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  • Art Institute Chicago
  • Harvard art museum
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A work made of ceramic and pigment.

Vessel, Early 20th century

Nupe

A work made of mixed media collage, paper, reclaimed nails, and thread over reclaimed wood.

Landscapes of [Re]Construction, 2019-21

Emmanuel Pratt

A square dark-blue textile with a circular grid of lighter-blue dots that seem to drift from their locations. Running from the top to bottom in the middle of the circle is a zig-zagging shape in variegated dark and light pink, while a winding solid light-blue line winds across the lower third of the circle horizontally. Other shapes suggest land masses, like on a map.

Immeasurability: The Ridge, 2020

AD—WO

A work made of lithograph on tan wove paper.

Germination, plate two from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Blossoming, plate one from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

The Wheel, plate three from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

The Gambler, plate five from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Limbo, plate four from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Felineness, plate seven from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Gnome, plate six from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted cream china paper.

Vision, plate eight from In Dreams, 1879

Odilon Redon

A work made of handcolored lithograph in black on mottled gray-blue wove paper (discolored to gray-green), laid down on white wove paper.

Madonna, 1895/96

Edvard Munch

A work made of lithograph on mounted ivory china paper.

On the Dish, plate ten from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Sad Ascent, plate nine from In Dreams, 1879

Odilon Redon

A work made of woodcut in black ink on lightweight ivory laid proofing paper.

Anxiety, 1896

Edvard Munch

A work made of lithograph in black ink on cream card.

The Scream, 1895

Edvard Munch

A work made of lithograph in black on ivory japanese paper.

Self-Portrait, 1895

Edvard Munch

A work made of woodcut printed from one block in blue and black ink on cream wove paper.

Self-Portrait in Moonlight, 1904–06

Edvard Munch

A work made of color lithograph in green, blue, yellow, red, and peach with scraping on plate, from a zinc plate on buff wove paper.

In Times of Harmony, 1895–96

Paul Signac

A work made of etching and aquatint in dark brown and reddish-orange ink on lightweight off-white wove paper, laid down on heavy off-white wove plate paper.

Abandoned, plate five from A Life, 1884

Max Klinger

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