Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of silk, warp-float faced 7:1 satin weave; patterned with impressed gold leaf; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in satin and single satin stitches; laid work and couching; lined with silk, plain weave; dyed with beni, safflower.

Nuihaki (Noh Costume), Late Edo period (1789–1868), 1801/25

A work made of drypoint in brown ink on ivory laid paper.

Tea, c. 1890

Mary Cassatt

A work made of drypoint in brown ink on ivory laid paper.

The Mandolin Player, c. 1889

Mary Cassatt

A work made of drypoint in brown ink on ivory laid paper.

Reflection, c. 1890

Mary Cassatt

Print of a woman in a blue, patterned dress, seated at a desk and licking an envelope closed.

The Letter, 1890–91

Mary Cassatt

Half-disrobed woman viewed from behind washes in a basin in front of a vanity mirror. The rug and pitcher to her left both have a graphic floral motif.

Woman Bathing, 1890–91

Mary Cassatt

A work made of color aquatint and drypoint, with additions in brush and gold, on ivory laid paper.

Afternoon Tea Party, 1890–91

Mary Cassatt

Color print of a light-skinned woman sitting in front of a mirror in a red- and white-striped plushy chair, pulling her brown hair into a bun. Her breasts and torso are visible in the reflected image, while a white cloth covers her legs.

The Coiffure, 1890–91

Mary Cassatt

Print in tan, brown, and gray of a woman by a mirror in a cream dress while another kneels, tending to her hem.

The Fitting, 1890–91

Mary Cassatt

A work made of color aquatint with burnishing, drypoint, and softground, on ivory laid paper.

The Bath, 1890–91

Mary Cassatt

A work made of color aquatint and drypoint on ivory laid paper.

After the Bath, 1890–91

Mary Cassatt

A work made of color aquatint and drypoint, with softground, on ivory laid paper.

The Lamp, 1890–91

Mary Cassatt

A colored print of two women in dresses, one with a child, with bus windows revealing a bridge behind them.

In the Omnibus, 1890–91

Mary Cassatt

Mixed-media print of a woman in a white dress sitting on a patterned couch holding a naked baby, with a bed in the background, and an inscription in the lower right side.

Maternal Caress, 1890–91

Mary Cassatt

A work made of soft ground etching and aquatint with scraping in black on cream laid paper.

Under the Lamp, c. 1882

Mary Cassatt

A work made of drypoint in black on ivory laid paper.

Repose, c. 1890

Mary Cassatt

Brown print on cream paper of two young female figures seated beside each other at a table, looking closely at a piece of paper.

The Map, 1890

Mary Cassatt

A work made of color aquatint and drypoint on off-white wove paper.

The Fitting, 1890–91

Mary Cassatt

A work made of color drypoint and aquatint, with additions in yellow, on white laid paper.

Peasant Mother and Child, c. 1894

Mary Cassatt

A work made of color aquatint and drypoint on buff laid paper.

The Fitting, 1890–91

Mary Cassatt

<<<191192193194 >>>