Curator

  • Art Institute Chicago
  • Harvard art museum
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Watercolor landscape, attached to a board, of numerous white buildings with flat roofs, blue mountains in the distance.

Tetuan, Morocco, 1923

George Elmer Browne

A work made of pastel on vellum.

Portrait of Marthe Marie Tronchin, 1758/61

Jean Etienne Liotard

A work made of charcoal and black chalk, with stumping and erasing, and graphite sketches and notations, on tan laid paper, laid down on heavy tan wove paper.

Academic Nude, Seen from the Back, 1862

Paul Cezanne

A work made of charcoal on buff laid paper.

Reclining Male Nude, n.d.

Pierre Puvis de Chavannes

Cool-toned paper collage of a number of black figures in a room. In the left foreground, a small, female figure spins wool; behind her a larger female figure works an upright loom. A male figure strides across the frame. Three male figures stand to the side, and a figure carrying a knife enters the room through a doorway in the back. A large window in the background frames a mountainous island and a ship with white sails.

The Return of Odysseus (Homage to Pinturicchio and Benin), 1977

Romare Howard Bearden

A work made of pen and brush with brown wash, over traces of graphite, on ivory wove paper.

Concerto Spirituale [with] Messengers Boch and Abel, n.d.

Thomas Rowlandson

A work made of cotton, plain weave; embroidered in tent stitch.

Les Saltimbanques (The Entertainers), 1972/74

Gloria DiTomaso

A work made of charcoal with stumping and graphite (recto and verso) on cream laid paper.

Bound Man (recto); Sketch of Bound Man (verso), 1917/21

John Singer Sargent

A work made of gelatin silver print.

Cathedral Parkway, No. 542, Manhattan, October 25, 1938

Berenice Abbott

A work made of watercolor over traces of graphite on ivory wove paper.

An Artist at His Easel, 1914

John Singer Sargent

A work made of graphite on tan wove paper.

Side by Side, c. 1928

Jacob Epstein

A rectangular painting featuring stacked color blocks in shades of orange and white against a deeper orange background. Two orange blocks of different shades sandwich a slim white block. The edges of these blocks are smudged and blurred, creating a hazy effect against the deeper orange.

Untitled, 1969

Mark Rothko

A work made of gelatin silver print.

Murray Hill Hotel, Spiral, November 19, 1935

Berenice Abbott

A work made of graphite with erasing on lightweight, slightly textured, ivory wove paper (top edge trimmed).

Buildings, 1917

John Marin

A work made of red conté crayon, with stumping on ivory wove paper.

Seated Female Nude, Arms Outstretched, n.d.

Charles Despiau

A work made of black crayon with stumping, on cream wove coated paper.

Nude Woman Bending Over, 1923–24

George Wesley Bellows

A work made of cotton, plain weave; embroidered with cotton and wool (camelid) in stem stitches.

Fragments (Border), 100 B.C./A.D. 200

Nasca

A work made of bronze.

Indian and Pronghorn Antelope, 1914

Paul Manship

A work made of tempera on board.

Carnival in Munich, 1904

Vasily Kandinsky

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in chain, crossed back, cross, running (pattern darning), satin and stem stitches; joined by silk, needle-made inserts and linen, bobbin straight lace tape; four loom widths joined.

Bedcover, 17th century

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