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A work made of manuscript in pen and colored inks with gilding, with fifteen miniatures in tempera on vellum, with tooled leather binding.

Stonyhurst Hours (Use of Sarum), c. 1400–10

Beaufort Saints Group

Red long sleeve garment embroidered with a large gold tree with white blossoms.

Furisode, late Edo period (1789–1868), 1801/1868

A work made of watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed).

New York with View of the Flatiron Building, 1910

John Marin

A work made of wooden box; covered with linen, plain weave; embroidered with silk floss in back, running, and satin stitches; laid work and couching; edged with silvered-metal-strip-wrapped silk and silvered-metal strips, plain weave; lined with silk, plain weave and plain weave with supplementary pile warps forming cut solid velvet; silver hardware; two glass bottles inside.

Writing Box (Needlework), 17th century

A work made of graphite, ink, and zip-a-tone on mylar.

Affiliated Hospitals Center, Boston Massachusetts, Typical Nursing Unit Scheme 1, Floor Plan and Working Drawing, 1966

Bertrand Goldberg

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in fishbone, overcast, and running stitches.

Cover (possibly Turban Cover), 18th century

Woman with Basket

Woman with Basket, 1926

Chana Orloff

Charcoal drawing of young woman wearing headscarf, staring out expressionless.

The Artist's Mother, 1926 or 1936

Arshile Gorky

A work made of graphite on wove paper prepared with a sprayed gold ground.

Untitled (1347 Strokes), 1962

Robert Morris

A work made of graphite on ivory wove paper.

Hercules Resting, 1897

Paul Cezanne

A work made of silk, warp-float faced 7:1 satin weave; appliquéd with silk, warp-float faced 7:1 satin and plain weaves; painted; embroidered with silk, silk 2:2 twill oblique interlaced tapes, gilt- and silvered-metal-strip-wrapped silk, and gilt- and silvered-metal strips, coils, wires and paillettes in satin, single satin, raised stem and a variety of buttonhole stitches; laid work and couching; feathers; glass beads and seed pearls.

Picture Depicting the Queen of Sheba before King Solomon, 1601/50

A work made of albumen print, plate 40 from the album "photographic views of the sherman campaign" (1866).

Rebel Works in Front of Atlanta, GA, No. 2, 1864

George N. Barnard

A work made of graphite on cream laid paper.

Studies of Lions, c. 1829

Eugène Delacroix

A work made of watercolor with blotting, wiping and scraping, on lightweight, slightly textured, ivory wove paper (top, right and left edges trimmed), laid down on white card.

West Shore Docks, Weehawken, New Jersey, 1910

John Marin

A work made of opaque watercolor, over graphite, on cream wove paper.

Russian War Prisoner, 1916

Egon Schiele

A work made of pastel on blue-gray laid paper, laid down on canvas and wrapped around a strainer, enlarged by the artist with a band of paper about 3 cm high.

Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780), c. 1752

Maurice Quentin de Latour

A work made of pastel on blue paper mounted on canvas.

Portrait of Madame Chardin, 1776

Jean Baptiste Siméon Chardin

A work made of gouache over graphite on ivory wove graph paper.

Turquoise and Red Greys, Sequence Study, 1967

Bridget Riley

A work made of gelatin silver print.

Oyster Houses, Floating, April 1, 1937

Berenice Abbott

A work made of gelatin silver print.

Seventh Avenue Looking North from 35th Street, New York, 1936

Berenice Abbott

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