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  • Art Institute Chicago
  • Harvard art museum
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A work made of transfer lithograph in black with stumping and scraping, on cream wove proofing paper.

By the Balcony, 1896

James McNeill Whistler

A work made of transfer lithograph in black, with stumping, on cream japanese paper.

The Siesta, 1896

James McNeill Whistler

A work made of watercolor and opaque watercolor, with traces of graphite, on cream wove paper.

Shadrach, Meshach and Abednego in the Fiery Furnace, Oct. 1863

Simeon Solomon

A work made of wood, glass beads, and thread.

Twin Figures (Ere Ibeji), Early/mid–20th century

Yoruba

A work made of terracotta.

One of a Pair of Shrine Figures, Late 19th/early 20th century

Ewe

A work made of terracotta.

One of a Pair of Shrine Figures, Late 19th/early 20th century

Ewe

A work made of oil on canvas.

The Denial of Saint Peter, c. 1626

Hendrick Terbrugghen

A work made of oil on canvas.

Venus, Cupid and Ceres, 1604

Cornelis Cornelisz.

A work made of oil paint with collaged paper on cream wove paper.

The Mediterranean Sky, 1961

Robert Motherwell

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

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