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A work made of black chalk on ivory wove paper.

Sarah Bernhardt, c. 1898

Alphonse Marie Mucha

A work made of linen, twenty-four squares of square netting (filet) embroidered in cloth, darning, and twined double running stitches; alternating with twenty-four squares of linen, plain weave; cut and drawn thread work embroidered in cross, darning, interlocking lace, overcast, and satin stitches; knots, overcast bars, buttonhole, darned, and woven wheels; needle lace filling stitches; appliquéd with plain weave and embroidered in back, bullion, cross, half cross, detached chain, double running, running, satin, single satin, surface satin, and stem stitches; buttonhole wheels, eyelet holes, and french knots; edged with bobbin straight lace.

Cover, c. 1620/30

Very large rectangular object depicting green squares with black squares in almost a tiled floor appearance. There is a long white ruler that runs along most of the bottom border.

In Memory of My Father, 1976

Sylvia Plimack Mangold

A work made of collage composed of cut-and-pasted printed elements on greenish-gray wove paper.

You Were What?, 1995

Ray Yoshida

A work made of watercolor over graphite on heavy textured cream wove watercolor paper, laid down on cardboard and varnished.

House of Mystery, 1924

Charles Ephraim Burchfield

A work made of graphite and graphite frottage, with smudging and erasing, on cream wove paper.

The Beautiful Season, 1925

Max Ernst

A work made of watercolor, with touches of gouache, over graphite, on tan wove paper.

Tahitian Hut, 1891/93

Paul Gauguin

A work made of gelatin silver print.

Forsyth and East Houston Street, February 11, 1937

Berenice Abbott

A work made of watercolor with opaque watercolor, rewetting and touches of blotting, on lightweight, slightly textured, off-white wove paper, laid down on white wove paper.

Weehawken, New Jersey, 1910

John Marin

A work made of watercolor over traces of graphite on cream wove paper.

Portrait of Berthe Morisot with a Fan, 1874

Édouard Manet

A work made of watercolor and gouache on white wove paper, laid down on gray board.

Black Number Two, c. 1956

René Charles Acht

A work made of pastel on canvas.

Germaine at her Toilette, 1886

Jean-François Rafaëlli

A work made of mahogany and tulipwood, brass, iron, and glass.

Tall Case Clock, 1765–75

John Wood Jr.

A work made of linen, plain weave; appliquéd vertical strips of plain weave; embroidered with silk floss in long-armed cross and back stitches and appliquéd lower border of plain weave; embellished with pulled thread work (with silk floss) in two-sided italian cross stitch and embroidered in back stitch; edged with silk, warp-faced plain weave with ground weft cut fringe.

Altar Cloth, 17th century

A work made of linen, plain weave; embroidered with silk, linen, and wool yarns in long-armed cross stitches; edged with wool and linen, plain weave with extended weft cut fringe.

Cushion Cover, 1601

A work made of gouache on ivory wove paper, laid down on tan board.

Rue Ordener, Paris, 1922

Maurice Utrillo

A work made of gelatin silver print (diptych).

A Premonitional Work (Message to Timothy H. O'Sullivan), Gullfoss, Iceland, 1987

Thomas Joshua Cooper

A work made of pastel and colored pencils on tan laminated card.

Landscape with Trees, 1880/85

Alfred Sisley

A work made of graphite on ivory wove paper (discolored to cream).

Madame Charles Gounod, 1859

Jean Auguste Dominique Ingres

A work made of charcoal with graphite and pastel on yellow paper.

Drawing with Numbers, c. 1963

Robert Ryman

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