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A work made of silk and gilt-animal-substrate-wrapped silk, plain weave variation with weft-float faced 1:2 "z" twill interlacings of secondary binding warps and supplementary patterning wefts and with supplementary warps forming cut voided velvet.

Fragment, 13th/14th century

A work made of linen and wool, tapestry weave.

Yoke (Tunic), Roman period (30 B.C.– 641 A.D.), 1st/5th century

Ancient Egyptian

A work made of silk, twill weave.

Fragment, Roman period (30 B.C.–641 A.D.)/Arab period (641–969), 5th/8th century

Ancient Egyptian

A work made of wool, tapestry weave; embroidered.

Fragment, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969), 6th/8th century

Coptic

A work made of watercolor with opaque and metallic gold watercolor over pen and crimson and black ink with a swatch of compound twill satin, plain weave, on brown wove paper.

Fragment Supplemented with Drawing, 14th century and 19th century

Paul Schultze

A work made of silk, three color complementary weft weft-float faced twill weave with inner warps.

Fragment, 15th century

A work made of linen, needle lace on woven tapes.

Border, 1701/25

A work made of wool (camelid), interlocking tapestry weave and complementary weft weave.

Fragment, A.D. 1476/1532

Chuquibamba

A work made of silk, warp-float faced 3:1 twill weave with weft-float faced 1:3 twill interlacings of secondary binding warps and gilt-metal-strip-wrapped silk supplementary facing wefts and supplementary brocading wefts forming weft loops in areas and with supplementary pile warps forming pile-on-pile cut voided velvet.

Fragment, 1450/1500

A work made of letterpress and woodcut in black with hand lettering in red ink, on ivory wove paper; binding in full buckram bookcloth.

Divine Proportion, Venice: Paganinus de Paganinus, 1509

Leonardo da Vinci

A work made of engraving on ivory laid paper.

The Holy Family under a Cherry Tree, 1589

Hendrick Goltzius

A work made of engraving on laid paper.

The Holy Family, c. 1585-1595

Pieter de Jode, I

A work made of engraving on paper.

Johann Georg von Gödelmann, Law Professor, Diplomat, c. 1601

Aegidius Sadeler, II

A work made of stipple engraving in black on ivory laid paper, laid down on cream wove paper.

The Captive, 1786

Thomas Ryder, I

A work made of transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper.

Interior View of the Church of St. Peter's in the Vatican, c. 1770

Francesco Panini

A work made of chiaroscuro woodcut from three blocks in shades of brown on ivory laid paper.

Lovers Surprised by Death, 1510

Hans Burgkmair, the elder

A work made of etching, aquatint, drypoint and burin on ivory laid paper.

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper.

The Old Shepherd, 1722

Conte Antonio Maria Zanetti, the Elder

A work made of pen and brown ink with brush and brown wash, over black chalk, on paper.

Old Shepherd Leaning on a Staff, 1524/31

Parmigianino

A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.

Group of Nine Standing Figures, 1524/27

Parmigianino

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