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A work made of ivory chine collé on off-white wove paper.

Place, plate one from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Triumph, plate five from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Rescue, plate four from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

A Glove: Action, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Quiet, plate eight from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Fears, plate seven from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Homage, plate six from A Glove, 1881

Max Klinger

A work made of etching and aquatint in dark brown and reddish-orange ink on lightweight off-white wove paper, laid down on heavy off-white wove plate paper.

Abandoned, plate five from A Life, 1884

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Cupid, plate ten from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Abduction, plate nine from A Glove, 1881

Max Klinger

A work made of various charcoals, with wiping, stumping, erasing, and incising, on cream wove paper altered to a golden tone.

Faust and Mephistopheles, 1880

Odilon Redon

A work made of color lithograph in green, blue, yellow, red, and peach with scraping on plate, from a zinc plate on buff wove paper.

In Times of Harmony, 1895–96

Paul Signac

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Wishes, plate three from A Glove, 1881

Max Klinger

A work made of graphite with stumping, scratching and erasing on off-white wove paper, prepared with a white gouache ground (scratchboard).

The Greatest Love of Don Juan, 1879

Félicien Rops

A work made of etching on chine collé, laid down on cream laid paper.

Lucifer, c. 1890

Franz von Stuck

A work made of etching and aquatint in black ink on ivory wove paper, laid down on ivory wove plate paper (chine collé).

The Isle of the Dead, 1890

Max Klinger

A work made of lithograph on cream wove paper.

Spring, after 1901

Ferdinand Hodler

A work made of zincograph in blue-black on yellow wove paper.

Image Design for a Poster, Wagenaar's Cantata 'The Shipwreck', 1899

Jan Toorop

A work made of etching, soft ground etching, and aquatint, with drypoint, on cream wove paper.

Inspiration, 1908

Käthe Kollwitz

A work made of color transfer lithograph from three stones on grayish-ivory china paper.

Silence, 1894/97

Henri Martin

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