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A work made of etching on heavy ivory laid paper.

View of the Site of the ancient Roman Forum, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Piazza di Spagna, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Antoninus and Faustina in the Roman Forum, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Fortuna Virilis. Now the Armenian church of S. Maria Egizziaca, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Rear Entrance of the Basilica of S. Maria Maggiore, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome, 1749

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Internal view of the Atrium of the Portico of Octavia, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Palazzo di Montecitorio, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Palazzo della Consulta on the Quirinal housing the Papal Secretariat, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

A., B. View of the remains of the two rows of columns in the Temple of Neptune which originally formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Cybele in the Piazza of the Bocca della Verità, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Pyramidal Tomb of Cestius, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of lithograph in orange, green, blue, and red on white wove paper.

Lobster, 1975

Jack Beal

A work made of lithograph on cream wove paper.

Self-Portrait, 1974

Jack Beal

A work made of color woodcut on white japanese paper.

Homage, 1974

Gordon Louis Mortensen

A work made of linocut on cream japanese paper.

Kiddo, 1978

Jack Beal

A work made of lithograph in black, brown, blue-gray, red, green, and yellow on ivory wove paper.

Trout, 1977

Jack Beal

A work made of lithograph on ivory wove paper.

Brook Trout, 1976

Jack Beal

A work made of screenprint in orange-yellow on salmon colored laid paper.

Bread and Butter, 1977

Jack Beal

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