Curator

  • Art Institute Chicago
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A work made of opaque watercolor over traces of graphite on cream wove paper.

Untitled (Composition), 1933

Bruce Goff

Eugene and Nancy Bavinger House, Norman, Oklahoma, Plan of Lower Level

Eugene and Nancy Bavinger House, Norman, Oklahoma, Plan of Lower Level, 1950

Bruce Goff

A work made of colored pencil and graphite with opaque watercolor on red-orange wove paper.

Frank and Ruth Cole House, Park Ridge, Illinois, Perspective, 1939

Bruce Goff

A work made of graphite on tracing paper.

Structure Study, 1943

Bruce Goff

A work made of photostat on cream wove paper.

Indian Memorial, Tulsa, Oklahoma, First-Floor Plan, 1929

Bruce Goff

A work made of colored pencil with graphite over diazo print on cream wove paper.

Jerry Alex and Mary Blakeley House, First Design, Highland Park, Texas, Interior Perspective, 1949

Bruce Goff

A work made of colored pencil, graphite, and ink over diazo print on tan wove paper.

Al and Jean Dewlen House, Amarillo, Texas, Interior Perspective, 1957

Bruce Goff

A work made of colored pencil and graphite with touches of opaque watercolor on tracing paper mounted to laminated paperboard.

Chester and Irma Rant House, Northfield, Illinois, Perspective, 1938

Bruce Goff

A work made of charcoal with stumping on ivory laid paper.

Study after Raphael's Diogenes in the School of Athens, 1774

John Downman

A work made of charcoal with stumping and touches of black crayon on ivory laid paper.

Study after the Statue of Crouching Venus, 1774

John Downman

A work made of black crayon on ivory laid paper.

Study after the Discobolus (Wounded Warrior), 1774

John Downman

A work made of charcoal with stumping, heightened with touches of white chalk, on cream laid paper prepared with a tan ground.

Study of Legs of an Antique Statue of Standing Figure, 1775

John Downman

A work made of pen and black ink with traces of graphite on ivory laid paper.

Study after Antique Statue of Standing Draped Woman, 1774

John Downman

A work made of charcoal with stumping and touches of black crayon on ivory laid paper.

Study after the Statue of the Borghese Gladiator, 1774

John Downman

A work made of charcoal with stumping and black crayon on ivory laid paper prepared with a tan ground.

Study after the Statue of the Dying Gaul, 1775

John Downman

A work made of pen and brown ink, with brush and gray wash, over touches of charcoal, on cream laid paper.

Study after the Spinario, 1774

John Downman

A work made of beechwood, painted and gilded, modern reproduction upholstery.

Armchair (one of a pair), 1780/85

Jean Avisse

A work made of black chalk on ivory laid paper.

Study after ancient sculpture of Standing Woman and Boy, 1774

John Downman

A work made of beechwood, painted and gilded, modern reproduction upholstery.

Armchair (one of a pair), 1780/85

Jean Avisse

A work made of charcoal on ivory laid paper.

Study after Antique Statue of Draped Standing Woman, 1774

John Downman

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