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A work made of pastel and oil on linen.

Starving Spirits, 1934

Paul Klee

A work made of charcoal on paper.

Drawing for Still Life #12, 1962

Tom Wesselmann

Red long sleeve garment embroidered with a large gold tree with white blossoms.

Furisode, late Edo period (1789–1868), 1801/1868

A work made of gelatin silver print.

Murray Hill Hotel, Spiral, November 19, 1935

Berenice Abbott

A work made of silk, warp-float faced 7:1 satin weave; appliquéd with silk, warp-float faced 7:1 satin and plain weaves; painted; embroidered with silk, silk 2:2 twill oblique interlaced tapes, gilt- and silvered-metal-strip-wrapped silk, and gilt- and silvered-metal strips, coils, wires and paillettes in satin, single satin, raised stem and a variety of buttonhole stitches; laid work and couching; feathers; glass beads and seed pearls.

Picture Depicting the Queen of Sheba before King Solomon, 1601/50

Charcoal drawing of young woman wearing headscarf, staring out expressionless.

The Artist's Mother, 1926 or 1936

Arshile Gorky

A work made of watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed).

New York with View of the Flatiron Building, 1910

John Marin

A work made of manuscript in pen and colored inks with gilding, with fifteen miniatures in tempera on vellum, with tooled leather binding.

Stonyhurst Hours (Use of Sarum), c. 1400–10

Beaufort Saints Group

Woman with Basket

Woman with Basket, 1926

Chana Orloff

A work made of graphite on ivory wove paper.

Hercules Resting, 1897

Paul Cezanne

A work made of watercolor with blotting, wiping and scraping, on lightweight, slightly textured, ivory wove paper (top, right and left edges trimmed), laid down on white card.

West Shore Docks, Weehawken, New Jersey, 1910

John Marin

A work made of opaque watercolor, over graphite, on cream wove paper.

Russian War Prisoner, 1916

Egon Schiele

A work made of glass.

Bowl, 1920–32

Steuben Division, Corning Glass Works

A work made of glass.

Tazza, 1918–30

Steuben Division, Corning Glass Works

A work made of wooden box; covered with linen, plain weave; embroidered with silk floss in back, running, and satin stitches; laid work and couching; edged with silvered-metal-strip-wrapped silk and silvered-metal strips, plain weave; lined with silk, plain weave and plain weave with supplementary pile warps forming cut solid velvet; silver hardware; two glass bottles inside.

Cabinet or Writing Box, 17th century

A work made of graphite on cream laid paper.

Studies of Lions, c. 1829

Eugène Delacroix

A work made of graphite on wove paper prepared with a sprayed gold ground.

Untitled (1347 Strokes), 1962

Robert Morris

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in fishbone, overcast, and running stitches.

Cover (possibly Turban Cover), 18th century

A work made of pastel on blue-gray laid paper, laid down on canvas and wrapped around a strainer, enlarged by the artist with a band of paper about 3 cm high.

Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780), c. 1752

Maurice Quentin de Latour

A work made of pastel on blue paper mounted on canvas.

Portrait of Madame Chardin, 1776

Jean Siméon Chardin

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