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A work made of soft ground etching and aquatint on cream laid paper.

Moonlight on the Grassy Bank, 1919

Arthur B. Davies

A work made of soft ground etching and aquatint on light blue laid paper.

Amber Garden, 1919

Arthur B. Davies

A work made of soft ground etching and aquatint on light blue laid paper.

Tragic Figure, 1919–20

Arthur B. Davies

A work made of soft ground etching and aquatint on light blue laid paper.

By the Sea, 1919

Arthur B. Davies

A work made of lithograph on zinc on ivory wove paper.

Silenus, 1919–20

Arthur B. Davies

A work made of soft ground etching and aquatint on cream laid paper.

Antique Mirror, 1919

Arthur B. Davies

A work made of soft ground etching, with drypoint, on ivory wove paper.

Repose, 1919

Arthur B. Davies

A work made of soft ground etching, with aquatint, on ivory wove paper.

Pompeian Veil, 1918–19

Arthur B. Davies

A work made of soft ground etching, with drypoint and aquatint, on cream wove paper.

Profile, 1919

Arthur B. Davies

A work made of soft ground etching, with drypoint and aquatint, on cream wove paper.

Strength in Shadow, 1919

Arthur B. Davies

A work made of soft ground etching, with aquatint, on ivory wove paper.

Tartessians, 1919–20

Arthur B. Davies

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

A work made of etching and aquatint on blue laid paper.

The Temple, 1918–19

Arthur B. Davies

A work made of soft ground etching, with aquatint, on white laid paper.

Allegro, 1919

Arthur B. Davies

A work made of color mezzotint on white laid paper.

Venus, 1927, printed 1929

Arthur B. Davies

A work made of drypoint on zinc on ivory wove paper, tipped onto cream wove paper.

Contemplation, 1917

Arthur B. Davies

A work made of drypoint on zinc on ivory wove paper, tipped onto cream wove paper.

Wondering, 1917

Arthur B. Davies

A work made of soft ground etching, with aquatint, on cream wove paper.

Song of Sleep, 1919

Arthur B. Davies

A work made of etching on buff china paper.

Woman Lying on the Sand, 1927

André Dunoyer de Segonzac

A work made of drypoint on zinc on ivory wove paper, tipped onto cream wove paper.

Retrospection, 1916–17

Arthur B. Davies

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