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A work made of charcoal with smudging, fixed, on cream laid paper.

Untitled, n.d.

Miyoko Ito

A work made of oil paint, with frottage, wiping, and scraping, on tan wove paper, laid down on cardboard.

Barbarians Marching to the West, 1935

Max Ernst

A work made of collage of strips of cut-and-pasted commercially manufactured colored wove papers.

Study for Seven Color Panels, 1952

Ellsworth Kelly

A work made of collage of cut and pasted papers, prepared with gouache and charcoal, on pieced cream wove newsprint in three parts with charcoal on verso.

Study for a Composition, 1940–41

Piet Mondrian

A work made of etching, lavis and drypoint on ivory wove paper with gilt edges.

A Heroic Feat! With Dead Men!, plate 39 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of watercolor and pen and brush and black ink, with touches of graphite, on cream wove paper.

Cafe Neptune, 1919/20

George Grosz

A work made of graphite on paper.

A Drawing for Midnight, 1951

Dorothea Tanning

A work made of colored pencils and graphite on tan wove paper.

Look and Look, 1978

Jim Nutt

A work made of etching on white japanese paper.

Plate Eight, from Petit Traite de Morale, 1968

Hans Bellmer

A work made of etching on white wove paper.

Pink or Green at Night, 1966

Hans Bellmer

A work made of photo-etching on cream chine, laid down on white wove paper (chine collé).

Untitled [First Woman], 1983

Ana Mendieta

A work made of photo-etching on cream chine, laid down on white wove paper (chine collé).

Old Mother Blood, 1983

Ana Mendieta

A work made of etching on white japanese paper.

Plate Ten, from Petit Traite de Morale, 1968

Hans Bellmer

A work made of brush and white gouache on black wove paper, tipped on pink wove paper (faded to salmon).

Untitled, 1936

Hans Bellmer

A work made of pen and brown ink with gouache and watercolor on paper.

Child and Seeing Hands, c. 1950

Hans Bellmer

Painting of a burgundy-colored room with a small table in the center that is decorated with odd, colorful symbols and holds a boar's head and a variety of fruit. Behind the table, three mysterious figures and two horses peer out from inside a golden frame.

Design for the Tempest, c. 1959

Leonora Carrington

A work made of lithograph in black and white ink printed on gray ink, on cream wove paper.

Untitled, 1955

Hans Bellmer

A work made of pen and black ink and watercolor on a white envelope, with cut and pasted red paper and postage stamp.

Untitled (Envelope Decorated with Figures on a Yellow Background), 1948

Edward Gorey

A work made of pen and black ink, over graphite, on ivory laid paper.

Coitus, 1931

Salvador Dalí

A work made of collage composed of cut engraved elements on tan wove paper, laid down on cream wove card.

The Chorus of the Shipwrecked: And the Day Doesn't Exist at All, 1929/30

Max Ernst

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