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A work made of fabricated black chalk, with frottage on cream laid paper.

Saint-Séverin, 1909

Robert Delaunay

A work made of silk, plain weave; underlaid with linen, plain weave; embroidered with silk, gilt-metal strips and purl, and gilt- and silvered-metal-strip-wrapped silk in back, satin, split, and stem stitches; laid work, couching, padded couching, and french knots; gilt-metal spangles; edged with appliquéd linen, plain weave; embroidered with gilt-metal strips and gilt-metal-strip-wrapped silk in laid work, couching, and padded couching; lined with linen, plain weave.

Dalmatic and Humeral Veil, 1675/1725

A work made of watercolor monotype from a glass matrix, with touches of gouache on cream wove paper laid down on ivory japanese paper.

Tahitian Landscape, 1894

Paul Gauguin

A work made of brush and black wash on ivory laid paper, pieced at top edge.

Nude in a Folding Chair, c. 1906

Henri Matisse

A work made of watercolor over graphite on ivory wove paper.

The Patio, Vizcaya, 1917

John Singer Sargent

A work made of watercolor, with traces of shell gold, over graphite on cream wove paper, perimeter mounted to cream wove card.

Evening in Italy—the Deserted Villa, 1845

Samuel Palmer

A work made of gouache, over traces of graphite, on cream wove paper.

Composition with Figures, 1932

Joan Miró

A work made of red chalk on ivory laid paper, laid down on card.

Three Nude Women, n.d.

Workshop of Raphael

A work made of watercolor with scraping and wax resist over graphite on ivory wove paper.

Woodsheds, Tyrol, 1914

John Singer Sargent

A work made of graphite, with colored pencil, on ivory wove paper.

Seated Woman from the Front with Hat, Face Hooded, 1910

Gustav Klimt

A work made of pastel, with stumping, on gray wove paper with blue fibers (discolored to tan).

A Corner of Moret-sur-Loing, 1895

Alfred Sisley

A work made of graphite, on cream wove paper.

Gerda Schilling, the Artist's Sister-in-Law, 1912/1914

Ernst Ludwig Kirchner

A work made of gelatin silver print.

West Eighteenth Street, Numbers 461-463, Manhattan, October 25, 1938

Berenice Abbott

A work made of watercolor, with brush and brown ink on off-white wove paper.

The Rabblerouser, 1925

George Grosz

A work made of watercolor and graphite, on tan wove paper, tipped onto cream board.

Four Sketches of Arab Men, 1832

Eugène Delacroix

A work made of oil on canvas.

Tight-Rope Walker, c. 1885

Jean Louis Forain

A work made of red chalk and graphite on buff laid paper.

Study for The Feast of Love, c. 1717

Jean Antoine Watteau

Drawing on cream paper of a woman wearing a coat, seated with her hands folded, sporting unruly curly hair and a serious look.

Dorothy Pearlstein, 1973

Alice Neel

A work made of gelatin silver print.

Glass Brick and Brownstone Fronts, February 1, 1938

Berenice Abbott

Painting in brown and yellow tones of a flock of sheep at close range, one facing front and looking directly at the viewer.

Unfinished Study of Sheep, c. 1850

Constant Troyon

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