Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Jefferson Market Court and 641-661 Sixth Avenue, New York, November 24, 1937

Berenice Abbott

A work made of ink, powdered pigment and fixative on brown wove paper mounted to board.

American Costume, 1970

David Hammons

A work made of charcoal on cream wove paper (discolored to tan).

Laundress, n.d.

Théophile-Alexandre Pierre Steinlen

A work made of conté crayon on cream laid paper.

Woman Walking with a Parasol (study for La Grande Jatte), 1884

Georges Seurat

A work made of 16mm color film, sound; 45 min..

Wavelength, 1966/67

Michael Snow

A work made of graphite on ivory laid paper.

After Cézanne, 1916

Juan Gris

A work made of watercolor on white wove paper.

Guest House 3, 2002

Peter Doig

A work made of brush and gray wash, graphite, and red crayon on ivory wove paper.

"Bear with Hunter's Cap", n.d.

Charles Pearson

A work made of blue pastel, touches of graphite, on off-white wove paper.

She Sure Knew Her Devotionals, 1976

Ed Ruscha

A work made of graphite, red, orange and brown crayon, heightened with white crayon, on white laid paper, prepared with an olive green wash.

Reclining Female Nude, 1970

Paul Cadmus

A work made of black conté crayon on ivory laid paper.

Tree Trunks (study for La Grande Jatte), 1884

Georges Seurat

Painting of a woman in a dressing room reclining on an upholstered chair, her legs raised on a wooden chair, surrounded by costumes.

Waiting to Go On Stage, n.d.

Laura Knight

A work made of gouache, and pen and black ink, on off-white wove paper.

Untitled, 1938

Yves Tanguy

A work made of cotton, plain weave; cut and drawn work embroidered with silk in overcast stitches; embroidered in double running and long-armed cross stitches; beaded with glass beads.

Sampler, 1849

Hands Scraping

Hands Scraping, 1968

Richard Serra

A woman appears twice, floating on the page. At left, she reclines and looks softly to the viewer's right, head in hand. At right, she is less clearly depicted and cradles something not visible to the viewer, looking down at it. In both renderings, she wears a brown, frilly dress.

Jeanne Pontillon, c. 1893

Berthe Morisot

A work made of silk, warp-float faced satin weave; underlaid with linen, plain weave; embroidered with linen, silk, gilt-metal strips, and gilt-metal-strip-wrapped silk in satin and split stitches; laid work, couching, padded couching; beaded with coral beads; edged with gilt-metal strip and gilt-metal-strip-wrapped silk, twill and plain weaves; lined with silk, plain weave.

Chasuble, 1601/75

A work made of graphite, with traces of erasing on off-white wove paper.

Portrait of Eugenia Errazuriz, 1921

Pablo Picasso

A work made of acrylic on canvas, in hand-painted frame.

Untitled (Blindfolded Figure Facing Left and Blindfolded Figure Facing Right), c. 1969

Ray Yoshida

A work made of black chalk (recto) and graphite (verso) on pale gray laid paper.

A Stand of Elm Trees (recto); A Study of East Bergholt with the Church (verso), c. 1802

John Constable

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