Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black ink, and graphite with smudging, with colored pencils and colored crayons on tan wove paper.

Exquisite Corpse, 1928

Man Ray (Emmanuel Radnitzky)

A work made of charcoal on paper.

Drawing for Still Life #12, 1962

Tom Wesselmann

A work made of brush with brown ink and brown and gray wash over traces of black chalk, on cream laid paper.

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F, 1812/20

Francisco José de Goya y Lucientes

A work made of gouache on corrugated cardboard.

Untitled (Devil), 1952

Pablo Picasso

A work made of oil on board mounted on wood panel.

The Artist in His Studio, 1865–66 and 1895

James McNeill Whistler

A work made of manuscript in pen and colored inks with gilding, with fifteen miniatures in tempera on vellum, with tooled leather binding.

Stonyhurst Hours (Use of Sarum), c. 1400–10

Beaufort Saints Group

Large rectangular painting that is mostly black, shaded in black paint and coal dust. Many words and phrases in black paint span the canvas in horizontal lines, but they are barely legible.

Stranger in the Village #13, 1998

Glenn Ligon

A work made of wooden box; covered with linen, plain weave; embroidered with silk floss in back, running, and satin stitches; laid work and couching; edged with silvered-metal-strip-wrapped silk and silvered-metal strips, plain weave; lined with silk, plain weave and plain weave with supplementary pile warps forming cut solid velvet; silver hardware; two glass bottles inside.

Writing Box (Needlework), 17th century

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in fishbone, overcast, and running stitches.

Cover (possibly Turban Cover), 18th century

A work made of graphite on wove paper prepared with a sprayed gold ground.

Untitled (1347 Strokes), 1962

Robert Morris

A work made of watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed).

New York with View of the Flatiron Building, 1910

John Marin

Red long sleeve garment embroidered with a large gold tree with white blossoms.

Furisode, late Edo period (1789–1868), 1801/1868

Woman with Basket

Woman with Basket, 1926

Chana Orloff

A work made of graphite on ivory wove paper.

Hercules Resting, 1897

Paul Cezanne

Charcoal drawing of young woman wearing headscarf, staring out expressionless.

The Artist's Mother, 1926 or 1936

Arshile Gorky

A work made of graphite on cream laid paper.

Studies of Lions, c. 1829

Eugène Delacroix

A work made of silk, warp-float faced 7:1 satin weave; appliquéd with silk, warp-float faced 7:1 satin and plain weaves; painted; embroidered with silk, silk 2:2 twill oblique interlaced tapes, gilt- and silvered-metal-strip-wrapped silk, and gilt- and silvered-metal strips, coils, wires and paillettes in satin, single satin, raised stem and a variety of buttonhole stitches; laid work and couching; feathers; glass beads and seed pearls.

Picture Depicting the Queen of Sheba before King Solomon, 1601/50

A work made of gelatin silver print.

Oyster Houses, Floating, April 1, 1937

Berenice Abbott

A work made of gelatin silver print.

Seventh Avenue Looking North from 35th Street, New York, 1936

Berenice Abbott

A work made of pastel on blue-gray laid paper, laid down on canvas and wrapped around a strainer, enlarged by the artist with a band of paper about 3 cm high.

Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780), c. 1752

Maurice Quentin de Latour

<<<35363738 >>>