Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.

Group of Nine Standing Figures, 1524/27

Parmigianino

A work made of opaque watercolor, over graphite, on cream wove paper.

Zig/Rhomboids, 1987-88

Bridget Riley

A work made of black conté crayon on cream wove paper.

Transitional Drawings (Landscape) [Tonal Study near Albi, France], 1959

Bridget Riley

A work made of illustrated book featuring 117 copper plate engravings on ivory laid paper; full vellum binding.

Exercise of Arms, 1608

Jacques de Gheyn, II

A work made of linocut in red on cream wove paper.

Walking Figures 2, 1953

William Turnbull

A work made of linocut in black on cream wove paper.

Heads 2, 1953

William Turnbull

A work made of linocut in red on cream wove paper.

Heads, 1953

William Turnbull

A work made of sculpmetal, wood, and lacquer.

Mano Rattle, 1982

Mary Stoppert

A work made of sculptmetal, wood, and lacquer.

Mano Rattle de Plata, 1982

Mary Stoppert

A work made of sculptmetal, wood, and lacquer.

Venus Rattle, 1982

Mary Stoppert

A work made of corrugated cardboard, cardboard, yellow cellophane, shredded paper, and plastic mesh.

Subterranean Tropicália Projects: PN10, PN11, PN12 and PN13, 1971

Hélio Oiticica

A work made of acrylic and mixed media on canvas.

Untitled, 2024

Judith Geichman

A work made of steel engraving on paper.

Benjamin Franklin, Date unknown

Unknown artist

A work made of stipple and line engraving on paper.

Benjamin Franklin, Date unknown

Unknown artist

A work made of stipple engraving on paper.

Benjamin Franklin, Date unknown

Unknown artist

A work made of etching on paper.

Henry Bouguet, Date unknown

Unknown artist

A work made of etching on paper.

Lord George Sackville, Date unknown

Unknown artist

A work made of ceramic with platinum glaze.

Less sauvage than others, 2007

Rosemarie Trockel

A work made of full leather with fluted spine and white- and black-goatskin onlays; orange silk endpapers, emerald and terracotta goatskin doublures, top edge gilt; paper-covered slipcase with goatskin trim and felt lining.

Hebdomeros: le paintre et son génie chez l'écrivain Hebdomeros: le paintre et son génie chez l'écrivain (Hebdomeros: The Painter and his Genius as Writer), Published 1929; rebound 1936-1939

Mary Reynolds

A work made of bronze.

Babassú, c. 1943

Maria Martins

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