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A work made of graphite, with erasing and touches of smudging, on cream laid paper.

Piazza, 1914

Giorgio de Chirico

Cool-toned paper collage of a number of black figures in a room. In the left foreground, a small, female figure spins wool; behind her a larger female figure works an upright loom. A male figure strides across the frame. Three male figures stand to the side, and a figure carrying a knife enters the room through a doorway in the back. A large window in the background frames a mountainous island and a ship with white sails.

The Return of Odysseus (Homage to Pinturicchio and Benin), 1977

Romare Howard Bearden

A work made of charcoal and black chalk, with stumping and erasing, and graphite sketches and notations, on tan laid paper, laid down on heavy tan wove paper.

Academic Nude, Seen from the Back, 1862

Paul Cezanne

A work made of pastel on vellum.

Portrait of Marthe Marie Tronchin, 1758/61

Jean Etienne Liotard

A work made of charcoal on buff laid paper.

Reclining Male Nude, n.d.

Pierre Puvis de Chavannes

A work made of gelatin silver print.

Cathedral Parkway, No. 542, Manhattan, October 25, 1938

Berenice Abbott

A work made of charcoal with stumping and graphite (recto and verso) on cream laid paper.

Bound Man (recto); Sketch of Bound Man (verso), 1917/21

John Singer Sargent

A work made of pen and brush with brown wash, over traces of graphite, on ivory wove paper.

Concerto Spirituale [with] Messengers Boch and Abel, n.d.

Thomas Rowlandson

A work made of watercolor over traces of graphite on ivory wove paper.

An Artist at His Easel, 1914

John Singer Sargent

A work made of gelatin silver print.

Murray Hill Hotel, Spiral, November 19, 1935

Berenice Abbott

A rectangular painting featuring stacked color blocks in shades of orange and white against a deeper orange background. Two orange blocks of different shades sandwich a slim white block. The edges of these blocks are smudged and blurred, creating a hazy effect against the deeper orange.

Untitled, 1969

Mark Rothko

A work made of cotton, plain weave; embroidered in tent stitch.

Les Saltimbanques (The Entertainers), 1972/74

Gloria DiTomaso

A work made of graphite on tan wove paper.

Side by Side, c. 1928

Jacob Epstein

A work made of red conté crayon, with stumping on ivory wove paper.

Seated Female Nude, Arms Outstretched, n.d.

Charles Despiau

A work made of graphite with erasing on lightweight, slightly textured, ivory wove paper (top edge trimmed).

Buildings, 1917

John Marin

A work made of black crayon with stumping, on cream wove coated paper.

Nude Woman Bending Over, 1923–24

George Wesley Bellows

A work made of color screenprint on white wove paper.

Equivocal, plate four from Homage to the Square: Ten Works by Josef Albers, 1962

Josef Albers

A work made of tempera on board.

Carnival in Munich, 1904

Vasily Kandinsky

A work made of cotton, plain weave; embroidered with cotton and wool (camelid) in stem stitches.

Fragments (Border), 100 B.C./A.D. 200

Nasca

A work made of black chalk, on ivory laid paper, laid down on cream wove paper.

Study, c. 1686

Giuseppe Bartolomeo Chiari

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