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A work made of black pastel, with graphite, over brown pencil on ivory wove paper.

Maroc, 1919

Amédée Ozenfant

A work made of oil on canvas.

Haymaking at Éragny, 1892

Camille Pissarro

A work made of graphite on ivory wove paper.

L'Estaque, 1870/1872

Paul Cezanne

A work made of color screenprint on white wove paper.

Thaw, plate two from Homage to the Square: Ten Works by Josef Albers, 1962

Josef Albers

A work made of pen and brown ink over graphite on ivory laid papper, tipped onto card.

Full Length Portrait of a Man Standing near Balustrade, c. 1737

John Vanderbank

A work made of ink or chalk wash on paper.

Cupids at War, n.d.

Charles Eisen

A work made of gouache on black wove paper (faded to a purplish-brown tone), laid down on tan wove card.

Gray Spots, July 1934

Vasily Kandinsky

A work made of pen and black ink on pink laid paper.

Formation of the Monsters, 1937

Salvador Dalí

A work made of watercolor with touches of gouache on white wove paper.

Exterior, 1963

Robert Barnes

A work made of graphite, with touches of erasing, on cream wove paper.

Pierrot and Harlequin, 1918

Pablo Picasso

A work made of bronze.

Indian and Pronghorn Antelope, 1914

Paul Manship

A work made of pastel on cream laid paper, pieced at bottom and right and laid down on board.

Harlequin, 1885

Hilaire Germain Edgar Degas

A work made of linen, plain weave; embroidered with silk in cross, romanian, satin, and stem stitches.

Sampler, 1775/1800

A work made of mixed media on color photograph reproduction.

Cheap Version of My Work Being Mass Produced in Czechoslavakia, 1986

Gary Brotmeyer

A work made of watercolor with graphite on beige wove paper.

A Study for the Card Players, 1890–92

Paul Cezanne

A work made of linen, twenty-four squares of square netting (filet) embroidered in cloth, darning, and twined double running stitches; alternating with twenty-four squares of linen, plain weave; cut and drawn thread work embroidered in cross, darning, interlocking lace, overcast, and satin stitches; knots, overcast bars, buttonhole, darned, and woven wheels; needle lace filling stitches; appliquéd with plain weave and embroidered in back, bullion, cross, half cross, detached chain, double running, running, satin, single satin, surface satin, and stem stitches; buttonhole wheels, eyelet holes, and french knots; edged with bobbin straight lace.

Cover, c. 1620/30

A work made of white chalk on plywood.

Richard J. Daley Center Sculpture, 1967

Pablo Picasso

A work made of pastel, charcoal, and graphite, with smudging and scraping, on tan wove paper; mounted along edges to a wood stretcher.

Woman, October 1934

Joan Miró

A work made of collage of brush and black ink on off-white wove paper, cut and laid down with brown gummed paper tape on wood pulp board.

Study for "Cité": Brushstrokes Cut into Twenty Squares and Arranged by Chance, 1951

Ellsworth Kelly

A work made of linen, plain weave; cut and drawn work in antique hem, double-rowed openwork, interlocking lace, overcast, and satin stitches; darned and overcast bars; darned and woven wheels; darned squares; woven picots; embroidered with silk and linen in bullion, satin and square chain stitches; buttonhole wheels and eyelet holes; edged with buttonhole loops.

Coif, 1601/25

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