Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of linen, twenty-four squares of square netting (filet) embroidered in cloth, darning, and twined double running stitches; alternating with twenty-four squares of linen, plain weave; cut and drawn thread work embroidered in cross, darning, interlocking lace, overcast, and satin stitches; knots, overcast bars, buttonhole, darned, and woven wheels; needle lace filling stitches; appliquéd with plain weave and embroidered in back, bullion, cross, half cross, detached chain, double running, running, satin, single satin, surface satin, and stem stitches; buttonhole wheels, eyelet holes, and french knots; edged with bobbin straight lace.

Cover, c. 1620/30

A work made of pastel and colored pencils on tan laminated card.

Landscape with Trees, 1880/85

Alfred Sisley

A work made of gelatin silver print.

Fire Engine House #52, May 5, 1937

Berenice Abbott

A work made of linen, plain weave; embroidered with silk in back, double running, overcast, running, and split stitches; couching and french knots; edged with silk and linen, bobbin lace.

Border, 1601/50

A work made of mahogany and tulipwood, brass, iron, and glass.

Tall Case Clock, 1765–75

John Wood Jr.

A work made of linen, plain weave; embroidered with silk, linen, and wool yarns in long-armed cross stitches; edged with wool and linen, plain weave with extended weft cut fringe.

Cushion Cover, 1601

A work made of linen and cotton, weft-float faced 2:1 twill weave; embroidered with wool yarns in algerian eye, back, crossed back, individual back, buttonhole, pearl, romanian running, individual running, individual satin, stem, and two-sided italian cross stitches; couching; edged with linen, silk, and wool, plain weave in alternate alignment; three panels joined.

Bedcover, c. 1620

A work made of charcoal on ivory wove paper (discolored to cream), laid down on off-white japanese paper.

Female Nude, Arms Over Head, c. 1929

Isamu Noguchi

A work made of black, white, and colored chalks on blue wove paper.

Caricature of a Man with a Big Cigar, 1855/56

Claude Monet

A work made of graphite on lightweight, smooth, cream wove paper, laid down on white wove card.

Sketch of Lower Manhattan, c. 1917

John Marin

A work made of gouache over graphite, on cream laid paper.

Summit of the Sierras, 1872/75

Thomas Moran

A work made of wax crayons and colored crayon and graphite with scraping and incising, on ivory wove paper.

Untitled, 1943

Arshile Gorky

A work made of sprayed acrylic on ivory wove paper, with linear cut-outs.

Partly on This Side/Partly on the Other Side, 1979

Sigmar Polke

A work made of pastel on paper.

Susan in a Straw Bonnet, c. 1883

Mary Cassatt

A work made of black conté crayon on ivory laid paper.

Seated Woman with a Parasol (study for La Grande Jatte), 1884/85

Georges Seurat

A work made of charcoal, with stumping on cream laid paper.

Glass, Siphon and Checkerboard, 1917

Juan Gris

A work made of black fiber-tipped pen and brush and black ink, with white gouache, over graphite, on off-white wove paper.

Vitebsk, the Old Man Over the Village, c. 1914

Marc Chagall

A work made of gouache, with touches of graphite, on illustration board.

Study for Aspects of Negro Life: The Negro in an African Setting, 1934

Aaron Douglas

A work made of gelatin silver print (diptych).

A Premonitional Work (Message to Timothy H. O'Sullivan), Gullfoss, Iceland, 1987

Thomas Joshua Cooper

A work made of brush and black ink on white board.

Untitled, September 27, 1981

Keith Haring

<<<42434445 >>>