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A work made of various charcoals, with stumping, erasing, and incising, on pale-pink wove paper with red and blue fibers altered to a golden tone.

Cauldron of the Sorceress, 1879

Odilon Redon

A work made of various charcoals, with touches of black chalk, stumping, erasing, incising, and subtractive sponge work, heightened with traces of white chalk, on cream wove paper altered to a golden tone.

Guardian Spirit of the Waters, 1878

Odilon Redon

A work made of various charcoals, with touches of black chalk and black conté crayon, stumping, incising and erasing, on yellowish cream wove paper altered to a golden tone.

Strange Flower (Little Sister of the Poor), 1880

Odilon Redon

A work made of etching and aquatint in dark brown and reddish-orange ink on lightweight off-white wove paper, laid down on heavy off-white wove plate paper.

Abandoned, plate five from A Life, 1884

Max Klinger

A work made of lithograph in brown and blue, from two stones, with scraping on stones, on cream wove paper.

The Fools, 1899

František Kupka

A work made of etching and aquatint in black ink on ivory wove paper, laid down on ivory wove plate paper (chine collé).

The Isle of the Dead, 1890

Max Klinger

A work made of pastel, with graphite, on gray wove paper.

Larch Forest by Full Moon, 1901

Emilie Mediz-Pelikan

A work made of charcoal on cream wove paper.

Study of a Plaster Mask, c. 1890

Hélène Andersen

A work made of gouache on cream wove paper, laid down onto paperboard.

Moonlight, Örebro, 1897

Gustav Edolf Fjaestad

A work made of lithograph on cream wove paper.

Spring, after 1901

Ferdinand Hodler

A work made of color lithograph in green, blue, yellow, red, and peach with scraping on plate, from a zinc plate on buff wove paper.

In Times of Harmony, 1895–96

Paul Signac

A work made of watercolor and gouache, with pen and blue ink, over traces of graphite, on ivory wove paper, wrapped and adhered on verso to wood pulp board.

Inspiration, c. 1893

Gustave Moreau

A work made of color transfer lithograph from three stones on grayish-ivory china paper.

Silence, 1894/97

Henri Martin

A work made of zincograph in blue-black on yellow wove paper.

Image Design for a Poster, Wagenaar's Cantata 'The Shipwreck', 1899

Jan Toorop

A work made of graphite on tan wove paper.

Saturn, 1910

George Minne

A work made of colored pencil on blue wove paper.

A Triple Portrait of Hermine, Emilia, and Helena, 1897

Emilie Mediz-Pelikan

A work made of black and white chalks with touches of red chalk on tan wove paper.

Joan of Arc Listening to the Voices, c. 1918

Georges Dorignac

A work made of woodcut printed from one block in blue and black ink on cream wove paper.

Self-Portrait in Moonlight, 1904–06

Edvard Munch

A work made of lithograph in black on ivory japanese paper.

Self-Portrait, 1895

Edvard Munch

A work made of etching, aquatint and burnishing in black ink on ivory wove paper.

Night, from On Death Part I, 1888–89

Max Klinger

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