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A work made of border: silk; plain weave with creped wefts (chirimen); impressed pattern; embroidered with silk and gold-leaf-on-lacquered-paper-strip-wrapped silk in laidwork and couching; shiten: silk; plain weave with creped wefts (chirimen); impressed pattern; center: cotton, plain weave; lining: cotton, plain weave.

Zagu (Seating Mat), early Shôwa period (1926–1989), 1926/40

A work made of heri, jô: silk, gold-leaf-on-lacquered-paper-strip, warp-float faced 3:1 'z’ twill weave with plain interlacings of secondary binding warps and supplementary patterning wefts; shiten: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 4:1 satin weave with weft-float faced 1:2 'z’ twill interlacings of secondary binding warps and supplementary patterning wefts; lining: silk, plain weave.

Ôhi (Stole), late Edo period (1789–1868)/Meiji period (1868–1912), 1800/90

A work made of silk, gold-leaf-over-lacquered-paper-strip, warp-float faced 4:1 satin weave with weft-float faced 1:2 ‘z’ twill interlacings of secondary binding warps and supplementary patterning wefts; lining: silk, plain weave.

Ôhi (Stole), late Edo period (1789–1868), 1800/68

A work made of heri, jô: silk, warp-float faced 2:1 ‘z’ twill weave with supplementary patterning wefts; shiten: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2:1 ‘z’ twill weave with weft-float faced 1:2 ‘z’ twill interlacings of secondary binding warps and supplementary patterning wefts; lining: silk, predominant warp, weft ribbed, plain weave.

Ôhi (Stole), late Edo period (1789–1868), 1800/68

A work made of heri, yô, and jô: silk, cotton and gold-leaf-over-lacquered paper strip, twill weave with twill interlacings of secondary binding warps and supplementary patterning wefts; shiten: silk, cotton and gold-leaf-over-lacquered paper strip, twill weave with twill interlacings of secondary binding warps and supplementary patterning wefts; lining: cotton, mixed twill weave self-patterned by main warp and ground weft floats.

Ôhi (Stole), late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/90

A work.

Ôhi (Stole), late Edo period (1789–1868), 1801/25

A work made of brush and sepia ink and red, white, and black shellac-based ink on ivory wove paper.

Sepia Drawing II, 1991–2000

Brice Marden

Drawing

Drawing, 1991-92

Pat Steir

Rio Vertical Reversal #14

Rio Vertical Reversal #14, 2013

Richard Serra

A work made of gelatin silver print with ink and oil.

Another Country, 1990

Christian Walker

A work made of 5 gelatin silver prints.

Untitled (City Limits), 1970

Allen Rawson Ruppersberg

A work made of gold.

Bracelet, 1st-2nd century

Ancient Roman

A work made of halftone relief print.

Joan Lyons, No. 109 from the series "The Baseball-Photographer Trading Cards", 1975

Mike Mandel

A work made of linen, plain weave; embroidered with silk in running (pattern darning); two loom widths joined with needle-made oblique interlacing.

Panel (Half of a Bed Curtain), 1700/1900

A work made of etching on cream paper.

Reclining Female Nude, 1658

Rembrandt van Rijn

A work made of etching on ivory laid paper.

Male Nude Seated and Standing, c. 1646

Rembrandt van Rijn

A work made of linen, plain weave; embroidered with silk in back, overcast back, chain, cretan, roumanian, satin, split, stem, and whipped stem stitches; couching; five loom widths joined.

Skirt, 18th century

A work made of etching, drypoint, and engraving, on ivory japanese paper.

Reclining Female Nude, 1658

Rembrandt van Rijn

A work made of linen, plain weave; embroidered with silk in double running, running (pattern darning), split, and stem stitches; attached cut fringe.

Valance (For Bed), 17th century

A work made of etching, drypoint, and burin on off-white laid paper.

Jupiter and Antiope: The Larger Plate, 1659

Rembrandt van Rijn

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