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A three-part panel featuring a variety of scenes, vertically stacked and richly painted. The central panel features the Virgin Mary and and Child flanked by archangels Gabriel and Michael, twelve disciples below them in grid formation.

Triptych Icon, Late 17th century

A work made of collage of cut printed, painted, and colored papers and opaque and translucent watercolors, with metallic coated paper and traces of graphite, on board.

Untitled (Strips Whirled), c. 1953-58

Ray Johnson

A work made of oil and charcoal on canvas.

The Drawing Class, 2011

Nicole Eisenman

A work made of ceramic, stainless steel, granite, nylon hardware.

Mediator, 2020

Julia Phillips

A work made of screenprint in black, over greenish blue, on white wove paper.

Untitled, from Portfolio from the School of the Art Institute of Chicago, 1969

Ed Paschke

A work made of graphite on ivory wove paper.

Frankie, 1974

Ed Paschke

A work made of graphite on ivory wove paper.

Lady II: Girl Wearing Bolero Jacket, 1973

Ed Paschke

A work made of color etching and aquatint, printed twice from the same plate, on ivory wove paper.

Peace Employee, 1961

Ed Paschke

A work made of oil on linen.

Hot Fax, 1990

Ed Paschke

A work made of color lithograph on white wove paper.

Poderosa, 1991

Ed Paschke

A work made of black fiber-tipped pen and colored pencils, with pen and black ink and touches of graphite, on off-white wove paper.

Lucky Cop, 1990

Ed Paschke

A work made of cover from a suite of 14 lithographs and colophon.

Folio Cover from Poèmes et Lithographies, 1954

Pablo Picasso

A work made of book cover for the previously bound text of 32 aquatint plates and text pages.

Cover to Histoire naturelle, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with scraping and drypoint on copper in black on off-white laid paper.

The Wasp, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Butterfly, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Bee, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on copper in black on ivory laid paper.

The Goldfinch, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of charcoal on cream wove paper.

Attic in Nyack (Hopper House), 1899

Edward Hopper

A work made of graphite, watercolor, and gouache on tan wove paper.

Woman in an Armchair, 1918

Pablo Picasso

A work made of pen and brown ink, with brush and brown wash, and gouache, with touches of wiping (recto), and brush and gray wash, with touches of white-gray gouache and red wash (verso), on off-white white wove paper.

Seated Woman (recto); Study (verso), November 28, 1941 (recto); 1941 (verso)

Pablo Picasso

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