Curator

  • Art Institute Chicago
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A work made of graphite on buff wove paper.

View of Saint Peter's in Rome, n.d.

Jean Auguste Dominique Ingres

A work made of mixed media on color photograph reproduction.

Cheap Version of My Work Being Mass Produced in Czechoslavakia, 1986

Gary Brotmeyer

A scene of India in vibrant yellows, oranges, greens, blues and reds. A white castle is in the background with a noble under a green umbrella and people trying to see him. Many guards can be seen with various weapons.

Untitled (Ocean), 1968

Vija Celmins

A work made of colored wax crayon and pencils, with graphite, metallic paint markers, and brush and white gouache, on ivory card.

American Gothic, 1978

Elizabeth Layton

A work made of graphite, with erasing and touches of smudging, on cream laid paper.

Piazza, 1914

Giorgio de Chirico

A work made of watercolor over traces of graphite on ivory wove paper.

An Artist at His Easel, 1914

John Singer Sargent

A work made of charcoal with stumping and graphite (recto and verso) on cream laid paper.

Bound Man (recto); Sketch of Bound Man (verso), 1917/21

John Singer Sargent

A work made of acrylic on linen.

Lana Turner with Her Own Eyebrows Before Schrafft's Drug Store, c. 1969

Karl Wirsum

A work made of pen and black ink on buff laid paper, laid down on artist's mount comprised of cream wove card ruled in pen and black ink.

Rock-Cut Temple, December 30, 1925

Paul Klee

A work made of charcoal on buff laid paper.

Reclining Male Nude, n.d.

Pierre Puvis de Chavannes

A work made of pen and brush with brown wash, over traces of graphite, on ivory wove paper.

Concerto Spirituale, c. 1775/80

Thomas Rowlandson

A work made of charcoal and black chalk, with stumping and erasing, and graphite sketches and notations, on tan laid paper, laid down on heavy tan wove paper.

Academic Nude, Seen from the Back, 1862

Paul Cezanne

A work made of pastel on vellum.

Portrait of Marthe Marie Tronchin, 1758/61

Jean Etienne Liotard

A rectangular painting featuring stacked color blocks in shades of orange and white against a deeper orange background. Two orange blocks of different shades sandwich a slim white block. The edges of these blocks are smudged and blurred, creating a hazy effect against the deeper orange.

Untitled, 1969

Mark Rothko

A work made of red conté crayon, with stumping on ivory wove paper.

Seated Female Nude, Arms Outstretched, n.d.

Charles Despiau

A work made of embroidered in multicolored silks on canvas.

Darning Sampler, 1843

A colorful wedding scene with a dark-skinned bride in red and a groom in black at center, their backs to the viewer. A minister cloaked in black stands between them, a dense wall of flowers or perhaps a floral pattern behind him. The group is flanked by two figures and panels of geometric stained glass.

The Wedding, 1948

Jacob Lawrence

A work made of black crayon with stumping, on cream wove coated paper.

Nude Woman Bending Over, 1923–24

George Wesley Bellows

A work made of letterpress in black on white wove paper.

Text pages from, Homage to the Square: Ten Works by Josef Albers, 1962

Josef Albers

A work made of graphite on tan wove paper.

Side by Side, c. 1928

Jacob Epstein

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