Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of collage, with brush and oil paint, graphite, and crayon on white wove paper.

"Girl World" Study for Sustenance Installation, 2010

Sedrick Huckaby

A work made of colored wax crayon and pencils, with graphite, metallic paint markers, and brush and white gouache, on ivory card.

American Gothic, 1978

Elizabeth Layton

Kirchheimer Residence, Glencoe, Illinois, Working Drawings

Kirchheimer Residence, Glencoe, Illinois, Working Drawings, 1952

Bertrand Goldberg

A work made of gelatin silver print.

Cathedral Parkway, No. 542, Manhattan, October 25, 1938

Berenice Abbott

A work made of graphite on cream wove paper.

Charles François Mallet, Civil Engineer, 1809

Jean Auguste Dominique Ingres

Watercolor landscape, attached to a board, of numerous white buildings with flat roofs, blue mountains in the distance.

Tetuan, Morocco, 1923

George Elmer Browne

A work made of embroidered in multicolored silks on canvas.

Darning Sampler, 1843

A work made of watercolor with rewetting and blotting, and graphite, on lightweight, slightly textured, off-white wove paper, laid down on ivory wove card.

Street Scene, 1910

John Marin

A work made of pen and black ink on buff laid paper, laid down on artist's mount comprised of cream wove card ruled in pen and black ink.

Rock-Cut Temple, December 30, 1925

Paul Klee

A work made of graphite on buff wove paper.

View of Saint Peter's in Rome, n.d.

Jean Auguste Dominique Ingres

A work made of gelatin silver print.

Murray Hill Hotel, Spiral, November 19, 1935

Berenice Abbott

A scene of India in vibrant yellows, oranges, greens, blues and reds. A white castle is in the background with a noble under a green umbrella and people trying to see him. Many guards can be seen with various weapons.

Untitled (Ocean), 1968

Vija Celmins

A work made of graphite, with erasing and touches of smudging, on cream laid paper.

Piazza, 1914

Giorgio de Chirico

A work made of albumen print, plate 43 from the album "photographic views of the sherman campaign" (1866).

Rebel Works in Front of Atlanta, GA, No. 5, 1864

George N. Barnard

A work made of gelatin silver print.

Chicago (View towards U.S. Steel South Works), 1987

Bob Thall

Cool-toned paper collage of a number of black figures in a room. In the left foreground, a small, female figure spins wool; behind her a larger female figure works an upright loom. A male figure strides across the frame. Three male figures stand to the side, and a figure carrying a knife enters the room through a doorway in the back. A large window in the background frames a mountainous island and a ship with white sails.

The Return of Odysseus (Homage to Pinturicchio and Benin), 1977

Romare Howard Bearden

A work made of charcoal and black chalk, with stumping and erasing, and graphite sketches and notations, on tan laid paper, laid down on heavy tan wove paper.

Academic Nude, Seen from the Back, 1862

Paul Cezanne

A work made of pastel on vellum.

Portrait of Marthe Marie Tronchin, 1758/61

Jean Etienne Liotard

A work made of charcoal on buff laid paper.

Reclining Male Nude, n.d.

Pierre Puvis de Chavannes

A work made of charcoal with stumping and graphite (recto and verso) on cream laid paper.

Bound Man (recto); Sketch of Bound Man (verso), 1917/21

John Singer Sargent

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