clearing, 2008

Michael Olszewski

A work made of opaque watercolor (gouache) over graphite with black ink on mold paper.

Point Paper (mise-en-carte), c. 1880

Leblanc (Firm)

A work made of opaque watercolor over graphite on paper.

Design for Printed Textile, 1929/34

Fredrica Justina Staack

A work made of opaque watercolor over graphite on paper.

Design for Printed Textile, 1929/34

Fredrica Justina Staack

A work made of stencil on japanese paper (probably kozo fiber).

Surcoat or Vest, Late Edo Period (1603–1867)/Early Meiji Period (1868–1912), 19th century

A work made of silk, plain weave, resist-dyed; stencil on japanese paper (probably kozo).

Haori, Meiji Period (1868–1912), Late 19th/early 20th century

A work made of two panels: cotton, satin weave damask; woven on a loom with a drawloom attachment fabricated by the artist.

Whole and Half Moons, 2007

Ethel Stein

A work made of two panels: cotton, satin weave damask; woven on a loom with a drawloom attachment fabricated by the artist.

Whole and Half Moons, 2007

Ethel Stein

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