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  • Art Institute Chicago
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A work made of mezzotint with traces of engraving in black on cream laid paper.

An Iron Forge, 1773

Richard Earlom

A work made of hand-colored screenprint, with attached black and white photograph, on white wove paper.

Regeneration of a Figure by Michelangelo, 1975

Paul Neagu

A work made of drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper.

Plate Three, from The Dartmouth Portraits, 1971–72, reworked 1975

Jim Dine

A work made of drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper.

Plate Two, from The Dartmouth Portraits, 1971–72, reworked 1975

Jim Dine

A work made of drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper.

Plate One, from The Dartmouth Portraits, 1971–72, reworked 1975

Jim Dine

A work made of drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper.

Plate Seven, from The Dartmouth Portraits, 1971–72, reworked 1975

Jim Dine

A work made of drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper.

Plate Six, from The Dartmouth Portraits, 1971–72, reworked 1975

Jim Dine

A work made of drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper.

Plate Four, from The Dartmouth Portraits, 1971–72, reworked 1975

Jim Dine

A work made of drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper.

Plate Nine, from The Dartmouth Portraits, 1971–72, reworked 1975

Jim Dine

A work made of drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper.

Plate Eight, from The Dartmouth Portraits, 1971–72, reworked 1975

Jim Dine

A work made of lithograph on white wove paper.

Chicago Lakefront Festival (Light Sculpture Event), 1977

John David Mooney

A work made of relief etching, photo-etching, and deep bite etching on oche rice paper, laid down on white wove paper (chine collée).

Heian Stones, 1977

Barbara S. Spitz

A work made of lithograph on white wove paper.

Chicago Lakefront Festival, 1977

John David Mooney

A work made of computer designed intaglio in reddish-brown on white wove paper.

Untitled, n.d.

George Chaikin

A work made of drypoint in blue, brown, green, turquoise, and red on paper.

Night and Day, 1978

Jennifer Losch Bartlett

A work made of mixed intaglio in red and brown and black ink on white wove paper.

The Happy Dangers of the Swing, 1978

Jirí Anderle

A work made of color lithograph on white wove paper.

Egypt: Day and Night, 1977

Keith Achepohl

A work made of etching on heavy ivory laid paper.

View of the Piazza della Rotonda, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching from one copper plate on apta blanc fleuris handmade paper.

Souvenir, 1974

Jim Dine

A work made of drypoint in black and white on paper.

Night and Day, 1978

Jennifer Losch Bartlett

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