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A work made of etching on ivory chine collé on off-white wove paper.

Triumph, plate five from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Abduction, plate nine from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Quiet, plate eight from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Fears, plate seven from A Glove, 1881

Max Klinger

A work made of various charcoals, with wiping, stumping, erasing, and incising, on cream wove paper altered to a golden tone.

Faust and Mephistopheles, 1880

Odilon Redon

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Wishes, plate three from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Cupid, plate ten from A Glove, 1881

Max Klinger

Eugene and Nancy Bavinger House, Norman, Oklahoma, Interior Perspective

Eugene and Nancy Bavinger House, Norman, Oklahoma, Interior Perspective, 1950

Bruce Goff

A work made of etching on chine collé, laid down on cream laid paper.

Lucifer, c. 1890

Franz von Stuck

A work made of pastel over lithograph in black ink with additions in crayon and graphite on cream wove canson & montgolfier paper.

Christ Among His Tormentors, 1894–98

Henri de Groux

A work made of engraving and etching in black ink on cream laid paper.

The Occupation, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774

Charles Louis Lingée

A work made of engraving with etching on ivory laid paper.

Le Coucher (Retiring for the Night, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle), 1774

Antoine-Jean Duclos

A work made of hand-colored aquatint on paper.

Title Page, from A select collection of views and ruins in Rome and its vicinity, 1796/98

A work made of hand-colored aquatint on paper.

Arch of Septimus Severus, plate four from A Select Collection of Views and Ruins in Rome and its Vicinity, 1796/98

A work made of hand-colored aquatint on paper.

The Cloaca Maxima, plate three from A Select Collection of Views and Ruins in Rome and its Vicinity, 1796/98

A work made of hand-colored aquatint on paper.

Temple of the Sun & Moon, plate two from A Select Collection of Views and Ruins in Rome and its Vicinity, 1796/98

A work made of hand-colored aquatint on paper.

Tomb of Nero, plate 7 from A Select Collection of Views and Ruins in Rome and its Vicinity, 1796/98

A work made of hand-colored aquatint on paper.

Tomb of Horath, plate six from A Select Collection of Views and Ruins in Rome and its Vicinity, 1796/98

A work made of hand-colored aquatint on paper.

Temple of the God Rediculus, plate five from A Select Collection of Views and Ruins in Rome and its Vicinity Temple of the God Rediculus, plate five from A Select Collection of Views and Ruins in Rome and its Vicinity, 1796/98

A work made of hand-colored aquatint on paper.

Titus's Arch, plate ten from A Select Collection of Views and Ruins in Rome and its Vicinity, 1796/98

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