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A work made of charcoal, with stumping, and black crayon, heightened with white chalk, on ivory laid paper, prepared with a tan ground.

Study after Antique Statue of Seated Putto Holding Mask of Silenus, 1775

John Downman

A work made of pen and brown ink with brush and gray wash and black crayon, heightened with touches of white chalk, on cream laid paper prepared with a tan ground.

Study after Antique Monumental Vase, 1774

John Downman

A work made of charcoal with stumping on cream wove paper.

Moses, c. 1775-1800

John Downman

A work made of pen and brown ink and brush and gray wash, over traces of black chalk, on ivory laid paper.

Study of an Ancient Bas-Relief of Sleeping Hunter and Dog, 1775

John Downman

A work made of pen and brown ink and brush and gray wash on ivory laid paper.

Study after an Ancient Bas-Relief with Battle of the Amazons, 1774

John Downman

A work made of black chalk with stumping on ivory laid paper.

Study after Ancient Statue of the Sleeping Hermaphrodite, 1774

John Downman

A work made of pen and brown ink and brush and gray wash, over traces of graphite, on ivory laid paper.

Study after Statue of a Seated Woman (Agrippina), 1775

John Downman

A work made of pen and brown ink with graphite on ivory laid paper.

Study after Statue of the Capitoline Venus, 1775

John Downman

A work made of pen and brown ink, over graphite, on ivory laid paper.

Study after Statue of the Capitoline Venus, 1774

John Downman

A work made of graphite and charcoal with stumping on ivory laid paper.

Study after Statue of Venus de' Medici, 1774

John Downman

A work made of charcoal with stumping, heightened with traces of white chalk, on ivory wove paper prepared with a pale blue ground.

Study after Antique Sculpture of the Dancing Satyr with Cymbals, 1775

John Downman

A work made of spray paint on canvas.

67-F 13, 1967

Martin Barré

A work made of charcoal with stumping on ivory laid paper prepared with a pale blue ground.

Study after the statue of the Borghese Gladiator, 1774

John Downman

Dashes of paint of varying colors arranged at random intervals on a cream-colored background covered in evenly spaced lines.

Summer, 1970

Joan Snyder

A work made of black crayon on ivory laid paper prepared with a gray ground.

Study after Roman Statue of a Standing Woman, 1774

John Downman

A work made of graphite on ivory wove paper prepared with a gray ground.

Study after Ancient Statue of Standing Female Figure, c. 1775

John Downman

A work made of pen and brown ink, with traces of graphite, on ivory laid paper.

Study after the figure of Faith, after Raphael, 1774

John Downman

A work made of watercolor, graphite, and ink on gray paper-faced laminated paperboard.

3-Square House, Hypothetical Study, 1931

Bruce Goff

A work made of opaque watercolor with graphite and collage of foil paper on tan wove paper.

Untitled (Composition), 1936

Bruce Goff

A work made of opaque and translucent watercolor and graphite on cream wove paper laid down on cream board.

Baughman Bungalow, Tulsa, Oklahoma, Interior Perspective, 1922

Bruce Goff

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