Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black ink on buff laid paper, laid down on artist's mount comprised of cream wove card ruled in pen and black ink.

Rock-Cut Temple, December 30, 1925

Paul Klee

A work made of graphite, with erasing and touches of smudging, on cream laid paper.

Piazza, 1914

Giorgio de Chirico

A work made of charcoal on buff laid paper.

Reclining Male Nude, n.d.

Pierre Puvis de Chavannes

A work made of charcoal with stumping and graphite (recto and verso) on cream laid paper.

Bound Man (recto); Sketch of Bound Man (verso), 1917/21

John Singer Sargent

A work made of charcoal and black chalk, with stumping and erasing, and graphite sketches and notations, on tan laid paper, laid down on heavy tan wove paper.

Academic Nude, Seen from the Back, 1862

Paul Cezanne

A work made of watercolor over traces of graphite on ivory wove paper.

An Artist at His Easel, 1914

John Singer Sargent

A work made of gilt copper worked in repousse.

Transcendent Buddha Akshobhya and Vessel Overflowing with Foliage (Purnagata), 15th/16th century

A work made of pen and brush with brown wash, over traces of graphite, on ivory wove paper.

Concerto Spirituale, c. 1775/80

Thomas Rowlandson

A work made of pastel on vellum.

Portrait of Marthe Marie Tronchin, 1758/61

Jean Etienne Liotard

A work made of embroidered in multicolored silks on canvas.

Darning Sampler, 1843

A rectangular painting featuring stacked color blocks in shades of orange and white against a deeper orange background. Two orange blocks of different shades sandwich a slim white block. The edges of these blocks are smudged and blurred, creating a hazy effect against the deeper orange.

Untitled, 1969

Mark Rothko

A work made of red conté crayon, with stumping on ivory wove paper.

Seated Female Nude, Arms Outstretched, n.d.

Charles Despiau

A work made of graphite on tan wove paper.

Side by Side, c. 1928

Jacob Epstein

A work made of black crayon with stumping, on cream wove coated paper.

Nude Woman Bending Over, 1923–24

George Wesley Bellows

A work made of graphite with erasing on lightweight, slightly textured, ivory wove paper (top edge trimmed).

Buildings, 1917

John Marin

A work made of gelatin silver print.

Herald Square. 34th Street and Broadway, July 16, 1936

Berenice Abbott

A work made of cotton, plain weave; embroidered in tent stitch.

Les Saltimbanques (The Entertainers), 1972/74

Gloria DiTomaso

A colorful wedding scene with a dark-skinned bride in red and a groom in black at center, their backs to the viewer. A minister cloaked in black stands between them, a dense wall of flowers or perhaps a floral pattern behind him. The group is flanked by two figures and panels of geometric stained glass.

The Wedding, 1948

Jacob Lawrence

A work made of tempera on board.

Carnival in Munich, 1904

Vasily Kandinsky

A work made of black chalk, on ivory laid paper, laid down on cream wove paper.

Study, c. 1686

Giuseppe Bartolomeo Chiari

<<<32333435 >>>