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A work made of etching on buff laid paper.

Joseph and Potiphar's Wife, 1634

Rembrandt van Rijn

A work made of etching and drypoint on laid white paper.

Joseph's Coat Brought to Jacob, c. 1633

Rembrandt van Rijn

A work made of cotton, plain weave; embroidered with acrylic in stem, long and short, roumanian, and button hole stitches; edged with cotton, plain weaves; pieced; lined with cotton, plain weave.

Hanging or Panel, Last quarter of the 20th century

Hmong

A work made of cotton, plain weave; block printed.

Panel, c. 1893

Swasiland Print Works

A work.

Handkerchief, 1801/25

A work made of cotton and silk, weft-float-faced twill weave; fulled; indigo discharge dyeing.

Wynken, Blynken, and Nod, 1930

Edith B. Murphy

A work made of cotton, plain weave; resist printed.

Panel, 1901/50

A work.

Handkerchief, 19th century

A work made of possibly resist dyed.

Fragment (From a Quilt), 18th century

Fauquet-Lemaître

A work made of cotton, plain weave; block printed; embroidered with silk in buttonhole and stem stitches.

Panel, Design c. 1894

Liberty & Co.

A work made of heri, jô: silk and gold-leaf-on-lacquered-paper-strip, warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; shiten: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2:1 'z’ twill weave with weft-float faced 1:2 'z’ twill interlacings of secondary binding warps and supplementary patterning wefts; lining: silk, plain weave.

Ôhi (Stole), late Edo period (1789–1868)/early Meiji period (1868–1912), 1800/96

A work made of silk and gold-leaf-over-lacquered-paper strip, plain weave with plain interlacings of secondary binding warps and supplementary patterning wefts; both selvages present.

Obi (Belt), Meiji period (1868–1912), 1875/1900

A work made of monotype in brown on ivory wove paper.

Caricature of William Gedney Bunce, 1883–84

Frank Duveneck

A work made of make of pieces of nishiki-kinran, silk compound weave, with ground of dark blue flecked pattern and circular motifs woven in colored silks and kinran, cut paper with gold foil..

Ôhi (Stole), late Edo period (1789–1868), 1801/25

A work made of fancy compound satin in silk threads and golden paper strips.

Ôhi (Stole), Edo period (1615–1868), 1775/1825

A work made of all-over pattern of geometric and floral designs; in shades of green, brown, gold and silver.

Obi (Belt), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of border, shiten: silk; complex gauze weave self-patterned with areas of plain weave; center and lining: probably hemp, plain weave.

Zagu (Seating Mat), late Edo period (1789–1868), 1800/68

A work made of border: silk; plain weave with creped wefts (chirimen); impressed pattern; embroidered with silk and gold-leaf-on-lacquered-paper-strip-wrapped silk in laidwork and couching; shiten: silk; plain weave with creped wefts (chirimen); impressed pattern; center: cotton, plain weave; lining: cotton, plain weave.

Zagu (Seating Mat), early Shôwa period (1926–1989), 1926/40

A work made of heri, jô: silk, gold-leaf-on-lacquered-paper-strip, warp-float faced 3:1 'z’ twill weave with plain interlacings of secondary binding warps and supplementary patterning wefts; shiten: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 4:1 satin weave with weft-float faced 1:2 'z’ twill interlacings of secondary binding warps and supplementary patterning wefts; lining: silk, plain weave.

Ôhi (Stole), late Edo period (1789–1868)/Meiji period (1868–1912), 1800/90

A work made of silk, gold-leaf-over-lacquered-paper-strip, warp-float faced 4:1 satin weave with weft-float faced 1:2 ‘z’ twill interlacings of secondary binding warps and supplementary patterning wefts; lining: silk, plain weave.

Ôhi (Stole), late Edo period (1789–1868), 1800/68

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